Tracey Thorn - Love And Its Opposite (2010)

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Tracey Thorn - Love And Its Opposite (2010)

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Tracey Thorn - Love And Its Opposite (2010)

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"Love and Its Opposite" is the third solo album by former Everything but the Girl singer Tracey Thorn, released on 17 May 2010. The album was released on Thorn's husband Ben Watt's label Strange Feeling in the UK, and on Merge Records in North America. It was produced by Ewan Pearson, who also produced tracks on Thorn's previous album Out of the Woods. The album peaked at #51 in the UK Albums Chart. "Love and Its Opposite" was recorded in Berlin and London, and features guest contributions from Hot Chip's Al Doyle, The Invisible's Leo Taylor, Swedish singer-songwriter Jens Lekman, Nashville musician Cortney Tidwell and Los Valentinos' guitarist Jono. It contains eight original songs and two cover versions: Lee Hazlewood's "Come on Home to Me" (a duet with Jens Lekman) and "You Are a Lover" by The Unbending Trees (with whom Thorn collaborated in 2008). The album's opening track, "Oh, the Divorces!", was made available as a free digital download on 17 February 2010, along with the confirmation of the album's track list. Thorn has described the theme of the album as "a record about the person I am now and the people around me ... about real life after forty." The cover art was designed by John Gilsenan.

After the eight-year recording silence which lasted from the start of Everything But the Girl's indefinite hiatus until Tracey Thorn's triumphant re-emergence as a solo artist on 2007's Out of the Woods, the singer took only three years to return with a follow-up. Love and Its Opposite finds Thorn again working with Berlin-based house producer Ewan Pearson, but it effectively jettisons its predecessor's scintillating electro-pop for a more subdued chamber-folk style akin to that album's quieter moments; it's easily Thorn's least electronic work since EBtG's dramatic danceward shift in the mid-'90s. Then as now, the change of musical scenery hardly disrupts the caliber and sophistication of Thorn's songcraft or the power of her inimitable voice, which remains as gloriously warm as ever. Given that mood and maturity have always been her hallmarks, aging gracefully is scarcely even a concern: now that she's in a position to deliver a set of songs about the complexities of, in her phrase, "real life after forty," it feels utterly natural, a continuation of the emotional navigations she's spent her career documenting with characteristic insight and sensitivity. Stately waltz "Oh, The Divorces!" observes the seemingly inexorable progression of marriages dissolving around her with a creeping unease barely masked by its Sondheim-worthy elegance and verbal wit ("he was a charmer/I wish him bad karma"), and is deftly juxtaposed with the childhood nostalgia of "Long White Dress," concerning a life-long dread of weddings. (Perhaps tellingly, Thorn and EBtG-mate Ben Watt married in 2009, after 28 years of partnership.) On a lighter note, maybe, the bouncy "Hormones" comments breezily on menopause (the singer's) and adolescence (her daughters'), while "Singles Bar" is a wry treatment of aging-singles scenes and all its attendant hope and desperation ("can you smell the fear?"), in a tone that could be bleak or comical or both. Throughout, but especially in her poignant meditations on domestic relationships the achingly uncertain "Why Does the Wind" (given a nimble funk backing by Hot Chip bassist Al Doyle and Invisible stickman Leo Taylor), Lee Hazlewood's brooding "C'mon Home to Me" (sung with Jens Lekman), and the quietly self-scrutinizing "Late in the Afternoon" Thorn's romanticism is tempered by a hard-earned sensibility, approached with a mixture of comfort and resignation, that love and its opposite fear, perhaps, of loneliness or abandonment or simply death aren't truly opposed, but are necessary working complements, each enabling the possibility of the other.

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Tracey Thorn - Love And Its Opposite (2010)

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Tracey Thorn - Love And Its Opposite (2010)

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