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Niels Viggo Bentzon - The Tempered Piano - CD 5

Posted By: Swervedriver55
Niels Viggo Bentzon - The Tempered Piano - CD 5

Niels Viggo Bentzon - The Tempered Piano - CD 5
EAC RIP | FLAC + CUE + LOG | COVER (FRONT and BACK), NO BOOKLET | RAR FILES (3% recovery) | 250 Mb
Classical | 2010 | Classico

Niels Viggo Bentzon - The Tempered Piano - CD 5

The Tempered Piano by Niels Viggo Bentzon consists of 13 volumes of preludes and fugues.
The forthcoming days I will be posting the 15 CD-set with all 13 volumes. Stay Tuned.

Niels Viggo Bentzon (1919-2000): Composer and much more. His musical career began with learning to play the piano and the organ. By the time Niels Viggo Bentzon took his degree as an organist in 1942, he had already written 19 works, most of which were for the piano. Bentzon left a most diverse output of more than 600 opus numbers. If one has a look at Niels Viggo Bentzon’s extensive life’s work, one quickly realises that the music for piano assumes a central role. This is not surprising: When presenting Bentzon the composer, one invariably has to mention Bentzon the pianist. When it comes to this artist, one can simply detect a predilection for the piano as musical medium. This combination of creator and performer finds his expression in a quite distinctive music, in which the two approaches form the background of a productive synthesis of system and freedom. The composer’s need for control over the material, and the pianist’s desire for free-wheeling fantasy, together create a kind of music that has been described as ‘structured improvisation’. This description of the music, as a balance between rigid structure and free gesture, can be heard in much of Bentzon’s music. It is, both literally and figuratively, a music that goes into the outermost registers: from lyrical, vegetating surfaces of sound that end time, to brilliant, virtuosic phrases or branches of notes of forceful energetic outbursts, as e.g. in the Partita op. 38, which, with good reason, became the big break-through for the 25-year-old composer. Through the 1940s, Niels Viggo Bentzon wrote works for piano that secured his position as the new, young, impetuous genius. Already at that time, Bentzon had an insatiable craving for discussing, mediating and provoking. He took part in playing the music of Arnold Schönberg in Denmark in a period when the Carl Nielsen tradition was very strong. But Bentzon wished to get out of his rut, to absorb influences from the newest trends in art music. In his extensive oevre, we also find an abundance of chamber music, symphonies, oratorios, operas, works for string ensembles, concertos, string quartets, music for wind quintet, and much more. In the music of Bentzon, we are not dealing with retrospective tonal music, even though the composer is not afraid to use the familiar techniques of music history, such as fugue and variation. Bentzon got titles such as Toccata, Passacaglia and Partita from the musical forms of the Baroque, and, directly inspired by J. S. Bach, he wrote a large-scale piano cycle entitled The Tempered Piano. As a listener, then, one recognises expressions and phrases from the classical-romantic repertory. It is music that stands shoulder by shoulder with tradition, but at the same time points beyond it. Perhaps it is this exact feature of Bentzon’s music - the various different expressions and the compositional inventiveness - that has caused the works of the composer to evoke a response with such a wide audience, from jazz-enthusiasts to those interested in contemporary music. If the music can be characterised as pluralistic with a multitude of approaches, then this characteristic goes hand in hand with a description of the man Niels Viggo Bentzon; being the all-encompassing, culturally engaged person that he was, the traditional division into genres and working fields seems all too limited. In order to satisfy his creating vein, the artist also worked as painter, provocateur, writer, debater, and teacher. The cultural activist Niels Viggo Bentzon engaged in the most diversified culture phenomena - like a sponge, he absorbed impressions from his surroundings and transformed them in his own, deeply original universe.

© Anders Beyer 2000
Tracks

01. Volume 5: Prelude No. 1 [0:01:22.98]
02. Volume 5: Fugue No. 1 [0:01:39.78]
03. Volume 5: Prelude No. 2 [0:01:17.41]
04. Volume 5: Fugue No. 2 [0:01:30.26]
05. Volume 5: Prelude No. 3 [0:00:55.68]
06. Volume 5: Fugue No. 3 [0:01:08.30]
07. Volume 5: Prelude No. 4 [0:01:51.58]
08. Volume 5: Fugue No. 4 [0:03:30.18]
09. Volume 5: Prelude No. 5 [0:00:48.80]
10. Volume 5: Fugue No. 5 [0:01:38.72]
11. Volume 5: Prelude No. 6 [0:00:28.41]
12. Volume 5: Fugue No. 6 [0:00:25.12]
13. Volume 5: Prelude No. 7 [0:00:48.57]
14. Volume 5: Fugue No. 7 [0:01:13.78]
15. Volume 5: Prelude No. 8 [0:01:31.85]
16. Volume 5: Fugue No. 8 [0:01:24.88]
17. Volume 5: Prelude No. 9 [0:00:26.84]
18. Volume 5: Fugue No. 9 [0:01:21.82]
19. Volume 5: Prelude No. 10 [0:01:25.72]
20. Volume 5: Fugue No. 10 [0:02:56.00]
21. Volume 5: Prelude No. 11 [0:00:29.81]
22. Volume 5: Fugue No. 11 [0:00:47.41]
23. Volume 5: Prelude No. 12 [0:01:45.04]
24. Volume 5: Fugue No. 12 [0:04:46.44]
25. Volume 5: Prelude No. 13 [0:01:05.33]
26. Volume 5: Fugue No. 13 [0:00:29.76]
27. Volume 5: Prelude No. 14 [0:01:06.82]
28. Volume 5: Fugue No. 14 [0:01:21.82]
29. Volume 5: Prelude No. 15 [0:02:25.72]
30. Volume 5: Fugue No. 15 [0:01:15.50]
31. Volume 5: Prelude No. 16 [0:02:06.58]
32. Volume 5: Fugue No. 16 [0:01:48.94]
33. Volume 5: Prelude No. 17 [0:00:32.45]
34. Volume 5: Fugue No. 17 [0:00:40.68]
35. Volume 5: Prelude No. 18 [0:00:25.53]
36. Volume 5: Fugue No. 18 [0:00:56.78]
37. Volume 5: Prelude No. 19 [0:01:43.97]
38. Volume 5: Fugue No. 19 [0:00:54.09]
39. Volume 5: Prelude No. 20 [0:00:51.40]
40. Volume 5: Fugue No. 20 [0:01:18.98]
41. Volume 5: Prelude No. 21 [0:02:26.88]
42. Volume 5: Fugue No. 21 [0:00:47.96]
43. Volume 5: Prelude No. 22 [0:00:52.14]
44. Volume 5: Fugue No. 22 [0:01:57.40]
45. Volume 5: Prelude No. 23 [0:01:18.66]
46. Volume 5: Fugue No. 23 [0:01:21.90]
47. Volume 5: Prelude No. 24 [0:01:19.21]
48. Volume 5: Fugue No. 24 [0:02:46.29]


Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 1. October 2011, 23:29

Niels Viggo Bentzon / The Tempered Piano (CD 5)

Used drive : TSSTcorpCDDVDW SH-S223C Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 697
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -0 -T "artist=%artist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "tracknumber=%tracknr%" -T "genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:22.74 | 0 | 6223
2 | 1:22.74 | 1:39.59 | 6224 | 13707
3 | 3:02.58 | 1:17.31 | 13708 | 19513
4 | 4:20.14 | 1:30.20 | 19514 | 26283
5 | 5:50.34 | 0:55.51 | 26284 | 30459
6 | 6:46.10 | 1:08.23 | 30460 | 35582
7 | 7:54.33 | 1:51.44 | 35583 | 43951
8 | 9:46.02 | 3:30.14 | 43952 | 59715
9 | 13:16.16 | 0:48.60 | 59716 | 63375
10 | 14:05.01 | 1:38.54 | 63376 | 70779
11 | 15:43.55 | 0:28.31 | 70780 | 72910
12 | 16:12.11 | 0:25.09 | 72911 | 74794
13 | 16:37.20 | 0:48.43 | 74795 | 78437
14 | 17:25.63 | 1:13.59 | 78438 | 83971
15 | 18:39.47 | 1:31.64 | 83972 | 90860
16 | 20:11.36 | 1:24.66 | 90861 | 97226
17 | 21:36.27 | 0:26.63 | 97227 | 99239
18 | 22:03.15 | 1:21.62 | 99240 | 105376
19 | 23:25.02 | 1:25.54 | 105377 | 111805
20 | 24:50.56 | 2:56.00 | 111806 | 125005
21 | 27:46.56 | 0:29.61 | 125006 | 127241
22 | 28:16.42 | 0:47.31 | 127242 | 130797
23 | 29:03.73 | 1:45.03 | 130798 | 138675
24 | 30:49.01 | 4:46.33 | 138676 | 160158
25 | 35:35.34 | 1:05.25 | 160159 | 165058
26 | 36:40.59 | 0:29.57 | 165059 | 167290
27 | 37:10.41 | 1:06.62 | 167291 | 172302
28 | 38:17.28 | 1:21.62 | 172303 | 178439
29 | 39:39.15 | 2:25.54 | 178440 | 189368
30 | 42:04.69 | 1:15.38 | 189369 | 195031
31 | 43:20.32 | 2:06.44 | 195032 | 204525
32 | 45:27.01 | 1:48.71 | 204526 | 212696
33 | 47:15.72 | 0:32.34 | 212697 | 215130
34 | 47:48.31 | 0:40.51 | 215131 | 218181
35 | 48:29.07 | 0:25.40 | 218182 | 220096
36 | 48:54.47 | 0:56.59 | 220097 | 224355
37 | 49:51.31 | 1:43.73 | 224356 | 232153
38 | 51:35.29 | 0:54.07 | 232154 | 236210
39 | 52:29.36 | 0:51.30 | 236211 | 240065
40 | 53:20.66 | 1:18.74 | 240066 | 245989
41 | 54:39.65 | 2:26.66 | 245990 | 257005
42 | 57:06.56 | 0:47.72 | 257006 | 260602
43 | 57:54.53 | 0:52.11 | 260603 | 264513
44 | 58:46.64 | 1:57.30 | 264514 | 273318
45 | 60:44.19 | 1:18.50 | 273319 | 279218
46 | 62:02.69 | 1:21.68 | 279219 | 285361
47 | 63:24.62 | 1:19.16 | 285362 | 291302
48 | 64:44.03 | 2:46.22 | 291303 | 303774


Range status and errors

Selected range

Filename F:\My recordings\Bentzon, Niels Viggo\Bentzon 03\Bentzon The Tempered Piano CD 5\Niels Viggo Bentzon - The Tempered Piano (CD 5).wav

Peak level 92.7 %
Extraction speed 14.8 X
Range quality 100.0 %
Test CRC A2CF84AF
Copy CRC A2CF84AF
Copy OK

No errors occurred


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End of status report

==== Log checksum 8DDC9D0CE51010365FCE1C7CA5A0FD3FB1012287ECC3E52CB77035F4843A6B1A ====

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