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Roy Roberts - Deeper Shade Of Blue (1999)

Date: 2 Mar 2012 10:29:05

Robert's brand of blues comes from the R&B side of the book, a style he honed to perfection as guitarist for Dee Clark, Solomon Burke, Eddie Floyd and others. His second Kingsnake release finds him mining the same turf of slow blues, soul numbers and dance tracks as his 1997 outing, Every Shade of Blue. Standout tracks include "I'll Chase Your Blues Away," "Let Our Love Last Forever," "Mr. D.J." and duets with Little Royal on "I've Been Makin' Love" and Priscilla Price on "We're Gonna Work It Out."–by Cub Koda

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Tracklist
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1. Let Me Help You Tonight 3:52
2. Blues Get Off My Shoulder 3:19
3. Tonight Your Love Belongs To Me 3:46
4. Mr. D.J. 3:25
5. I Tried 5:28
6. I Can't Go On 3:46
7. I'll Chase Your Blues Away 6:16
8. Learning To Love You Again 3:24
9. My Shades Of Blue 5:29
10. I've Been Makin' Love 4:09
11. Let Our Love Last Forever 5:10
12. We Always Work It On Out 3:50

Personnel:
Roy Roberts - Vocals,Guitar
Priscilla Price,Little Royal - Vocals
Mark Von Mourick - Guitar,Drums
Ace Moreland - Guitar
Sonny Rhodes - Lap Steel Guitar
Wally West - Soprano Saxophone,Tenor Saxophone,Baritone Saxophone
R. Mark Black (Tenor Saxophone
Rusty Smith - Trumpet,Flugelhorn,Trombone
Mark Black - Horns
Doug Bare - Piano,Organ
Ronnie Foster,Byrd Foster - Drums

EAC LOG

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 28. February 2012, 13:58

Roy Roberts / Deeper Shade Of Blue

Used drive : ASUS DRW-24B1LT Adapter: 3 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:52.29 | 0 | 17428
2 | 3:52.29 | 3:19.34 | 17429 | 32387
3 | 7:11.63 | 3:46.43 | 32388 | 49380
4 | 10:58.31 | 3:25.63 | 49381 | 64818
5 | 14:24.19 | 5:28.73 | 64819 | 89491
6 | 19:53.17 | 3:46.43 | 89492 | 106484
7 | 23:39.60 | 6:16.50 | 106485 | 134734
8 | 29:56.35 | 3:24.00 | 134735 | 150034
9 | 33:20.35 | 5:29.36 | 150035 | 174745
10 | 38:49.71 | 4:09.38 | 174746 | 193458
11 | 42:59.34 | 5:10.68 | 193459 | 216776
12 | 48:10.27 | 3:50.08 | 216777 | 234034

Range status and errors

Selected range

Filename D:\MUSIK\BLUES\ROY ROBERTS\Roy Roberts - Deeper Shade Of Blue [FLAC] (1999)\Roy Roberts - Deeper Shade Of Blue.wav

Peak level 100.0 %
Extraction speed 7.1 X
Range quality 99.9 %
Copy CRC AA107858
Copy OK

No errors occurred

AccurateRip summary

Track 1 cannot be verified as accurate (confidence 1) [8E2747C1], AccurateRip returned [0381DD52] (AR v2)
Track 2 cannot be verified as accurate (confidence 1) [EE0EB3B1], AccurateRip returned [5A60E3FD] (AR v2)
Track 3 cannot be verified as accurate (confidence 1) [50F68AA6], AccurateRip returned [BEFAEF30] (AR v2)
Track 4 cannot be verified as accurate (confidence 1) [9ED26F6A], AccurateRip returned [65585679] (AR v2)
Track 5 cannot be verified as accurate (confidence 1) [6A14C5FE], AccurateRip returned [81E0DFA0] (AR v2)
Track 6 cannot be verified as accurate (confidence 1) [B4AADA84], AccurateRip returned [CA4CF5CF] (AR v2)
Track 7 cannot be verified as accurate (confidence 1) [8AC5FB3B], AccurateRip returned [6E82DB01] (AR v2)
Track 8 cannot be verified as accurate (confidence 1) [9268CCEC], AccurateRip returned [CB63F4F7] (AR v2)
Track 9 cannot be verified as accurate (confidence 1) [5AA71093], AccurateRip returned [2C3AE8D7] (AR v2)
Track 10 cannot be verified as accurate (confidence 1) [34295C21], AccurateRip returned [29A131C8] (AR v2)
Track 11 cannot be verified as accurate (confidence 1) [9D2B12B9], AccurateRip returned [A8DCA613] (AR v2)
Track 12 cannot be verified as accurate (confidence 1) [6A423F21], AccurateRip returned [DA436E31] (AR v2)

No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

==== Log checksum 5AE725F5F19FD0FC247F59B1345C6B6E80B325B36AAA1ABC1BE9F79CF5BB5D20 ====

AllMusic
Official Website

BIO: Roy Roberts became hooked on music while growing up in a small town in Tennessee, listening to blues and R&B on radio stations WLAC out of Nashville. Jimmy Reed’s “Baby What You Want Me to Do” was the clincher and at the age of 14, Roy worked on a nearby farm to earn the money for his first guitar, a mail order Sears Silvertone.
When he turned 18, he moved to Greensboro, North Carolina to live with an uncle. There he had another inspiration to become a professional musician, when he and a carload of friends happened upon a nightclub where Jerry Butler was performing and making quite an impression on the ladies. Roy sharpened his skills while playing in makeshift bands until he landed a job with local hero Guitar Kimbers’ Untouchables. Before long, Roy was backing up major artists who came through town. One of those artists, Solomon Burke, took young Roy under his wing after letting him sit in as a bass player during a local gig. He was soon handling the guitar chores behind the future soul legend on tour. Roberts subsequently picked up touring gigs with such luminaries as Eddie Floyd, “Little” Stevie Wonder, Dee Clark, and Otis Redding, while fronting his own band, The Roy Roberts Experience, on the regional club scene and Southeastern beach town circuit.
Roy began to cut records in the mid-sixties, staying mostly behind the scenes as a session man. The tragic death of Otis Redding inspired him to step up to the microphone with a song dedicated to the late crooner. The record was released on Nina Simone’s NinaAndy label and backed by an ace studio band. Roy followed this successful effort with a string of 45’s that carried him well into the seventies. During the disco years, Roy turned his talents to country music, touring with the great O.B. McClinton and releasing a number of country records. After a brief hiatus from the music scene, Roy built a recording studio in Virginia in 1989, where he produced records by regional gospel artists and cut a gospel record of his own.
One day in the early nineties, he heard a young Robert Cray singing the blues on the radio. “That cat’s got my style,” he declared, and got the blues fever once again. Besides recording his own material on Rock House, Roberts has produced albums for the label by Priscilla Price, Lou Pride, Chick Willis, Skeeter Brandon, Floyd Miles, Eddie Floyd, and many more. Roy continues to record and produce records for his label, and tours the U.S. and Europe regularly. After receiving numerous awards, Roy has earned his place among the finest artists playing blues today.

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