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Tom Rush: Tom Rush (1970) & Wrong End Of The Rainbow (1970) [1997, BGO Records, BGOCD361]

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Tom Rush: Tom Rush (1970) & Wrong End Of The Rainbow (1970) [1997, BGO Records, BGOCD361]

Tom Rush: Tom Rush (1970) & Wrong End Of The Rainbow (1970)
EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
Folk Rock / Country Rock | ~ 412 or 414 or 188 Mb | Covers Included
1997 | BGO Records, BGOCD361

In 1997, BGO released Tom Rush/Wrong End of the Rainbow, which contained two complete albums – Tom Rush (1970, originally released on Columbia) and Wrong End of the Rainbow (1970, also originally released on Columbia) – by influential folky Tom Rush on one compact disc.

by Tim Sendra
Tom Rush: Tom Rush (1970) & Wrong End Of The Rainbow (1970) [1997, BGO Records, BGOCD361]

About Tom Rush

Tom Rush is a gifted musician and performer, whose shows offer a musical celebration…a journey into the tradition and spectrum of what music has been, can be, and will become. His distinctive guitar style, wry humor and warm, expressive voice have made him both a legend and a lure to audiences around the world. His shows are filled with the rib-aching laughter of terrific story-telling, the sweet melancholy of ballads and the passion of gritty blues.

Rush's impact on the American music scene has been profound. He helped shape the folk revival in the '60s and the renaissance of the '80s and '90s, his music having left its stamp on generations of artists. James Taylor told Rolling Stone, "Tom was not only one of my early heroes, but also one of my main influences." Country music star Garth Brooks has credited Rush with being one of his top five musical influences. Rush has long championed emerging artists. His early recordings introduced the world to the work of Joni Mitchell, Jackson Browne and James Taylor, and in more recent years his Club 47 concerts have brought artists such as Nanci Griffith and Shawn Colvin to wider audiences when they were just beginning to build their own reputations.

Tom Rush began his musical career in the early '60s playing the Boston-area clubs while a Harvard student. The Club 47 was the flagship of the coffee house fleet, and he was soon holding down a weekly spot there, learning from the legendary artists who came to play, honing his skills and growing into his talent. He had released two albums by the time he graduated.

Tom Rush: Tom Rush (1970) & Wrong End Of The Rainbow (1970) [1997, BGO Records, BGOCD361]

Rush displayed then, as he does today, an uncanny knack for finding wonderful songs, and writing his own - many of which have become classics re-interpreted by new generations. (It is testimony to the universality of his appeal that his songs have been folk hits, country hits, heavy metal and rap hits.) Signed by Elektra in 1965, Rush made three albums for them, culminating in The Circle Game, which, according to Rolling Stone, ushered in the singer/songwriter era.

In the early '70s, folk turned to folk-rock, and Rush, ever adaptable, saw more room to stretch out. Recording now for Columbia, he toured tirelessly with a five man band, playing concerts across the country. Endless promotional tours, interviews, television appearances, and recording sessions added up to five very successful but exhausting years, after which Tom decided to take a break and "recharge" his creative side at his New Hampshire farm.

Rush returned with a splash in 1981, selling out Boston's prestigious Symphony Hall in advance. Time off had not only rekindled Rush's love of music, it had re-ignited music audiences' love of Rush.

He instinctively knew that his listeners were interested in both the old and the new, and set out to create a musical forum - like the Club 47 of the early '60s - to allow established artists and newcomers to share the same stage. In 1982, he tried it out at Symphony Hall. The show was such a hit it became an annual event, growing to fill two, then three nights, and the Club 47 series was born. Crafting concerts that combined well known artists such as Bonnie Raitt or Emmylou Harris with (then) unknowns like Alison Krauss or Mark O' Connor, Rush took the show on the road. From the '80s to the present day, Club 47 events have filled the nation's finest halls to rave reviews, and have been broadcast as national specials on PBS and NPR.

In 1999, Columbia/Legacy released a Tom Rush retrospective album that covers his recorded musical history from 1962 to the present, including tracks recorded for Columbia, Elektra, Prestige and his independent years. Entitled "The Very Best of Tom Rush: No Regrets", the 17-track compilation includes as a bonus a brand new Tom Rush composition, "River Song," which features vocal contributions from Grammy winners Shawn Colvin and Marc Cohn.

Tom Rush: Tom Rush (1970) & Wrong End Of The Rainbow (1970) [1997, BGO Records, BGOCD361]

A live CD, "Trolling for Owls" released in 2003 and published by Tom's NIGHTLIGHT RECORDINGS, captures Tom's complete performance and includes, for the first time, some of the spoken stories that have endeared him to audiences.

"How I Play (some of) My Favorite Songs", a DVD released in 2005 by Homespun Tapes. It shows how he plays ten of the memorable songs and guitar arrangements that have long made him one of America’s most beloved performers.

In 2009, Tom recorded his first studio CD in 35 years. Recorded in Nashville, "What I Know" was produced by Tom's long-time friend Jim Rooney and includes original Tom Rush material, as well as harmonies by Emmylou Harris, Bonnie Bramlett and Nanci Griffith.

Today, Tom Rush lives in Vermont when he's not touring. His voice has grown even richer and more melodic with training, and his music, like a fine wine, has matured and ripened in the blending of traditional and modern influences. He's doing what he loves, and what audiences love him for: writing and playing …passionately, tenderly…knitting together the musical traditions and talents of our times.

~ tomrush
Tracklist:

Tom Rush (1970):
01. Driving Wheel (David Wiffen) 05:28
02. Rainy Day Man (James Taylor, Zachary Wiesner) 03:15
03. Drop Down Mama (Sleepy John Estes) 02:38
04. Old Man Song (Murray McLauchlan) 03:28
05. Lullaby (Jesse Colin Young) 03:53
06. These Days (Jackson Browne) 02:46
07. Wild Child (Fred Neil) 03:19
08. Colors Of The Sun (Jackson Browne) 03:56
09. Livin'In The Country (Day, Winsted) 02:38
10. Child's Song (Murray McLauchlan) 04:17
Wrong End Of The Rainbow (1970):
11. Wrong End Of The Rainbow (Tom Rush, Trevor Veitch) 02:57
12. Biloxi (Jesse Winchester) 04:47
13. Merrimac County (Tom Rush, Trevor Veitch) 02:57
14. Riding On A Railroad (James Taylor) 05:53
15. Came To See Me Yesterday In The Month Of (Ray O'Sullivan) 02:35
16. Starlight (Tom Rush) 04:44
17. Sweet Baby James (James Taylor) 03:27
18. Rotunda (Tom Rush, Trevor Veitch) 03:29
19. Jazzman (Ed Holstein) 02:41
20. Gnostic Serenade (William Hawkins) 04:56

Musicians:

Tom Rush - 1970:
Tom Rush - vocals, guitar
Trevor Veich - lead guitar, rhythm guitar, mando-cello
Duke Bardwell - bass
Warren Bernhardt - piano, organ
Herbie Lovelle - drums
Dave Bromberg - dobro in "Driving Wheel"
Paul Griffin - organ in "Driving Wheel"
Red Rhodes - steel guitar in "Colors Of The Sun"
Ed Freeman - 12 string guitar in "Old Man Song"
Ron Carter - acoustic bass in "Lullaby"

Wrong End Of The Rainbow - 1970:
Tom Rush - vocals, guitar
Trevor Veich - lead guitar, rhythm guitar, mando-cello
Bob Boucher - bass
Dave Lewis - percussion
John Locke - piano, organ in "Starlight", "Wrong End Of The Rainbow"
Erik Robertson - piano, organ in all others
Paul Armin - violin, viola

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 14. February 2011, 19:27

Tom Rush / Tom Rush + Wrong End Of The Rainbow

Used drive : PIONEER DVD-RW DVR-111 Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -V -5 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" -T comment="%e" -T "comment=Exact Audio Copy (Secure Mode)" %s –verify


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:27.70 | 0 | 24594
2 | 5:27.70 | 3:14.43 | 24595 | 39187
3 | 8:42.38 | 2:38.35 | 39188 | 51072
4 | 11:20.73 | 3:28.07 | 51073 | 66679
5 | 14:49.05 | 3:52.65 | 66680 | 84144
6 | 18:41.70 | 2:45.38 | 84145 | 96557
7 | 21:27.33 | 3:19.07 | 96558 | 111489
8 | 24:46.40 | 3:55.65 | 111490 | 129179
9 | 28:42.30 | 2:37.63 | 129180 | 141017
10 | 31:20.18 | 4:17.35 | 141018 | 160327
11 | 35:37.53 | 2:56.62 | 160328 | 173589
12 | 38:34.40 | 4:47.23 | 173590 | 195137
13 | 43:21.63 | 2:57.10 | 195138 | 208422
14 | 46:18.73 | 5:52.70 | 208423 | 234892
15 | 52:11.68 | 2:34.55 | 234893 | 246497
16 | 54:46.48 | 4:44.15 | 246498 | 267812
17 | 59:30.63 | 3:27.15 | 267813 | 283352
18 | 62:58.03 | 3:28.47 | 283353 | 298999
19 | 66:26.50 | 2:41.18 | 299000 | 311092
20 | 69:07.68 | 4:56.07 | 311093 | 333299


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No errors occurred

End of status report


foobar2000 1.1.18 / Dynamic Range Meter 1.1.1
log date: 2013-02-15 06:01:56

––––––––––––––––––––––––––––––––––––––––
Analyzed: Tom Rush / Tom Rush + Wrong End Of The Rainbow
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -1.20 dB -15.64 dB 5:28 01-Driving Wheel
DR10 -0.86 dB -14.43 dB 3:15 02-Rainy Day Man
DR10 -0.42 dB -11.88 dB 2:38 03-Drop Down Mama
DR10 -1.68 dB -13.75 dB 3:28 04-Old Man Song
DR11 -1.62 dB -15.68 dB 3:53 05-Lullaby
DR11 -0.82 dB -14.28 dB 2:46 06-These Days
DR10 -0.37 dB -11.88 dB 3:19 07-Wild Child (World Of Trouble)
DR10 -0.91 dB -16.49 dB 3:56 08-Colors Of The Sun
DR11 -0.65 dB -13.57 dB 2:38 09-Livin' In The Country
DR11 -0.92 dB -16.69 dB 4:17 10-Child's Song
DR10 -0.36 dB -13.32 dB 2:57 11-Wrong End Of The Rainbow
DR11 -0.88 dB -16.75 dB 4:47 12-Biloxi
DR12 -0.77 dB -15.56 dB 2:57 13-Merrimac County
DR11 -0.80 dB -15.50 dB 5:53 14-Riding On A Railroad
DR11 -0.93 dB -14.89 dB 2:35 15-Came To See Me Yesterday In The Month Of
DR11 -0.83 dB -15.32 dB 4:44 16-Starlight
DR11 -0.87 dB -15.39 dB 3:27 17-Sweet Baby James
DR11 -0.57 dB -14.25 dB 3:29 18-Rotunda
DR11 -0.92 dB -14.90 dB 2:41 19-Jazzman
DR13 -0.85 dB -17.29 dB 4:56 20-Gnostic Serenade
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 20
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 730 kbps
Codec: FLAC

Tom Rush: Tom Rush (1970) & Wrong End Of The Rainbow (1970) [1997, BGO Records, BGOCD361]

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