Jean Tubéry, La Fenice - Giovanni Battista Bassani: La morte delusa (2002)
Jean Tubéry, La Fenice - Giovanni Battista Bassani: La morte delusa (2002)
EAC | FLAC | Image (Cue & Log) ~ 285 Mb | Total time: 62:41 | Scans included
Classical | Label: Opus 111 / Naïve | # OP 30332 | Recorded: 2001
EAC | FLAC | Image (Cue & Log) ~ 285 Mb | Total time: 62:41 | Scans included
Classical | Label: Opus 111 / Naïve | # OP 30332 | Recorded: 2001
Giovanni Battista Bassani (1657-1716), a relatively important figure in Ferrara, where he served as the cathedral’s maestro di cappella. This oratorio, which in its near-exclusive reliance on arias and recitative displays many of the dramatic characteristics of opera, was composed in 1686 as a tribute to those who died “in the Christian enterprises against the Turks” in 1683. Characteristic of many similar works of the period, its theme (the title means “Death confounded”) concerns an allegorical interaction among five characters–Death, Glory, Piety, Justice, and Lucifer–in which Death laments its powerlessness against the forces of Piety and Glory, who, along with Justice have assured the departed souls of the holy warriors an eternal existence in heaven.
The five singers–soprano, female alto, countertenor, tenor, and bass–make up the entire cast, twice joining together for ensembles at the end of Part 1 and Part 2. A very small instrumental group, consisting of violins and continuo (cello, lute, bassoon, organ, and/or harpsichord) and an occasional cornett accompanies the voices and goes solo for the two Sinfonias that open each of the work’s two major sections. The music is pretty standard stuff, the primary interest being Bassani’s vivid if predictable characterizations, from the very testy Morte (Death) and distraught Lucifer, to the oh-so-sweet Piety. The voices are all decent–soprano Emanuela Galli and countertenor Philippe Jaroussky are particularly fine–although alto Daniela del Monaco’s hard, forced quality sounds just plain uncomfortable (arguably a perfect representation of Death, I suppose). Instrumental playing is consistently energetic and very closely in sync with the singers in tempo, phrasing, and inflection.–David Vernier
Performer:
La Pietà - Emanuela Galli, soprano
La Morte - Daniela del Monaco, alto
La Gloria - Philippe Jaroussky, alto
La Giustizia - François Piolino, tenore
Lucifero - Jean-Claude Sarragosse, basso
La Fenice
Jean Tubéry, conductor
Tracklist:
Giovanni Battista Bassani (1657-1716)
La morte delusa (1696)
01. PRIMA PARTE. Sinfonia
02. Lucifero: 0 dell'Erebo cieco ed orrendo
03. Giustizia: Oziosa non siede
04. Gloria: Su gl'omeri del bronzo
05. Pietà: La Pietà non tradisce
06. Gloria: Ma non va senza fame e senza voce
07. Lucifero: Sui volumi del fato
08. Morte: Dell'ultimo periglio
09. Gloria: Per aura brieve
10. Gloria: Petto acceso di zelo
11. Pietà: Urna d'oro a poca polve
12. Lucifero: E I'ascolto, e non mordo
13. Morte: Se nel troncar le salme
14. Pietà: Un dolce sperare
15. Tutti: Sempre di morte e dell'lnferno ad onta
16. SECONDA PARTE. Sinfonia
17. Pietà: Benedetto quel partire
18. Gloria: lo, con la tromba d'oro
19. Lucifero: Né bastono i miei scorni
20. Morte: Ombre nere della tomba
21. Giustizia: Tal' è I'alta sentenza
22. Pietà: Di mia luce benigna
23. Gloria: A' siderei troni
24. Pietà: Sì, si festeggi, si
25. Coro di anime: Coronateci, stille di sangue
26. Tutti: Chi serve alla Pieta Pietade impetra
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 3. August 2019, 19:28
Ensemble La Fenice & Jean Tubéry / Bassani: La Morte delusa
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Jean Tubéry, La Fenice - Giovanni Battista Bassani: La morte delusa (2002)
Thanks to the original releaser