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Jarvi, Bergen - Tchaikovsky: Swan Lake (2013)

Posted By: peotuvave
Jarvi, Bergen - Tchaikovsky: Swan Lake (2013)

Jarvi, Bergen - Tchaikovsky: Swan Lake (2013)
EAC Rip | Flac (Tracks + cue + log) | 598 MB | MP3 320Kbps CBR | 364 MB | 2 CDs | Full Scans
Genre: Classical | Label: Chandos | Catalog Number: 5124

This is the second instalment in our series devoted to Tchaikovsky’s three great ballets. The first recording, of The Sleeping Beauty, was praised upon its release, described by a reviewer in American Record Guide as ‘one of the finest I’ve heard’. Here Neeme Järvi and the Bergen Philharmonic Orchestra present the complete version of Swan Lake, with the pre-eminent James Ehnes lending his magic to the violin solos. This was Tchaikovsky’s first full-length ballet, but its premiere in 1877, staged at Moscow’s Bolshoy Theatre, was by no means a resounding success. According to most accounts, the choreography was inept, the shabby sets and costumes were borrowed from other productions, and the orchestral playing was poor. Most ballet companies today base their productions on the 1895 revival by the distinguished choreographer Marius Petipa. Although this revival has been seen as more ‘danceable’, one may argue that the overall cuts and reordering ultimately destroyed Tchaikovsky’s ground plan of drama and tonality. Here we present Tchaikovsky’s original Bolshoy score of twenty-nine numbers across four acts, along with two supplementary numbers which Tchaikovsky provided not long after the premiere.

Composer: Peter Ilyich Tchaikovsky
Performer: Johannes Wik, James Ehnes, Robert deMaine
Conductor: Neeme Järvi
Orchestra/Ensemble: Bergen Philharmonic Orchestra

Reviews: As has been noted in previous reviews of recordings of Tchaikovsky’s “complete” Swan Lake , there may well be as many different versions of the score as there have been productions of it. The problem is that Swan Lake is both the earliest (1875–1876) and the longest of the composer’s three great ballets, and Read more

The generally known and accepted facts are these: The ballet, with original choreography by Julius Reisinger, was staged for the first time in February, 1877 by the Bolshoi Ballet at Moscow’s Bolshoi Theater. It was not well received; audience and critics alike felt it was too long and convoluted, its music too heavy, and its libretto, adapted from a story by a German author, an affront to Russian sensibilities. And thus began the tinkering and tampering. By the time the work was revived in 1895 by the Imperial Ballet at St. Petersburg’s Mariinsky Theater there was new choreography by Marius Petipa and Lev Ivanov, along with major musical revisions to the score by the Imperial Theater’s conductor and composer, Riccardo Drigo. It should be noted that by the time of the 1895 revival, Tchaikovsky was dead and had no hand in the new performing version. Tchaikovsky and Drigo had worked together previously, but according to accounts, they didn’t agree on much of anything and their relationship was strained.

The upshot of all this is that there is no definitive Swan Lake . It was no longer a ballet by one composer, but rather a group effort; and you know the saying about a camel being a horse designed by a committee. It’s important to bear this in mind when considering the various recordings of Swan Lake that claim to be complete, for the drastic differences in timings cannot be explained by mere tempo differences alone. There have to be other factors involved, such as omission of some movements, cuts to others, and/or reliance on differing versions/editions. Let’s look at the timings of several well-known recordings, sorted in order by duration.

Conductor Orchestra Label Timing
Valery Gergiev St. Petersburg Mariinsky O Decca 106.59
Antál Dorati Minneapolis SO Mercury 131:41
Felix Slatkin St. Louis SO RCA 141:00
Mikhail Pletnev Russian National O Ondine 142.52
Dmitri Yablonsky Russian State SO Naxos 148:38
Michael Tilson Thomas London SO Sony 149:05
Mark Ermler Royal Opera House O Conifer 153.03
André Previn London SO EMI 153:02
Charles Dutoit Montréal SO Decca 153:56
Neeme Järvi Bergen PO Chandos 154:41
Wolfgang Sawallisch Philadelphia O EMI 158:45
Right off the bat, I need to offer a disclaimer: My personal familiarity with the above-listed recordings is limited to only four of them—Gergiev, Pletnev, Yablonsky, and now this new one by Järvi. Of the four, Gergiev’s version is the worst in terms of the hatchet job it does on the score. Movements are reordered—for example, the act I Waltz has been moved to act III and its ending abridged—and it’s full of egregious cuts—some 40 minutes of music are sacrificed. Gergiev’s Swan Lake is presumptively based on the Mariinsky performing version; i.e., the above-mentioned Drigo edition prepared for the 1895 St. Petersburg revival.

Looking at Pletnev’s timing of 142:52 vs. Yablonsky’s 148:58 and Järvi’s 154:41, it seems pretty obvious that that while tempo differences over the course of two and a half hours could account for the difference of approximately six minutes between Pletnev and Yablonsky and, in turn, between Yablonsky and Järvi, they’re unlikely to be the cause of the approximately 12-minute difference between Pletnev and Järvi.

Upon closer examination of all three recordings, what I found was that Yablonsky and Järvi both include two often dropped numbers from act III, the Pas de deux that was written after the fact specifically for Anna Sobeshchanskaya, and the “Danse Russe,” added specifically for Pelageya Karpakova. Pletnev omits these two additions, as do a number of others. Whether they should be included or not is a rather complex question.

Ballerinas of the day were not much different from their opera diva counterparts in terms of their egos. They had no shame when it came to demanding custom cadenzas to show off their voices or, in the case of danseuses, their fancy footwork and frilly tutus. The story surrounding Sobeshchanskaya and her Pas de deux is especially messy and borders on scandal. Originally picked to dance the lead role of Odette (the Swan) for the 1877 premiere, Sobeshchanskaya was ignominiously dropped from the cast at the last minute when a high-placed government official with whom she’d had a dalliance accused her of having taken expensive jewelry from him and then pawned it when she married a fellow danseur. On the spur of the moment, she was replaced by Pelageya Karpakova. Sobeshchanskaya survived the indignity and went on to dance the title role when the ballet was staged again a month later with no greater success than at its premiere.

But the intrigue didn’t end there. The ballerina made no bones about the fact that she hated both the choreography and the music, and so off she went to St. Petersburg, where she engaged Petipa to choreograph a new Pas de deux for her that would replace the third act’s Grand pas. Petipa complied and choreographed the new number to music, not by Tchaikovsky, but by Ludwig Minkus, the Imperial Ballet’s composer in residence.

When news of this change reached Tchaikovsky, he was miffed; his ego was probably bigger than Sobeshchanskaya’s. How dare she?! He was the composer, and he alone should take credit (or discredit) for the music. After some smoothing of his ruffled feathers, Tchaikovsky agreed to compose the music himself for Petipa’s new Pas de deux , but there was a problem. Tchaikovsky’s new music didn’t synch up with Petipa’s choreography, and Sobeshchanskaya, now back in Moscow, wasn’t about to travel back to St. Petersburg to go through the whole exercise again. She didn’t seem to care much one way or the other about the music, but she was adamant about keeping Petipa’s choreographed number. How exactly Tchaikovsky was prevailed upon to discard his newly composed music and essentially start over, this time following the outlines and rhythmic steps of Minkus’s music is not explained, but that’s what Tchaikovsky did. So, this particular episode apparently had a satisfactory ending for all involved, except, I suspect, for Minkus who surely must have felt put out. The original Grand pas with music by Tchaikovsky was replaced by Sobeshchanskaya’s Pas de deux with music first by Minkus and then by Tchaikovsky.

Based on the foregoing, it would seem that there is every reason to include this number in complete performances of the ballet, yet many conductors, Pletnev among them, don’t. The situation regarding the “Danse Russe” (Russian Dance) is much simpler and appears to be the reverse; it’s one of deletion rather than addition. It was composed for and included in the original 1877 version of the score danced by Karpakova, the premiere’s last-minute substitute for Sobeshchanskaya. The number was then removed for subsequent performances in which Sobeshchanskaya took over the role, for reasons one can easily guess. If two competing sopranos could bitch-slap each other on stage during a production of a Handel opera, there was no telling what professional jealousy might provoke between two rival ballerinas.

This describes only some of the butchery that turned Tchaikovsky’s finely feathered swan into a plucked chicken. It’s well to remember, however, that Swan Lake was not only the composer’s first completed ballet, it was really his first major stage undertaking to survive the ravages of time, even if not entirely intact. He was working on his opera Eugene Onegin at the same time, his first opera to achieve success; and though there had been earlier operatic efforts— The Voyevoda, Undina, The Oprichnik , and Vakula the Smith —they were either destroyed by the composer, recycled, later revised, or didn’t stir much interest at the time. Thus, at 37, Tchaikovsky’s greatest works still lay ahead of him, and he had yet to achieve the self-confidence that fame would bring him to be able to just say no to those who would mess with his music.

Neeme Järvi’s Swan Lake follows his Sleeping Beauty , reviewed in 36:5. I would expect to see a Nutcracker in the near future, perhaps timed to coincide with Christmas (I’m writing this in November 2013). My only objection to Järvi’s Sleeping Beauty was his somewhat business-like approach, which struck me as missing some of the music’s fairy magic. But the Bergen Philharmonic’s polished playing, James Ehnes’s ravishing violin solos, and Chandos’s thrilling multi-channel SACD recording offered much allure.

On relistening to that release, and in listening to this present one, in which Järvi, Ehnes, the Bergen orchestra, and Chandos repeat their earlier accomplishment, it occurred to me that my criticism of Järvi wasn’t entirely fair. There are two ways to conduct a ballet performance for a strictly audio recording. You can approach it as a concert work, in which case you will tend to emphasize the melodic, harmonic, and structural elements of the score, or you can approach it as a suite of dances, in which case you will emphasize the music’s rhythmic and terpsichorean aspects. Järvi falls into the former camp, and there’s nothing wrong in that, as long as he’s not directing a live production of the actual ballet, in which tempo, pacing, and phrasing need to be molded more flexibly to accommodate the movements of the dancers.

I can’t say absolutely that this is the most authoritatively complete Swan Lake on record, though in taking up the original 1877 score and including additional material supplied by Tchaikovsky himself for subsequent performances, Järvi gives us a version that’s certainly more complete than are a number of others. What I can say is that of the four recordings of the score with which I’m familiar, Järvi’s would now be my first choice, and taking all other factors into account—superb playing by the Bergen Philharmonic, James Ehnes’s beguiling solo violin contributions, and a killer recording—I’d extrapolate from this that Järvi’s Swan Lake is now the one to have.

Tracklisting:

COMPACT DISC ONE

1 Introduction. Moderato assai - Allegro ma non troppo - 2:39
Tempo I

Act I 46:08
2 1. Scene. Allegro giusto 2:51
3 2. Valse. Intrada. Tempo di valse - Valse 7:08
4 3. Scene. Allegro moderato 3:37
4. Pas de Trois
5 I. Intrada. Allegro 2:19
6 II. Andante sostenuto 2:42
7 III. Allegro simplice - Presto 1:10
8 IV. Moderato 1:07
9 V. Allegro 1:17
10 VI. Coda. Allegro vivace 1:38
5. Pas de Deux
11 I. Tempo di valse ma mon troppo vivo, quasi moderato 2:18
12 II. Andante - Allegro - Molto più mosso 4:51
James Ehnes violin
13 III. Tempo di valse - 1:24
14 IV. Coda. Allegro molto vivace 1:51
15 6. Pas d'Action. Andantino quasi moderato - Allegro 2:04
16 7. Sujet (Scene). [Moderato] - 0:48
17 8. Danse des Coupes. Tempo di polacca 6:05
18 9. Finale I. Andante 2:44

Act II 32:20
19 10. Scene. Moderato - Più mosso 2:40
20 11. Scene. Allegro moderato - Moderato - Più mosso - 5:09
Allegro vivo - L'istesso tempo -
21 12. Scene. Allegro - Moderato assai quasi andante 3:39
13. Danses des Cygnes
22 I. Tempo di valse 2:22
23 II. (Solo d'Odette.) Moderato più mosso 2:06
24 III. Tempo di valse 1:50
25 IV. [Pas de Quatre.] Allegro moderato 1:37
26 Vi. Pas d'Action (Odette et le Prince.) 7:02
Andante - Andante non troppo - Più mosso - Tempo I - Allegro - Più mosso
James Ehnes violin
Johannes Wik harp
Robert deMaine cello
27 VI. (Tour le Monde Danse.) Tempo di valse 1:30
28 VII. Coda. Allegro vivo 1:39
29 14. Scene (Finale II). Moderato - Più mosso 2:42
81:17

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EAC extraction logfile from 17. February 2015, 9:03

Neeme Järvi, James Ehnes, Bergen Philarmonic / Swan Lake

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Track 26

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All tracks accurately ripped

No errors occurred

End of status report

–– CUETools DB Plugin V2.1.4

[CTDB TOCID: tmD6Fdl9HcjTQ7YB.Y_wSFwYHw4-] found
Submit result: already submitted
Track | CTDB Status
1 | (3/3) Accurately ripped
2 | (3/3) Accurately ripped
3 | (3/3) Accurately ripped
4 | (3/3) Accurately ripped
5 | (3/3) Accurately ripped
6 | (3/3) Accurately ripped
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12 | (3/3) Accurately ripped
13 | (3/3) Accurately ripped
14 | (3/3) Accurately ripped
15 | (3/3) Accurately ripped
16 | (3/3) Accurately ripped
17 | (3/3) Accurately ripped
18 | (3/3) Accurately ripped
19 | (3/3) Accurately ripped
20 | (3/3) Accurately ripped
21 | (3/3) Accurately ripped
22 | (3/3) Accurately ripped
23 | (3/3) Accurately ripped
24 | (3/3) Accurately ripped
25 | (3/3) Accurately ripped
26 | (3/3) Accurately ripped
27 | (3/3) Accurately ripped
28 | (3/3) Accurately ripped
29 | (3/3) Accurately ripped


==== Log checksum 029AD16EC885A84EA7C5BA1012AF5CDAED0B36C3A0AE570AA1EB847368CDB585 ====


COMPACT DISC TWO

1 15. Allegro giusto 2:20
2 16. Danses du Corps de Ballet et des Nains. 2:25
Moderato assai - (Ballabile.) Allegro vivo - Trio
3 17. Scene. La Sortie des Invités et la Valse. 8:13
Allegro - Tempo di valse - Allegro - Tempo di valse - Allegro - Tempo di valse
4 18. Scene. Allegro - [Allegro] - Allegro giusto 1:41
19. Pas de Six
5 Intrada. Moderato assai 2:32
6 Variation I. Allegro 1:19
7 [Variation II.] Andante con moto 2:53
8 Variation [III]. Moderato 1:11
9 Variation [V]. Allegro 0:57
10 Variation [V]. Moderato - Allegro simplice - Più mosso 1:24
Johannes Wik harp
11 Coda. Allegro molto 1:56
19a. Pas de Deux (pour Mlle Anna Sobeshchanskaya)
12 Moderato - Andante 3:52
James Ehnes violin
13 [Variation I.] Allegro moderato 0:49
14 [Variation II.] Allegro 0:58
15 [Coda.] Allegro molto vivace 2:29
16 20. Danse Hongroise (Czardas). 3:37
Moderato assai - Allegro moderato - Vivace
17 20a. Danse Russe (pour Mlle Pelagia Karpakova). 4:12
Moderato - Cadenza - Andante simplice - Allegro vivo - Presto
James Ehnes violin
18 21. Danse Espagnole. Allegro non troppo - Tempo di bolero - 2:29
L'istesso tempo - Più mosso
19 22. Danse Napolitaine. Allegro moderato - 2:31
Andantino quasi moderato - Molto più mosso - Presto
Gary Peterson cornet
20 23. Mazurka. Tempo di mazurka - Più mosso 3:59
21 24. Scene (Finale III). 3:13
Allegro - Valse - Allegro vivo - L'istesso tempo

Act IV 18:02
22 25. Entr'acte. Moderato - 2:05
Johannes Wik harp
23 26. Scene. Allegro non troppo - 1:59
24 27. Danses des Petits Cygnes. Moderato 4:24
25 28. Scene. Allegro agitato - Molto meno mosso - Allegro vivace - 3:06
26 29. Scene Finale. Andante - Allegro agitato - 6:26
Alla breve. Moderato e maestoso - Meno mosso - Moderato
73:24

Exact Audio Copy V1.0 beta 4 from 7. December 2014

EAC extraction logfile from 17. February 2015, 11:23

Neeme Järvi, James Ehnes, Bergen Philarmonic / Swan Lake

Used drive : HL-DT-STBD-RE WH14NS40 Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:21.38 | 0 | 10612
2 | 2:21.38 | 2:25.35 | 10613 | 21522
3 | 4:46.73 | 8:13.30 | 21523 | 58527
4 | 13:00.28 | 1:41.55 | 58528 | 66157
5 | 14:42.08 | 2:32.60 | 66158 | 77617
6 | 17:14.68 | 1:20.02 | 77618 | 83619
7 | 18:34.70 | 2:53.35 | 83620 | 96629
8 | 21:28.30 | 1:11.55 | 96630 | 102009
9 | 22:40.10 | 0:57.00 | 102010 | 106284
10 | 23:37.10 | 1:24.65 | 106285 | 112649
11 | 25:02.00 | 1:59.00 | 112650 | 121574
12 | 27:01.00 | 3:52.55 | 121575 | 139029
13 | 30:53.55 | 0:49.40 | 139030 | 142744
14 | 31:43.20 | 0:58.25 | 142745 | 147119
15 | 32:41.45 | 2:29.15 | 147120 | 158309
16 | 35:10.60 | 3:37.55 | 158310 | 174639
17 | 38:48.40 | 4:12.20 | 174640 | 193559
18 | 43:00.60 | 2:29.35 | 193560 | 204769
19 | 45:30.20 | 2:31.40 | 204770 | 216134
20 | 48:01.60 | 3:59.45 | 216135 | 234104
21 | 52:01.30 | 3:17.70 | 234105 | 248949
22 | 55:19.25 | 2:05.15 | 248950 | 258339
23 | 57:24.40 | 1:59.10 | 258340 | 267274
24 | 59:23.50 | 4:24.10 | 267275 | 287084
25 | 63:47.60 | 3:06.45 | 287085 | 301079
26 | 66:54.30 | 6:26.45 | 301080 | 330074


Track 1

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\201 - Act III. Allegro giusto.wav

Pre-gap length 0:00:02.00

Peak level 79.7 %
Extraction speed 3.3 X
Track quality 100.0 %
Test CRC 81F5B209
Copy CRC 81F5B209
Accurately ripped (confidence 5) [B251B40A] (AR v2)
Copy OK

Track 2

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\202 - Danses du Corps de ballet et des Nains. Moderato assai - allegro vivo - trio.wav

Peak level 65.9 %
Extraction speed 1.1 X
Track quality 100.0 %
Test CRC CB2085BB
Copy CRC CB2085BB
Accurately ripped (confidence 5) [B3D4AB73] (AR v2)
Copy OK

Track 3

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\203 - Scene. La sortie des invités et la Valse.wav

Peak level 52.5 %
Extraction speed 1.5 X
Track quality 100.0 %
Test CRC D2F16CE1
Copy CRC D2F16CE1
Accurately ripped (confidence 5) [503BB2A4] (AR v2)
Copy OK

Track 4

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\204 - Scène. Allegro - allegro giusto.wav

Peak level 73.8 %
Extraction speed 1.3 X
Track quality 100.0 %
Test CRC 6CB56F87
Copy CRC 6CB56F87
Accurately ripped (confidence 5) [B1F5437A] (AR v2)
Copy OK

Track 5

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\205 - Intrada. Moderato assai.wav

Peak level 62.6 %
Extraction speed 1.4 X
Track quality 100.0 %
Test CRC 463166D4
Copy CRC 463166D4
Accurately ripped (confidence 5) [3F14DE9D] (AR v2)
Copy OK

Track 6

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\206 - Variation I. Allegro.wav

Peak level 35.2 %
Extraction speed 1.0 X
Track quality 99.8 %
Test CRC F8E91A47
Copy CRC F8E91A47
Accurately ripped (confidence 5) [B4A192B1] (AR v2)
Copy OK

Track 7

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\207 - Variation II. Andante con moto.wav

Peak level 60.7 %
Extraction speed 1.5 X
Track quality 100.0 %
Test CRC 3394D187
Copy CRC 3394D187
Accurately ripped (confidence 5) [C10044FC] (AR v2)
Copy OK

Track 8

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\208 - III. Moderato.wav

Peak level 35.6 %
Extraction speed 0.9 X
Track quality 99.8 %
Test CRC DE68DD3F
Copy CRC DE68DD3F
Accurately ripped (confidence 5) [110BC8E1] (AR v2)
Copy OK

Track 9

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\209 - IV. Allegro.wav

Peak level 59.2 %
Extraction speed 1.2 X
Track quality 100.0 %
Test CRC 9EED90AD
Copy CRC 9EED90AD
Accurately ripped (confidence 5) [96CC4EED] (AR v2)
Copy OK

Track 10

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\210 - V. Moderato - Allegro simplice - piu mosso.wav

Peak level 53.3 %
Extraction speed 1.4 X
Track quality 100.0 %
Test CRC B20D8AC1
Copy CRC B20D8AC1
Accurately ripped (confidence 5) [B4D43DB3] (AR v2)
Copy OK

Track 11

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\211 - Coda. Allegro Molto.wav

Peak level 68.3 %
Extraction speed 1.6 X
Track quality 100.0 %
Test CRC C40C965E
Copy CRC C40C965E
Accurately ripped (confidence 5) [744AE431] (AR v2)
Copy OK

Track 12

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\212 - Moderato - Andante.wav

Pre-gap length 0:00:03.00

Peak level 65.9 %
Extraction speed 1.6 X
Track quality 99.9 %
Test CRC A5289838
Copy CRC A5289838
Accurately ripped (confidence 5) [AB7F8580] (AR v2)
Copy OK

Track 13

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\213 - Variation I. Allegro Moderato.wav

Peak level 56.4 %
Extraction speed 1.2 X
Track quality 100.0 %
Test CRC EEEE2363
Copy CRC EEEE2363
Accurately ripped (confidence 5) [D9F35787] (AR v2)
Copy OK

Track 14

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\214 - Variation II. Allegro.wav

Peak level 46.3 %
Extraction speed 1.3 X
Track quality 100.0 %
Test CRC 1D0E8249
Copy CRC 1D0E8249
Accurately ripped (confidence 5) [42F8B27C] (AR v2)
Copy OK

Track 15

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\215 - Coda. Allegro molto vivace.wav

Peak level 70.4 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 58C5907C
Copy CRC 58C5907C
Accurately ripped (confidence 5) [C41F6F6F] (AR v2)
Copy OK

Track 16

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\216 - Danse Hongroise. Moderato assai - Allegro moderato - Vivace.wav

Peak level 66.1 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC 50718AA7
Copy CRC 50718AA7
Accurately ripped (confidence 5) [1B704E92] (AR v2)
Copy OK

Track 17

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\217 - Danse Russo - Moderato - cadanze - andante simplice - Allegro vivo - Presto.wav

Peak level 78.0 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC 0BD1BAAC
Copy CRC 0BD1BAAC
Accurately ripped (confidence 5) [F8F6C4BC] (AR v2)
Copy OK

Track 18

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\218 - Danse Espagnole. Allegro non troppo- Tempo di bolero - L'istesso tempo - Piu mosso.wav

Peak level 51.0 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC E5A2797A
Copy CRC E5A2797A
Accurately ripped (confidence 5) [28782B96] (AR v2)
Copy OK

Track 19

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\219 - Danse Napolitaine. Allegro moderato - Andantino quasi moderato - molto piu mosso - presto.wav

Peak level 69.7 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC 2DD05A41
Copy CRC 2DD05A41
Accurately ripped (confidence 5) [D2B6688F] (AR v2)
Copy OK

Track 20

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\220 - Mazurka. Tempo di mazurak - Piu mosso.wav

Peak level 64.4 %
Extraction speed 2.2 X
Track quality 100.0 %
Test CRC B77F4C51
Copy CRC B77F4C51
Accurately ripped (confidence 5) [C028E479] (AR v2)
Copy OK

Track 21

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\221 - Scène (Finale III.) Allegro - Valse - Allegro vivo - L'istesso tempo.wav

Peak level 89.6 %
Extraction speed 2.2 X
Track quality 100.0 %
Test CRC 255C1721
Copy CRC 255C1721
Accurately ripped (confidence 5) [071A10CE] (AR v2)
Copy OK

Track 22

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\222 - Act IV. Entr'acte. Moderato.wav

Pre-gap length 0:00:04.93

Peak level 53.5 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC C3B59B18
Copy CRC C3B59B18
Accurately ripped (confidence 5) [E674BF8E] (AR v2)
Copy OK

Track 23

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\223 - Scène. Allegro non troppo.wav

Peak level 46.4 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC B710C171
Copy CRC B710C171
Accurately ripped (confidence 5) [558CBB71] (AR v2)
Copy OK

Track 24

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\224 - Danses des petits Cygnes. Moderato.wav

Peak level 47.8 %
Extraction speed 2.4 X
Track quality 100.0 %
Test CRC F1A5F7FE
Copy CRC F1A5F7FE
Accurately ripped (confidence 4) [FC73A77B] (AR v2)
Copy OK

Track 25

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\225 - Scène. Allegro agitato - Molto meno mosso - Allegro vivace.wav

Peak level 91.7 %
Extraction speed 2.3 X
Track quality 100.0 %
Test CRC A7EDBDE3
Copy CRC A7EDBDE3
Accurately ripped (confidence 5) [7D02E4A2] (AR v2)
Copy OK

Track 26

Filename D:\EAC\Tchaikovsky - Swan Lake - Jarvi CHANDOS 2013 [FLAC]\226 - Scène Finale. Andante - allegro agiato - Alla breve. Moderato e maestoso - Meno mosso - Moderato.wav

Peak level 95.7 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC EF5890A5
Copy CRC EF5890A5
Accurately ripped (confidence 4) [898AF79E] (AR v2)
Copy OK


All tracks accurately ripped

No errors occurred

End of status report

–– CUETools DB Plugin V2.1.4

[CTDB TOCID: 36l5Qq36peOoA3bzv6eqYly.N_A-] found
Submit result: already submitted
Track | CTDB Status
1 | (2/2) Accurately ripped
2 | (2/2) Accurately ripped
3 | (2/2) Accurately ripped
4 | (2/2) Accurately ripped
5 | (2/2) Accurately ripped
6 | (2/2) Accurately ripped
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15 | (2/2) Accurately ripped
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17 | (2/2) Accurately ripped
18 | (2/2) Accurately ripped
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22 | (2/2) Accurately ripped
23 | (2/2) Accurately ripped
24 | (2/2) Accurately ripped
25 | (2/2) Accurately ripped
26 | (2/2) Accurately ripped


==== Log checksum C02EC5F96B829053A1164852841FEB11C8AD32FB6C83501FA7F7AADCE5B33794 ====



Thanks to the original releaser
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