Michael McDonald - Motown Two (2004) [Re-Up]

×

Michael McDonald - Motown Two (2004) [Re-Up]

Close

Michael McDonald's 2003 album of Motown covers, modestly titled Motown, was his biggest hit in well over a decade, so it only made sense that he returned with a sequel to the record a little over a year later — after all, might as well strike while the iron is hot. Logically titled Motown Two, the album follows the same blueprint as the first record, offering highly polished, professionally produced, expertly performed interpretations of gems from the Motown vaults; it's the sound of young America in the '60s reinterpreted for the adults of the new millennium. While the sound is the same, there are a couple of important differences this time around. First of all, there are a few celebrity cameos, a sign that this project has a higher profile than the first Motown record.

×

Michael McDonald - Motown Two (2004) [Re-Up]

Close

These cameos — Billy Preston on "You're All I Need to Get By," Stevie Wonder playing harmonica on his own "I Was Made to Love Her," a duet with Toni Braxton, "Stop, Look, Listen (To Your Heart)" — all fit seamlessly into the album, and actually enrich it, giving it a warm, open-hearted feel, which is also reflected in a looser performance from McDonald himself. Last time, he was in typically fine voice, but here he really digs into the songs, making this a better listen in terms of sheer performance, but what really distinguishes this album — and what makes it different from its predecessor — is that there's a slightly adventurous streak in the choice of songs. There are big hits here, to be sure — "Reach out, I'll Be There," "Baby I Need Your Lovin'," "Tracks of My Tears," "What's Goin' On," "Nowhere to Run" — but McDonald has also dug out some lesser-known tunes like "Tuesday Heartbreak," "After the Dance," and "Baby I'm for Real" that make this album a richer, more enjoyable listen than before. It's the rare sequel that improves on the original.(This edition contains an additional CD of bonus material.)

×

Michael McDonald - Motown Two (2004) [Re-Up]

Close

Biography by Stephen Thomas Erlewine
With his husky, soulful baritone, Michael McDonald became one of the most distinctive and popular vocalists to emerge from the laid-back California pop/rock scene of the late '70s. McDonald found the middle ground between blue-eyed soul and smooth soft rock, a sound that made him a star. He initially essayed his signature style with the Doobie Brothers, ushering in the group's most popular period with hits like "What a Fool Believes" and "Taking It to the Streets." McDonald disbanded the group in 1982 to pursue a solo career, which was initially quite successful, but by the end of the decade his popularity had faded away, since he was reluctant to work regularly and hesitant to update his sound to suit shifting popular tastes.
After singing backup on several Steely Dan albums in the mid-'70s, Michael McDonald joined the Doobie Brothers in 1977. He was largely responsible for moving the group away from boogie rock and toward polished, jazzy blue-eyed soul. Prior to the Doobies' farewell tour in 1982, he sang harmony on several hit singles, including tracks by Donna Summer, Toto, Kenny Loggins, and Christopher Cross. As it turned out, McDonald's solo work was a cross between the Doobie Brothers' white-bread soul and Cross' adult contemporary ballads.
McDonald released his solo debut, If That's What It Takes, in 1982. The record climbed to number six on the strength of the number four single "I Keep Forgettin' (Every Time You're Near)," which also crossed over into the R&B Top Ten. In 1983, he had another Top 20 pop hit (and a Top Ten R&B hit) with his duet with James Ingram, "Yah Mo B There." McDonald didn't deliver his second solo album, No Lookin' Back, until 1985. The record wasn't as successful as its predecessor, producing only one moderate hit in its title track. He bounced back the following year, when his duet with Patti LaBelle, "On My Own," shot to number one and "Sweet Freedom," his theme for the Billy Crystal/Gregory Hines comedy Running Scared, climbed into the Top Ten.
Instead of capitalizing on his revitalized success, McDonald didn't release another album until 1990. The resulting Take It to Heart was a bomb, peaking at number 110. Two years later, his fortunes were revived somewhat when he sang on Aretha Franklin's minor hit "Ever Changing Times" and toured with Donald Fagen's New York Rock and Soul Revue. The following year, he released Blink of an Eye, which was ignored. In 1994, "I Keep Forgettin' (Every Time You're Near)" was sampled heavily in Warren G's smash hit "Regulate." By 1996, McDonald had returned to the Doobie Brothers, touring the oldies circuit with the reunited group. The following year, McDonald released Blue Obsession, his first album of new material in three years. He released a Christmas album (In the Spirit: A Christmas Album) in 2001, and began a series of recordings devoted to the Motown catalog with 2003's Motown. Motown Two and Soul Speak followed in 2004 and 2008 respectively.