![Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]](https://pixhost.icu/avaxhome/fe/34/001834fe_medium.jpeg)
Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]
![Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]](https://pixhost.icu/avaxhome/fe/34/001834fe.jpeg)
Caravan - Where But For Caravan Would I. An Anthology (2000)
EAC Rip | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2xSHM-CD | Universal Music, UICY-90911~12 | ~ 887 or 377 Mb
Scans(300dpi, jpg) Included | Scans(600dpi, png) -> 452 Mb
EAC Rip | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2xSHM-CD | Universal Music, UICY-90911~12 | ~ 887 or 377 Mb
Scans(300dpi, jpg) Included | Scans(600dpi, png) -> 452 Mb
Superb 21 track, 2 CD anthology of one of the most innovative, progressive bands of the late sixties/early seventies and leading lights of the famous Canterbury scene. Features a chronological guide to their career from the first album through to their latest work…
![Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]](https://pixhost.icu/avaxhome/ff/34/001834ff_medium.jpeg)
Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]
![Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]](https://pixhost.icu/avaxhome/ff/34/001834ff.jpeg)
Caravan Biography:
Formed: 1968, Canterbury, Kent, England
Disbanded: 1983
Genres: Rock
Representative Albums: "Caravan", "Songs for Oblivion Fishermen", "Canterbury Tales: The Best of Caravan"
Representative Songs: "For Richard", "If I Could Do It All Over Again, I'd Do It All Over You", "Golf Girl"
Caravan was one of the more formidable progressive rock acts to come out of England in the 1960s, though they were never much more than a very successful cult band at home, and, apart from a brief moment in 1975, barely a cult band anywhere else in the world. They only ever charted one album in their first six years of activity, but they made a lot of noise in the English rock press, and their following has been sufficiently loyal and wide to keep their work in print for extended periods during the 1970s, the 1990s, and in the new century.
Caravan grew out of the breakup of the Wilde Flowers, a Canterbury-based group formed in 1964 as an R&B-based outfit with a jazzy-edge. The Wilde Flowers had a lineup of Brian Hopper on guitar and saxophone, Richard Sinclair on rhythm guitar, Hugh Hopper playing bass, and Robert Wyatt on the drums. Kevin Ayers passed through the lineup as a singer, and Richard Sinclair was succeeded on rhythm guitar by Pye Hastings in 1965. Wyatt subsequently became the lead singer, succeeded by Richard Coughlan on drums. Hugh Hopper left and was replaced by Dave Lawrence then Richard Sinclair, and Dave Sinclair, Richard's cousin, came in on keyboards. Finally, in 1966, Wyatt and Ayers formed Soft Machine and the Wilde Flowers dissolved. In the wake of the earlier group's dissolution, Hastings, Richard Sinclair, Dave Sinclair, and Richard Coughlan formed Caravan in January of 1968.
The group stood at first somewhat in the shadow of Soft Machine, which became an immediate favorite on the London club scene and in the press. This worked in Caravan's favor, however, as the press and club owners began taking a long look at them because of the members' previous connections. A gig at the Middle Earth Club in London led to their being spotted by a music publishing executive named Ian Ralfini, which resulted in a publishing deal with Robbins Music and then, by extension, a recording contract with MGM Records on their Verve Records imprint, which the American label was trying to establish in England. Their self-titled debut album was a hybrid of jazz and psychedelia, but also enough of a virtuoso effort to rate as a serious progressive rock album at a time when that genre wasn't yet fully established; along with the the Nice albums on Immediate and The Cheerful Insanity of Giles, Giles & Fripp, it planted the roots of progressive rock.
The Caravan album never sold in serious numbers, and for much of 1968 and early 1969, the members were barely able to survive – at one point they were literally living in tents. And then, to add insult to injury, the record disappeared as MGM's British operation shut down in late 1968. Out of that chaos, however, the group got a new manager in Terry King and, with the help of a fledgling producer named David Hitchcock (who'd seen the band in concert), a contract with England's Decca Records, which was a major label at the time. Their Decca debut album, If I Could Do It All Over Again, I'd Do It All Over You, released in early 1970, was a major step forward and, indeed, a milestone in their history, establishing the mix of humor and progressive sounds, including classical, jazz, and traditional English influences that would characterize the best of their work over the next six years. Moreover, with Decca's then-formidable distribution behind it, the album got into stores and was heard and even sold well on university campuses.
Suddenly, Caravan was an up-and-coming success on the college concert circuit, even making an appearance on British television's Top of the Pops. With national exposure and a growing audience, the group was at a make-or-break moment in their history. They rose to the occasion with their second Decca LP, In the Land of Grey and Pink, which showed off a keen melodic sense, a subtly droll wit, and a seductively smooth mix of hard rock, folk, classical, and jazz, intermingled with elements of Tolkien-esque fantasy. The songs ranged from light, easy-to-absorb pieces such as "Golf Girl" to the quietly majestic "Nine Feet Underground," a 23-minute suite that filled the side of an LP. One of the hardest-rocking yet musically daring extended pieces to come out of the early progressive rock era, "Nine Feet Underground" didn't seem half as long as its 23 minutes and it was a dazzling showcase for Pye Hastings' searing lead guitar and Dave Sinclair's soaring organ and piano work. Although few observers realized it at the time, the suite's length pointed up a problem that the group faced fairly consistently – in contrast to most progressive rock outfits of the era, Caravan was inventive enough to justify extending even the relatively simple songs in their repertory to running times of six or seven minutes, and they were also extremely prolific. Those two situations meant that they were frequently forced to leave perfectly good songs off their albums and to edit those that they did issue. Most listeners didn't find this out until a wave of Caravan reissues arrived in 2001 with their running times extended 10-25 minutes each by the presence of perfectly good, previously unissued songs and unedited masters of previously released songs.
Keyboard player and singer Dave Sinclair left the group's lineup in 1971, joining his ex-Wilde Flowers bandmate Robert Wyatt in the latter's new group, Matching Mole, and he was succeeded by Stephen Miller of the jazz-based band Delivery, who lasted through one album, Waterloo Lily (1972), moving them in a much more bluesy direction. Friction between the members resulted in Miller's departure and the exit of Richard Sinclair, who subsequently put together Hatfield and the North. When the smoke cleared, Caravan was back as a five-piece which included Geoff Richardson on the electric viola, which added a new and rich timbre to their overall sound. By the time they cut their next album, For Girls Who Grow Plump in the Night, Dave Sinclair was back on keyboards. The album was a success, as was its follow-up, Caravan & the New Symphonia, a live 1973 performance accompanied by a full orchestra, released the following year.
The group was poised to try for a breakthrough in America and, toward that end, took on Miles Copeland as their manager. They ended up on a 50-date tour of the United States and Canada where the response was positive. They also released a new album, Cunning Stunts, that became their first chart LP, not only in England but also in America (albeit at number 124) and most of Europe as well. Unfortunately, Cunning Stunts, for all of its sales success, was an ending rather than a new beginning – the group parted company with Decca Records after its release. They recorded Blind Dog at St. Dunstan's for the Copeland-owned BTM Records the following year, and Better by Far for the Arista label the year after that, but by that time, their moment seemed to have passed, and they seemed increasingly out-of-step with the burgeoning punk rock boom. Caravan ceased activity in the early '80s, following the release of The Album and Back to Front, both recorded for Kingdom Records, owned by their former manager Terry King.
Their history seemed to have ended, and then in 1990, the original quartet of Pye Hastings, Richard Sinclair, Dave Sinclair, and Richard Coughlan were reunited for what was supposed to be a one-off concert for a television special. The performance and the sales of an accompanying live album proved so encouraging that Caravan came together once more for a second career. The group has been back together in one lineup or another ever since, (mostly filled out by ex-members of Camel, among other latter-day personnel), with new recordings emerging steadily. Equally important, someone at English Decca (by then part of Polygram, which became part of MCA) took it upon themselves to raid the vaults in 1999-2000 and prepare vastly expanded reissues of the group's entire Verve/Decca catalogs. The result was the availability of more Caravan music and more of their classic '60s and '70s recordings than had been in print at any time in their history.
~ Bruce Eder, Rovi
Formed: 1968, Canterbury, Kent, England
Disbanded: 1983
Genres: Rock
Representative Albums: "Caravan", "Songs for Oblivion Fishermen", "Canterbury Tales: The Best of Caravan"
Representative Songs: "For Richard", "If I Could Do It All Over Again, I'd Do It All Over You", "Golf Girl"
Caravan was one of the more formidable progressive rock acts to come out of England in the 1960s, though they were never much more than a very successful cult band at home, and, apart from a brief moment in 1975, barely a cult band anywhere else in the world. They only ever charted one album in their first six years of activity, but they made a lot of noise in the English rock press, and their following has been sufficiently loyal and wide to keep their work in print for extended periods during the 1970s, the 1990s, and in the new century.
Caravan grew out of the breakup of the Wilde Flowers, a Canterbury-based group formed in 1964 as an R&B-based outfit with a jazzy-edge. The Wilde Flowers had a lineup of Brian Hopper on guitar and saxophone, Richard Sinclair on rhythm guitar, Hugh Hopper playing bass, and Robert Wyatt on the drums. Kevin Ayers passed through the lineup as a singer, and Richard Sinclair was succeeded on rhythm guitar by Pye Hastings in 1965. Wyatt subsequently became the lead singer, succeeded by Richard Coughlan on drums. Hugh Hopper left and was replaced by Dave Lawrence then Richard Sinclair, and Dave Sinclair, Richard's cousin, came in on keyboards. Finally, in 1966, Wyatt and Ayers formed Soft Machine and the Wilde Flowers dissolved. In the wake of the earlier group's dissolution, Hastings, Richard Sinclair, Dave Sinclair, and Richard Coughlan formed Caravan in January of 1968.
The group stood at first somewhat in the shadow of Soft Machine, which became an immediate favorite on the London club scene and in the press. This worked in Caravan's favor, however, as the press and club owners began taking a long look at them because of the members' previous connections. A gig at the Middle Earth Club in London led to their being spotted by a music publishing executive named Ian Ralfini, which resulted in a publishing deal with Robbins Music and then, by extension, a recording contract with MGM Records on their Verve Records imprint, which the American label was trying to establish in England. Their self-titled debut album was a hybrid of jazz and psychedelia, but also enough of a virtuoso effort to rate as a serious progressive rock album at a time when that genre wasn't yet fully established; along with the the Nice albums on Immediate and The Cheerful Insanity of Giles, Giles & Fripp, it planted the roots of progressive rock.
The Caravan album never sold in serious numbers, and for much of 1968 and early 1969, the members were barely able to survive – at one point they were literally living in tents. And then, to add insult to injury, the record disappeared as MGM's British operation shut down in late 1968. Out of that chaos, however, the group got a new manager in Terry King and, with the help of a fledgling producer named David Hitchcock (who'd seen the band in concert), a contract with England's Decca Records, which was a major label at the time. Their Decca debut album, If I Could Do It All Over Again, I'd Do It All Over You, released in early 1970, was a major step forward and, indeed, a milestone in their history, establishing the mix of humor and progressive sounds, including classical, jazz, and traditional English influences that would characterize the best of their work over the next six years. Moreover, with Decca's then-formidable distribution behind it, the album got into stores and was heard and even sold well on university campuses.
Suddenly, Caravan was an up-and-coming success on the college concert circuit, even making an appearance on British television's Top of the Pops. With national exposure and a growing audience, the group was at a make-or-break moment in their history. They rose to the occasion with their second Decca LP, In the Land of Grey and Pink, which showed off a keen melodic sense, a subtly droll wit, and a seductively smooth mix of hard rock, folk, classical, and jazz, intermingled with elements of Tolkien-esque fantasy. The songs ranged from light, easy-to-absorb pieces such as "Golf Girl" to the quietly majestic "Nine Feet Underground," a 23-minute suite that filled the side of an LP. One of the hardest-rocking yet musically daring extended pieces to come out of the early progressive rock era, "Nine Feet Underground" didn't seem half as long as its 23 minutes and it was a dazzling showcase for Pye Hastings' searing lead guitar and Dave Sinclair's soaring organ and piano work. Although few observers realized it at the time, the suite's length pointed up a problem that the group faced fairly consistently – in contrast to most progressive rock outfits of the era, Caravan was inventive enough to justify extending even the relatively simple songs in their repertory to running times of six or seven minutes, and they were also extremely prolific. Those two situations meant that they were frequently forced to leave perfectly good songs off their albums and to edit those that they did issue. Most listeners didn't find this out until a wave of Caravan reissues arrived in 2001 with their running times extended 10-25 minutes each by the presence of perfectly good, previously unissued songs and unedited masters of previously released songs.
Keyboard player and singer Dave Sinclair left the group's lineup in 1971, joining his ex-Wilde Flowers bandmate Robert Wyatt in the latter's new group, Matching Mole, and he was succeeded by Stephen Miller of the jazz-based band Delivery, who lasted through one album, Waterloo Lily (1972), moving them in a much more bluesy direction. Friction between the members resulted in Miller's departure and the exit of Richard Sinclair, who subsequently put together Hatfield and the North. When the smoke cleared, Caravan was back as a five-piece which included Geoff Richardson on the electric viola, which added a new and rich timbre to their overall sound. By the time they cut their next album, For Girls Who Grow Plump in the Night, Dave Sinclair was back on keyboards. The album was a success, as was its follow-up, Caravan & the New Symphonia, a live 1973 performance accompanied by a full orchestra, released the following year.
The group was poised to try for a breakthrough in America and, toward that end, took on Miles Copeland as their manager. They ended up on a 50-date tour of the United States and Canada where the response was positive. They also released a new album, Cunning Stunts, that became their first chart LP, not only in England but also in America (albeit at number 124) and most of Europe as well. Unfortunately, Cunning Stunts, for all of its sales success, was an ending rather than a new beginning – the group parted company with Decca Records after its release. They recorded Blind Dog at St. Dunstan's for the Copeland-owned BTM Records the following year, and Better by Far for the Arista label the year after that, but by that time, their moment seemed to have passed, and they seemed increasingly out-of-step with the burgeoning punk rock boom. Caravan ceased activity in the early '80s, following the release of The Album and Back to Front, both recorded for Kingdom Records, owned by their former manager Terry King.
Their history seemed to have ended, and then in 1990, the original quartet of Pye Hastings, Richard Sinclair, Dave Sinclair, and Richard Coughlan were reunited for what was supposed to be a one-off concert for a television special. The performance and the sales of an accompanying live album proved so encouraging that Caravan came together once more for a second career. The group has been back together in one lineup or another ever since, (mostly filled out by ex-members of Camel, among other latter-day personnel), with new recordings emerging steadily. Equally important, someone at English Decca (by then part of Polygram, which became part of MCA) took it upon themselves to raid the vaults in 1999-2000 and prepare vastly expanded reissues of the group's entire Verve/Decca catalogs. The result was the availability of more Caravan music and more of their classic '60s and '70s recordings than had been in print at any time in their history.
~ Bruce Eder, Rovi
Caravan - Where But For Caravan Would I. An Anthology (2000):
![Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]](https://pixhost.icu/avaxhome/02/35/00183502_medium.jpeg)
Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]
![Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]](https://pixhost.icu/avaxhome/02/35/00183502.jpeg)
Tracklist CD1:
1. PLACE OF MY OWN
2. LOVE SONG WITH FLUTE
3. MAGIC MAN
4. WHERE BUT FOR CARAVAN WOULD I
5. DAY IN THE LIFE OF MAURICE HAYLETT,A
6. IF I COULD DO IT ALL OVER AGAIN,I'D DO IT ALL OVER YOU
7. AND I WISH I WERE STONED
8. ASFORTERI 25
9. GOLF GIRL
10. NINE FEET UNDERGROUND
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 10. November 2010, 10:05
Caravan / Where But For Caravan Would I (Disc 1)
Used drive : ASUS DRW-2014L1T Adapter: 2 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : F:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -T "DATE=%y" -T "GENRE=%m" -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 4:07.25 | 32 | 18581
2 | 4:07.57 | 4:11.25 | 18582 | 37431
3 | 8:19.07 | 4:02.00 | 37432 | 55581
4 | 12:21.07 | 9:02.00 | 55582 | 96231
5 | 21:23.07 | 5:08.00 | 96232 | 119331
6 | 26:31.07 | 3:09.00 | 119332 | 133506
7 | 29:40.07 | 8:22.63 | 133507 | 171219
8 | 38:02.70 | 1:23.25 | 171220 | 177469
9 | 39:26.20 | 6:11.50 | 177470 | 205344
10 | 45:37.70 | 22:44.37 | 205345 | 307681
Range status and errors
Selected range
Filename W:\EAC\Caravan - Where But For Caravan Would I (Disc 1)\Caravan - Where But For Caravan Would I (Disc 1).wav
Peak level 97.1 %
Range quality 100.0 %
Test CRC 4AED95A9
Copy CRC 4AED95A9
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 5) [56EBD877], AccurateRip returned [03362A85]
Track 2 cannot be verified as accurate (confidence 5) [939C11B1], AccurateRip returned [4DF75797]
Track 3 cannot be verified as accurate (confidence 5) [A06FEC91], AccurateRip returned [D21693D6]
Track 4 cannot be verified as accurate (confidence 5) [0A37FD86], AccurateRip returned [8144902A]
Track 5 cannot be verified as accurate (confidence 5) [138F878C], AccurateRip returned [C0C73B78]
Track 6 cannot be verified as accurate (confidence 5) [CAD54AB8], AccurateRip returned [B39FF6C0]
Track 7 cannot be verified as accurate (confidence 5) [9DB1CCD9], AccurateRip returned [EF5C3E95]
Track 8 cannot be verified as accurate (confidence 5) [4E0389EC], AccurateRip returned [DF718C05]
Track 9 cannot be verified as accurate (confidence 5) [CD762056], AccurateRip returned [DECA59CD]
Track 10 cannot be verified as accurate (confidence 5) [67159AFF], AccurateRip returned [2B902E2D]
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
EAC extraction logfile from 10. November 2010, 10:05
Caravan / Where But For Caravan Would I (Disc 1)
Used drive : ASUS DRW-2014L1T Adapter: 2 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : F:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -T "DATE=%y" -T "GENRE=%m" -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 4:07.25 | 32 | 18581
2 | 4:07.57 | 4:11.25 | 18582 | 37431
3 | 8:19.07 | 4:02.00 | 37432 | 55581
4 | 12:21.07 | 9:02.00 | 55582 | 96231
5 | 21:23.07 | 5:08.00 | 96232 | 119331
6 | 26:31.07 | 3:09.00 | 119332 | 133506
7 | 29:40.07 | 8:22.63 | 133507 | 171219
8 | 38:02.70 | 1:23.25 | 171220 | 177469
9 | 39:26.20 | 6:11.50 | 177470 | 205344
10 | 45:37.70 | 22:44.37 | 205345 | 307681
Range status and errors
Selected range
Filename W:\EAC\Caravan - Where But For Caravan Would I (Disc 1)\Caravan - Where But For Caravan Would I (Disc 1).wav
Peak level 97.1 %
Range quality 100.0 %
Test CRC 4AED95A9
Copy CRC 4AED95A9
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 5) [56EBD877], AccurateRip returned [03362A85]
Track 2 cannot be verified as accurate (confidence 5) [939C11B1], AccurateRip returned [4DF75797]
Track 3 cannot be verified as accurate (confidence 5) [A06FEC91], AccurateRip returned [D21693D6]
Track 4 cannot be verified as accurate (confidence 5) [0A37FD86], AccurateRip returned [8144902A]
Track 5 cannot be verified as accurate (confidence 5) [138F878C], AccurateRip returned [C0C73B78]
Track 6 cannot be verified as accurate (confidence 5) [CAD54AB8], AccurateRip returned [B39FF6C0]
Track 7 cannot be verified as accurate (confidence 5) [9DB1CCD9], AccurateRip returned [EF5C3E95]
Track 8 cannot be verified as accurate (confidence 5) [4E0389EC], AccurateRip returned [DF718C05]
Track 9 cannot be verified as accurate (confidence 5) [CD762056], AccurateRip returned [DECA59CD]
Track 10 cannot be verified as accurate (confidence 5) [67159AFF], AccurateRip returned [2B902E2D]
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\Caravan - Where But For Caravan Would I (Disc 1)
1 -=- Caravan - Where But For Caravan Would I (Disc 1).flac -=- CDDA (100%)
182232852
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\Caravan - Where But For Caravan Would I (Disc 1)
1 -=- Caravan - Where But For Caravan Would I (Disc 1).flac -=- CDDA (100%)
182232852
[Verification date: 11.11.2010 7:59:39]
[Disc ID: 00142db0-00a6732f-9110060a]
Pregap length 00:00:32.
Track [ CRC ] Status
01 [56ebd877] (00/05) No matches
02 [939c11b1] (00/05) No matches
03 [a06fec91] (00/05) No matches
04 [0a37fd86] (00/05) No matches
05 [138f878c] (00/05) No matches
06 [cad54ab8] (00/05) No matches
07 [9db1ccd9] (00/05) No matches
08 [4e0389ec] (00/05) No matches
09 [cd762056] (00/05) No matches
10 [67159aff] (00/05) No matches
Offsetted by 771:
01 [03362a85] (05/05) Accurately ripped as in pressing(s) #1
02 [4df75797] (05/05) Accurately ripped as in pressing(s) #1
03 [d21693d6] (05/05) Accurately ripped as in pressing(s) #1
04 [8144902a] (05/05) Accurately ripped as in pressing(s) #1
05 [c0c73b78] (05/05) Accurately ripped as in pressing(s) #1
06 [b39ff6c0] (05/05) Accurately ripped as in pressing(s) #1
07 [ef5c3e95] (05/05) Accurately ripped as in pressing(s) #1
08 [df718c05] (05/05) Accurately ripped as in pressing(s) #1
09 [deca59cd] (05/05) Accurately ripped as in pressing(s) #1
10 [2b902e2d] (05/05) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [4AED95A9] [3A4746D2] CRC32
01 [83BC5A71] [486928CA]
02 [F4F8802A] [681B9B24]
03 [6D9CA526] [322D23A5]
04 [1FC13EB7] [FF597D76]
05 [8DC65088] [ABAD4C26]
06 [7620C1BC] [2DA10A8E]
07 [C15B691D] [AC6A8D2A]
08 [FBC8005D] [E819A9D4]
09 [ED014226] [F4986CAD]
10 [90A6A885] [C6E6F6DC]
[Disc ID: 00142db0-00a6732f-9110060a]
Pregap length 00:00:32.
Track [ CRC ] Status
01 [56ebd877] (00/05) No matches
02 [939c11b1] (00/05) No matches
03 [a06fec91] (00/05) No matches
04 [0a37fd86] (00/05) No matches
05 [138f878c] (00/05) No matches
06 [cad54ab8] (00/05) No matches
07 [9db1ccd9] (00/05) No matches
08 [4e0389ec] (00/05) No matches
09 [cd762056] (00/05) No matches
10 [67159aff] (00/05) No matches
Offsetted by 771:
01 [03362a85] (05/05) Accurately ripped as in pressing(s) #1
02 [4df75797] (05/05) Accurately ripped as in pressing(s) #1
03 [d21693d6] (05/05) Accurately ripped as in pressing(s) #1
04 [8144902a] (05/05) Accurately ripped as in pressing(s) #1
05 [c0c73b78] (05/05) Accurately ripped as in pressing(s) #1
06 [b39ff6c0] (05/05) Accurately ripped as in pressing(s) #1
07 [ef5c3e95] (05/05) Accurately ripped as in pressing(s) #1
08 [df718c05] (05/05) Accurately ripped as in pressing(s) #1
09 [deca59cd] (05/05) Accurately ripped as in pressing(s) #1
10 [2b902e2d] (05/05) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [4AED95A9] [3A4746D2] CRC32
01 [83BC5A71] [486928CA]
02 [F4F8802A] [681B9B24]
03 [6D9CA526] [322D23A5]
04 [1FC13EB7] [FF597D76]
05 [8DC65088] [ABAD4C26]
06 [7620C1BC] [2DA10A8E]
07 [C15B691D] [AC6A8D2A]
08 [FBC8005D] [E819A9D4]
09 [ED014226] [F4986CAD]
10 [90A6A885] [C6E6F6DC]
![Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]](https://pixhost.icu/avaxhome/03/35/00183503_medium.jpeg)
Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]
![Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]](https://pixhost.icu/avaxhome/03/35/00183503.jpeg)
Tracklist CD2:
11. WINTER WINE
12. LOVE TO LOVE YOU
13. THE LOVE IN YOUR EYE/TO CATCH ME A BROTHER/SUBSULTUS/DEBOUCHMENT/TILBURY KECKS
14. MEMORY LAIN,HUGH
15. HEADLOSS
16. L'AUBERGE DU SANGLIER
17. MIRROR FOR THE DAY
18. THE SHOW OF OUR LIVES
19. STUCK IN A HOLE
20. NO BACKSTAGE PASS
21. FOR RICHARD
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 10. November 2010, 10:24
Caravan / Where But For Caravan Would I (Disc 2)
Used drive : ASUS DRW-2014L1T Adapter: 2 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : F:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -T "DATE=%y" -T "GENRE=%m" -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 7:39.25 | 32 | 34481
2 | 7:39.57 | 3:35.00 | 34482 | 50606
3 | 11:14.57 | 12:34.13 | 50607 | 107169
4 | 23:48.70 | 4:53.25 | 107170 | 129169
5 | 28:42.20 | 4:23.62 | 129170 | 148956
6 | 33:06.07 | 10:05.50 | 148957 | 194381
7 | 43:11.57 | 4:45.25 | 194382 | 215781
8 | 47:57.07 | 5:46.00 | 215782 | 241731
9 | 53:43.07 | 3:10.63 | 241732 | 256044
10 | 56:53.70 | 4:33.62 | 256045 | 276581
11 | 61:27.57 | 14:24.50 | 276582 | 341431
Range status and errors
Selected range
Filename W:\EAC\Caravan - Where But For Caravan Would I (Disc 2)\Caravan - Where But For Caravan Would I (Disc 2).wav
Peak level 97.1 %
Range quality 100.0 %
Test CRC 31CA3494
Copy CRC 31CA3494
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 5) [E39FDC95], AccurateRip returned [673D5B21]
Track 2 cannot be verified as accurate (confidence 5) [F1257D7E], AccurateRip returned [912031BE]
Track 3 cannot be verified as accurate (confidence 5) [F0230E70], AccurateRip returned [5A6169EC]
Track 4 cannot be verified as accurate (confidence 5) [B5143253], AccurateRip returned [37502A1E]
Track 5 cannot be verified as accurate (confidence 5) [F9FF76CD], AccurateRip returned [06994656]
Track 6 cannot be verified as accurate (confidence 5) [4806EC70], AccurateRip returned [849B5900]
Track 7 cannot be verified as accurate (confidence 5) [C9A1D273], AccurateRip returned [EA30BC0F]
Track 8 cannot be verified as accurate (confidence 5) [589826E7], AccurateRip returned [4BB5202B]
Track 9 cannot be verified as accurate (confidence 5) [DE541F72], AccurateRip returned [690F639A]
Track 10 cannot be verified as accurate (confidence 5) [19A75A7C], AccurateRip returned [B3576228]
Track 11 cannot be verified as accurate (confidence 4) [A2A60725], AccurateRip returned [FBEAB0B1]
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
EAC extraction logfile from 10. November 2010, 10:24
Caravan / Where But For Caravan Would I (Disc 2)
Used drive : ASUS DRW-2014L1T Adapter: 2 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : F:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -T "DATE=%y" -T "GENRE=%m" -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 7:39.25 | 32 | 34481
2 | 7:39.57 | 3:35.00 | 34482 | 50606
3 | 11:14.57 | 12:34.13 | 50607 | 107169
4 | 23:48.70 | 4:53.25 | 107170 | 129169
5 | 28:42.20 | 4:23.62 | 129170 | 148956
6 | 33:06.07 | 10:05.50 | 148957 | 194381
7 | 43:11.57 | 4:45.25 | 194382 | 215781
8 | 47:57.07 | 5:46.00 | 215782 | 241731
9 | 53:43.07 | 3:10.63 | 241732 | 256044
10 | 56:53.70 | 4:33.62 | 256045 | 276581
11 | 61:27.57 | 14:24.50 | 276582 | 341431
Range status and errors
Selected range
Filename W:\EAC\Caravan - Where But For Caravan Would I (Disc 2)\Caravan - Where But For Caravan Would I (Disc 2).wav
Peak level 97.1 %
Range quality 100.0 %
Test CRC 31CA3494
Copy CRC 31CA3494
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 5) [E39FDC95], AccurateRip returned [673D5B21]
Track 2 cannot be verified as accurate (confidence 5) [F1257D7E], AccurateRip returned [912031BE]
Track 3 cannot be verified as accurate (confidence 5) [F0230E70], AccurateRip returned [5A6169EC]
Track 4 cannot be verified as accurate (confidence 5) [B5143253], AccurateRip returned [37502A1E]
Track 5 cannot be verified as accurate (confidence 5) [F9FF76CD], AccurateRip returned [06994656]
Track 6 cannot be verified as accurate (confidence 5) [4806EC70], AccurateRip returned [849B5900]
Track 7 cannot be verified as accurate (confidence 5) [C9A1D273], AccurateRip returned [EA30BC0F]
Track 8 cannot be verified as accurate (confidence 5) [589826E7], AccurateRip returned [4BB5202B]
Track 9 cannot be verified as accurate (confidence 5) [DE541F72], AccurateRip returned [690F639A]
Track 10 cannot be verified as accurate (confidence 5) [19A75A7C], AccurateRip returned [B3576228]
Track 11 cannot be verified as accurate (confidence 4) [A2A60725], AccurateRip returned [FBEAB0B1]
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\Caravan - Where But For Caravan Would I (Disc 2)
1 -=- Caravan - Where But For Caravan Would I (Disc 2).flac -=- CDDA (100%)
184657684
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\Caravan - Where But For Caravan Would I (Disc 2)
1 -=- Caravan - Where But For Caravan Would I (Disc 2).flac -=- CDDA (100%)
184657684
[Verification date: 11.11.2010 8:00:28]
[Disc ID: 001e7655-0105b69b-b011c80b]
Pregap length 00:00:32.
Track [ CRC ] Status
01 [e39fdc95] (00/05) No matches
02 [f1257d7e] (00/05) No matches
03 [f0230e70] (00/05) No matches
04 [b5143253] (00/05) No matches
05 [f9ff76cd] (00/05) No matches
06 [4806ec70] (00/05) No matches
07 [c9a1d273] (00/05) No matches
08 [589826e7] (00/05) No matches
09 [de541f72] (00/05) No matches
10 [19a75a7c] (00/05) No matches
11 [a2a60725] (00/04) No matches
Offsetted by -340:
01 [673d5b21] (05/05) Accurately ripped as in pressing(s) #1
02 [912031be] (05/05) Accurately ripped as in pressing(s) #1
03 [5a6169ec] (05/05) Accurately ripped as in pressing(s) #1
04 [37502a1e] (05/05) Accurately ripped as in pressing(s) #1
05 [06994656] (05/05) Accurately ripped as in pressing(s) #1
06 [849b5900] (05/05) Accurately ripped as in pressing(s) #1
07 [ea30bc0f] (05/05) Accurately ripped as in pressing(s) #1
08 [4bb5202b] (05/05) Accurately ripped as in pressing(s) #1
09 [690f639a] (05/05) Accurately ripped as in pressing(s) #1
10 [b3576228] (05/05) Accurately ripped as in pressing(s) #1
11 [fbeab0b1] (04/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [31CA3494] [6AA41B41] CRC32
01 [29624F4F] [BC1C9BE1]
02 [DF30D788] [84FF3A11]
03 [A112FFDE] [C814FAFF]
04 [5CE5DA5D] [58C21103]
05 [DB350A54] [D0598039]
06 [58D43740] [D71A250F]
07 [762C5A02] [C26E76A8]
08 [7C27893B] [F8513F15]
09 [A848154A] [8821B809]
10 [DC4892E4] [1E5C5579]
11 [AF39E59C] [5D972C1B]
[Disc ID: 001e7655-0105b69b-b011c80b]
Pregap length 00:00:32.
Track [ CRC ] Status
01 [e39fdc95] (00/05) No matches
02 [f1257d7e] (00/05) No matches
03 [f0230e70] (00/05) No matches
04 [b5143253] (00/05) No matches
05 [f9ff76cd] (00/05) No matches
06 [4806ec70] (00/05) No matches
07 [c9a1d273] (00/05) No matches
08 [589826e7] (00/05) No matches
09 [de541f72] (00/05) No matches
10 [19a75a7c] (00/05) No matches
11 [a2a60725] (00/04) No matches
Offsetted by -340:
01 [673d5b21] (05/05) Accurately ripped as in pressing(s) #1
02 [912031be] (05/05) Accurately ripped as in pressing(s) #1
03 [5a6169ec] (05/05) Accurately ripped as in pressing(s) #1
04 [37502a1e] (05/05) Accurately ripped as in pressing(s) #1
05 [06994656] (05/05) Accurately ripped as in pressing(s) #1
06 [849b5900] (05/05) Accurately ripped as in pressing(s) #1
07 [ea30bc0f] (05/05) Accurately ripped as in pressing(s) #1
08 [4bb5202b] (05/05) Accurately ripped as in pressing(s) #1
09 [690f639a] (05/05) Accurately ripped as in pressing(s) #1
10 [b3576228] (05/05) Accurately ripped as in pressing(s) #1
11 [fbeab0b1] (04/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [31CA3494] [6AA41B41] CRC32
01 [29624F4F] [BC1C9BE1]
02 [DF30D788] [84FF3A11]
03 [A112FFDE] [C814FAFF]
04 [5CE5DA5D] [58C21103]
05 [DB350A54] [D0598039]
06 [58D43740] [D71A250F]
07 [762C5A02] [C26E76A8]
08 [7C27893B] [F8513F15]
09 [A848154A] [8821B809]
10 [DC4892E4] [1E5C5579]
11 [AF39E59C] [5D972C1B]
![Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]](https://pixhost.icu/avaxhome/04/35/00183504_medium.jpeg)
Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]
![Caravan - Where But For Caravan Would I. An Anthology (2000) [2008, Universal, UICY-90911~12]](https://pixhost.icu/avaxhome/04/35/00183504.jpeg)
Download Caravan - Where But For Caravan Would I. An Anthology (2000):