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Manuel Tomadin - Domenico Alberti: Complete Keyboard Music (2015) 4CDs

Posted By: Designol
Manuel Tomadin - Domenico Alberti: Complete Keyboard Music (2015) 4CDs

Manuel Tomadin - Domenico Alberti: Complete Keyboard Music (2015) 4CDs
EAC | FLAC | Image (Cue&Log) ~ 1.44 Gb | Mp3 (CBR320) ~ 647 Mb | Scans included
Classical, Baroque | Label: Brilliant Classics | # 95161 | Time: 04:37:54

The prolific Domenico Alberti squeezed a surprising number of works out of a short and eventful life, achieving fame across Western Europe, particularly for the so-called ‘Alberti bass’, an arpeggiated style of left-hand keyboard playing. Yet his presentday reputation does not equal these heights, his fame largely limited today to his Eight Sonatas. This recording puts this to rights, showcasing Alberti as a composer who deserves to be remembered for centuries to come, as a musical poet possessed of remarkable invention and imagination.

Alberti’s compositions display the simplicity and sensitivity of Clementi, the vigour of Mozart and, in the briefest of moments, an almost Schubertian or Chopinesque pre-Romanticism. His keyboard compositions are generally individual movements or twopart toccatas or sonatas, the whole full of melodic echoes and intentional reworkings, which form intriguing bridges between the pieces.

The three distinct periods in the composer’s output of keyboard music are mirrored here by the use of organ, fortepiano and harpsichord (all of which Alberti would have had to hand in his day) – corresponding also to the period practice of ‘playing on all manner of instruments’, with individual pieces often not tied down to a specific instrument. This combination adds a talented keyboardist and international award-winner Manuel Tomadin who has a particular interest in Renaissance and Baroque music and historical organs. He brings all of his expertise to bear on this superb album.

This 4 album set contains the complete keyboard music by Domenico Alberti, a First Recording.

Everything canot be a masterpiece or the greatest piece of music every written or the best composer who ever lived. There is room for the the second and third raters.l Any maybe if these "second raters" were played and patronized, their rank and the gifts they offer woulld be improved. I live in NYC and and travel widely to major capital cities. I don't attend live concerts anymore. I am sick of hearing the same old Beethoven,Mozart, and Haydn, etc. pieces. The only value in going to live concerts these days is seeing performers show-off. How often are you going to hear the Rach 3 or Chopin. In addition, virtuosi who don't win first-third place get trashed. Even the 100th seme-finalist in International Competitions is superb or at least the first 25. This is why Classical Music is dying as it should.
Unknown composers like Alberti can turn this situation around. Maybe it is too late.

Review by Dr.G., Amazon.com

Most music lovers will be familiar with the name Alberti. As a composer Domenico Alberti is largely an unknown quantity but the musical figure which is derived from his name, the Alberti bass, is a common phenomenon in music from the mid-18th century. New Grove defines it as a "left-hand accompaniment figure in keyboard music consisting of broken triads whose notes are played in the order: lowest, highest, middle, highest". It is given the name of the composer because he is considered the first to have used it. However, Filippo Emanuele Ravizzi, in the liner-notes to his recording of Alberti's sonatas op. 1 (Concerto, 2010) expresses his doubts about this claim, stating that this figure was in use well before Alberti since the beginning of the 18th century.

Domenico Alberti was from Venice and was educated as a keyboard player and a singer. Sometimes he combined these two capacities by accompanying himself. Although he received lessons from renowned masters such as Antonio Biffi and Antonio Lotti he was considered a dilettante, an amateur. As a singer he was highly admired, for instance by the castrato Farinelli who, having heard him, said: "It's lucky he is just an amateur, otherwise I would have a most fearsome rival to contend with". He also composed vocal music: two serenatas have survived as well as a large number of separate arias.

Alberti has become best known as a composer of keyboard music. The present set of discs claims to include Alberti's complete keyboard music but that is hard to substantiate. First of all, his keyboard works have not been catalogued. In New Grove Michael Talbot states that "Alberti's sonatas survive in manuscripts as complete works and isolated movements and it is not yet possible to state accurately how many survive, although the number probably exceeds 40." In the present recording some 'isolated movements' have been put together to a sonata in two movements. Unfortunately these cases are not specified and that makes it impossible to check whether all these separate movements are included. I assume that the Sonata in E/A (CD 2, tracks 11/12) is one of those 'composite' sonatas. Secondly, in his liner-notes Manuel Tomadin refers to two sonatas in the Bompiani Library in Rome "to which it was not possible to gain access".

Only eight sonatas were printed during his lifetime: the VIII Sonate per cembalo op. 1 which came from the press in 1748 in London. This was provoked by an earlier edition under the name of Giuseppe Jozzi, a harpsichordist and castrato who claimed to be Alberti's pupil. When the fraud was discovered the sonatas were reprinted under Alberti's name. These sonatas are all in two movements, mostly one in a fast and the other in a moderate tempo. This kind of sonata was written for musical entertainment and didn't include any profound thoughts. The same can be said about the unpublished sonatas.

However, some pieces deviate from the standard. Two sonatas have come down to us with the title of sonata pastorale. They have the traditional features of pastoral music of the 18th century, and these come especially to the fore in a performance on the organ. The andante which opens the Sonata pastorale in B flat has a drone in the left hand. Some sonatas come in three movements. The Sonata IV (no key given; CD 1, tracks 07-09) opens with an allegro which is followed by an andante and closes with four variations. The second three-movement sonata is the Sonata I in F (CD 3, tracks 13-15) which has the form which was more common at the time: allegro - andante - allegro. Some pieces are called toccata but they have nothing in common with the toccatas by composers of previous generations. The improvisatory traces which are a feature of such works, for instance by Frescobaldi or later by Alessandro Scarlatti, are absent here. These pieces are sonatas or sonata movements only in name.

Counterpoint is virtually absent from Alberti’s sonatas; the exception is the Sonata in a minor (CD 1, tracks 16-17) which opens with a movement called ripieno. Here the parts are equally important and during the musical discourse there is quite some harmonic tension including a couple of strong dissonants. This is certainly also due to the unequal temperament of the organ. Otherwise the role of the left hand is reduced to an accompaniment, often in the form of frequently repeated patterns. One of them, obviously, is the Alberti bass. Because of the dominance of the right hand the left hand part is not that easy to follow. The most clear demonstration of the Alberti bass is in the adagio from the Sonata in B flat (WörA10) (CD 3, track 16).

In his liner-notes Manuel Tomadin explains his choice of instruments. He mentions that some manuscripts read 'for harpsichord or fortepiano'. That is the reason that the sonatas on disc 2 are played on the fortepiano. We know that some Italian composers, for instance Benedetto Marcello, were interested in the early forms of this instrument as it had been developed by Bartolomeo Cristofori. This recording could have been an interesting demonstration of its role in Italian music before the 'post baroque' period. Unfortunately Tomadin decided to play the copy of a Walter fortepiano from 1792. That is a completely inappropriate instrument whose sound is very different from that of a Cristofori which is much closer to the harpsichord. I find this choice incomprehensible and for me it is a major flaw of this production.

That is especially regrettable as Tomadin delivers very fine performances, and that includes his playing of the fortepiano. If only he had chosen a different instrument. Copies of Cristofori fortepianos are available, so that's no excuse. This reduces the artistic value of this set. Even so, anyone who likes 18th-century keyboard music should investigate this release. This music is typical of many keyboard works written in the mid-18th century, for instance by Galuppi but also by someone like Haydn, whose early keyboard sonatas are called divertimento. However, I would advise anyone to listen to a couple at a time. I listened to the whole set in two sessions and that was sometimes a little tiresome because of the repetition of the same kind of figures in the left hand.

Review by Johan van Veen, MusicWeb-International.com

Domenico Alberti at Allmusic
Domenico Alberti at Wiki

Manuel Tomadin - Domenico Alberti: Complete Keyboard Music (2015) 4CDs



Manuel Tomadin (harpsichord, fortepiano - CD2, organ - CD1)
rec. Trieste, 3-4 & 6 October 2013 (CDs 3 & 4);
Marano Lagunare, Udine, November 5 2013 (CD1);
Treviso, 24 January 2014 (CD2)

Tracklist:

Domenico ALBERTI (1710-1740)

CD1 (1:08:59)

01. Sonata in G minor - I. Allegro (3:44)
02. Sonata in G minor - II. [Spiritoso] (3:41)
03. Sonata in D minor/major - I. [Andante] (2:22)
04. Sonata in D minor/major - II. Allegro (4:04)
05. Sonata pastorale in G major - I. Andante (7:01)
06. Sonata pastorale in G major - II. Presto (4:09)
07. Sonata IV - I. Allegro (1:51)
08. Sonata IV - II. Andante (3:25)
09. Sonata IV - III. 4 variations (2:25)
10. Toccata in B flat major, Wör A12 - I. [Allegro] (3:44)
11. Toccata in B flat major, Wör A12 - II. [Presto] (3:46)
12. Toccata in B flat major - I. [Moderato] (6:20)
13. Toccata in B flat major - II. [Allegro] (3:47)
14. Sonata in C major - I. Andante grazioso (4:25)
15. Sonata in C major - II. [Moderato] (2:09)
16. Sonata in A minor - I. Ripieno (2:44)
17. Sonata in A minor - II. [Spiritoso] (2:26)
18. Sonata pastorale in B flat major - I. Andante (3:21)
19. Sonata pastorale in B flat major - II. [Moderato] (3:36)


CD2 (1:01:40)

01. Sonata in C major - I. (6:16)
02. Sonata in C major - II. (4:09)
03. Toccata in F major (6:09)
04. Sonata in D minor/major - I. Largo (2:22)
05. Sonata in D minor/major - II. Andante (4:31)
06. Sonata in G major - Allegro (4:12)
07. Sonata in E flat major - I. Andante (11:24)
08. Sonata in E flat major - II. Allegro (3:54)
09. Sonata in B flat major - I. Allegro moderato (3:40)
10. Sonata in B flat major - II. Allegro (3:09)
11. Sonata in E/A major - I. Larghetto (2:24)
12. Sonata in E/A major - II. Allegretto (9:29)


CD3 (1:12:46)

01. Toccata in D major (3:53)
02. Sonata in A major - I. (2:30)
03. Sonata in A major - II. (3:09)
04. Sonata II in F major - I. Allegro-Rondo (5:50)
05. Sonata II in F major - II. Andante (1:44)
06. Sonata II in F major - III. Allegro (4:00)
07. Sonata in G major, Wör A15 (4:35)
08. Toccata in C major, Wör A11 - I. [Presto] (4:09)
09. Toccata in C major, Wör A11 - II. Allegro (2:09)
10. Toccata in F major, Wör A9 - I. Andantino (3:25)
11. Toccata in F major, Wör A9 - II. Giga (2:12)
12. Sonata in G major, Wör A16 (4:08)
13. Sonata I in F major - I. Allegro (4:15)
14. Sonata I in F major - II. Andante (2:58)
15. Sonata I in F major - III. Allegro (3:50)
16. Sonata in B flat major, Wör A10 - I. Adagio (5:32)
17. Sonata in B flat major, Wör A10 - II. Allegro (4:52)
18. Sonata in F major, Wör A19 - I. [Andante] (4:38)
19. Sonata in F major, Wör A19 - II. Allegro (4:54)


CD4 (1:14:28)

01. Sonata in G major, Op.1 No.1 - I. Andante (6:26)
02. Sonata in G major, Op.1 No.1 - II. Andante (2:36)
03. Sonata in F major, Op.1 No.2 - I. Allegro moderato (4:01)
04. Sonata in F major, Op.1 No.2 - II. Allegro assai (4:12)
05. Sonata in C major, Op.1 No.3 - I. Allegro ma non tanto (4:38)
06. Sonata in C major, Op.1 No.3 - II. Menuet (2:19)
07. Sonata in G minor, Op.1 No.4 - I. Allegro (3:46)
08. Sonata in G minor, Op.1 No.4 - II. Presto (Giga) (2:39)
09. Sonata in A major, Op.1 No.5 - I. Allegro moderato (3:28)
10. Sonata in A major, Op.1 No.5 - II. Allegro (4:20)
11. Sonata in G major, Op.1 No.6 - I. Allegro moderato (5:20)
12. Sonata in G major, Op.1 No.6 - II. Allegro (2:14)
13. Sonata in F major, Op.1 No.7 - I. Allegro (4:03)
14. Sonata in F major, Op.1 No.7 - II. Tempo di menuet (4 variations) (5:35)
15. Sonata in G major, Op.1 No.8 - I. Allegro (4:20)
16. Sonata in G major, Op.1 No.8 - II. Presto assai (5:22)
17. Sonata in B flat major - I. (3:58)
18. Sonata in B flat major - II. (5:12)


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Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database
Track 14 not present in database
Track 15 not present in database
Track 16 not present in database
Track 17 not present in database
Track 18 not present in database
Track 19 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum EABC058C66ECC10F0C5E3C445A0F6A243E57C2475E21AEC8D0C4DE612D944D22 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-04-13 01:51:14

––––––––––––––––––––––––––––––––––––––––
Analyzed: Manuel Tomadin / Alberti - Complete Keyboard Music - CD3
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.00 dB -20.21 dB 3:53 01-Toccata in D major
DR13 -4.00 dB -20.41 dB 2:30 02-Sonata in A major - I.
DR11 -6.08 dB -20.77 dB 3:09 03-Sonata in A major - II.
DR12 -4.31 dB -18.07 dB 5:50 04-Sonata II in F major - I. Allegro-Rondт
DR13 -9.37 dB -24.07 dB 1:44 05-Sonata II in F major - II. Andante
DR13 -4.00 dB -18.93 dB 4:00 06-Sonata II in F major - III. Allegro
DR11 -4.00 dB -17.64 dB 4:35 07-Sonata in G major, Wor A15
DR11 -5.00 dB -18.21 dB 4:09 08-Toccata in C major, Wor A11 - I. [Presto]
DR11 -5.47 dB -19.38 dB 2:09 09-Toccata in C major, Wor A11 - II. Allegro
DR12 -7.08 dB -22.29 dB 3:25 10-Toccata in F major, Wor A9 - I. Andantino
DR11 -4.00 dB -18.24 dB 2:12 11-Toccata in F major, Wor A9 - II. Giga
DR11 -4.00 dB -17.82 dB 4:08 12-Sonata in G major, Wor A16
DR12 -4.00 dB -18.14 dB 4:15 13-Sonata I in F major - I. Allegro
DR13 -8.25 dB -23.36 dB 2:58 14-Sonata I in F major - II. Andante
DR13 -4.94 dB -19.65 dB 3:50 15-Sonata I in F major - III. Allegro
DR12 -6.92 dB -22.23 dB 5:32 16-Sonata in B flat major, Wor A10 - I. Adagio
DR12 -4.00 dB -17.92 dB 4:52 17-Sonata in B flat major, Wor A10 - II. Allegro
DR12 -5.01 dB -18.57 dB 4:38 18-Sonata in F major, Wor A19 - I. [Andante]
DR12 -4.00 dB -18.62 dB 4:54 19-Sonata in F major, Wor A19 - II. Allegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 19
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 885 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 4. April 2016, 22:10

Manuel Tomadin / Alberti - Complete Keyboard Music - CD4

Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:26.23 | 0 | 28972
2 | 6:26.23 | 2:36.17 | 28973 | 40689
3 | 9:02.40 | 4:01.27 | 40690 | 58791
4 | 13:03.67 | 4:11.41 | 58792 | 77657
5 | 17:15.33 | 4:37.63 | 77658 | 98495
6 | 21:53.21 | 2:19.05 | 98496 | 108925
7 | 24:12.26 | 3:45.68 | 108926 | 125868
8 | 27:58.19 | 2:39.22 | 125869 | 137815
9 | 30:37.41 | 3:27.38 | 137816 | 153378
10 | 34:05.04 | 4:20.14 | 153379 | 172892
11 | 38:25.18 | 5:19.42 | 172893 | 196859
12 | 43:44.60 | 2:13.40 | 196860 | 206874
13 | 45:58.25 | 4:02.61 | 206875 | 225085
14 | 50:01.11 | 5:34.53 | 225086 | 250188
15 | 55:35.64 | 4:19.70 | 250189 | 269683
16 | 59:55.59 | 5:22.20 | 269684 | 293853
17 | 65:18.04 | 3:57.71 | 293854 | 311699
18 | 69:16.00 | 5:12.00 | 311700 | 335099


Range status and errors

Selected range

Filename C:\temp\Alberti - Complete Keyboard Music\CD4\Alberti - Complete Keyboard Music - CD4.wav

Peak level 63.0 %
Extraction speed 2.3 X
Range quality 100.0 %
Test CRC 27F7AF78
Copy CRC 27F7AF78
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 1) [50DCC8E6] (AR v2)
Track 2 accurately ripped (confidence 1) [28B7F674] (AR v2)
Track 3 accurately ripped (confidence 1) [EC737553] (AR v2)
Track 4 accurately ripped (confidence 1) [BB35590A] (AR v2)
Track 5 accurately ripped (confidence 1) [F6BCDA86] (AR v2)
Track 6 accurately ripped (confidence 1) [EB6466FF] (AR v2)
Track 7 accurately ripped (confidence 1) [D6334987] (AR v2)
Track 8 accurately ripped (confidence 1) [F2282954] (AR v2)
Track 9 accurately ripped (confidence 1) [7D71C5CE] (AR v2)
Track 10 accurately ripped (confidence 1) [F30102F8] (AR v2)
Track 11 accurately ripped (confidence 1) [CE9B0B8A] (AR v2)
Track 12 accurately ripped (confidence 1) [A60C88DC] (AR v2)
Track 13 accurately ripped (confidence 1) [6D80BAFB] (AR v2)
Track 14 accurately ripped (confidence 1) [C7F429A5] (AR v2)
Track 15 accurately ripped (confidence 1) [2242AB9F] (AR v2)
Track 16 accurately ripped (confidence 1) [1EA01CB6] (AR v2)
Track 17 accurately ripped (confidence 1) [6B1A6190] (AR v2)
Track 18 accurately ripped (confidence 1) [132C1930] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 4B4E083C4B96873950FD82087C14992CC3E0961CE692C56D740FC67D29DE0D10 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-04-13 01:51:42

––––––––––––––––––––––––––––––––––––––––
Analyzed: Manuel Tomadin / Alberti - Complete Keyboard Music - CD4
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -8.68 dB -23.01 dB 6:26 01-Sonata in G major, Op.1 No.1 - I. Andante
DR13 -4.00 dB -20.45 dB 2:36 02-Sonata in G major, Op.1 No.1 - II. Andante
DR12 -6.05 dB -19.89 dB 4:01 03-Sonata in F major, Op.1 No.2 - I. Allegro moderato
DR12 -4.00 dB -19.91 dB 4:12 04-Sonata in F major, Op.1 No.2 - II. Allegro assai
DR12 -6.83 dB -20.39 dB 4:38 05-Sonata in C major, Op.1 No.3 - I. Allegro ma non tanto
DR13 -6.00 dB -22.58 dB 2:19 06-Sonata in C major, Op.1 No.3 - II. Menuet
DR12 -4.03 dB -18.33 dB 3:46 07-Sonata in G minor, Op.1 No.4 - I. Allegro
DR12 -4.00 dB -18.84 dB 2:39 08-Sonata in G minor, Op.1 No.4 - II. Presto (Giga)
DR12 -9.79 dB -24.15 dB 3:28 09-Sonata in A major, Op.1 No.5 - I. Allegro moderato
DR13 -4.00 dB -19.36 dB 4:20 10-Sonata in A major, Op.1 No.5 - II. Allegro
DR12 -8.50 dB -22.00 dB 5:20 11-Sonata in G major, Op.1 No.6 - I. Allegro moderato
DR12 -4.00 dB -19.70 dB 2:14 12-Sonata in G major, Op.1 No.6 - II. Allegro
DR12 -6.82 dB -20.38 dB 4:03 13-Sonata in F major, Op.1 No.7 - I. Allegro
DR12 -4.00 dB -19.47 dB 5:35 14-Sonata in F major, Op.1 No.7 - II. Tempo di menuet (4 variations)
DR12 -4.68 dB -18.91 dB 4:20 15-Sonata in G major, Op.1 No.8 - I. Allegro
DR13 -4.00 dB -19.33 dB 5:22 16-Sonata in G major, Op.1 No.8 - II. Presto assai
DR13 -4.99 dB -21.84 dB 3:58 17-Sonata in B flat major - I.
DR13 -4.00 dB -18.85 dB 5:12 18-Sonata in B flat major - II.
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 18
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 866 kbps
Codec: FLAC
================================================================================

Manuel Tomadin - Domenico Alberti: Complete Keyboard Music (2015) 4CDs

All thanks to original releaser - A-Z

More interesting music in My Blog