Yasunori Imamura, Fons Musicæ - Antonio Caldara: Cantate e Sonate (2003)
Yasunori Imamura, Fons Musicæ - Antonio Caldara: Cantate e Sonate (2003)
EAC | FLAC | Image (Cue & Log) ~ 414 Mb | Total time: 76:15 | Scans included
Classical | Label: Pan Classics | # 10 139 | Recorded: 2001
EAC | FLAC | Image (Cue & Log) ~ 414 Mb | Total time: 76:15 | Scans included
Classical | Label: Pan Classics | # 10 139 | Recorded: 2001
Antonio Caldara is one of those composers from Italy whose career brought him to Vienna, where he composed and performed mainly oratorios. He started his career in Venice where he was born in 1670 and where he studied with Giovanni Legrenzi. Being an accomplished cellist he was probably a member of the orchestras of the opera houses in Venice. In the 1690's he published two collections of trio sonatas, which are following the example of Corelli. His first opus, published in Venice in 1693, was again published by Roger in Amsterdam in 1698, a sign of their popularity. The chaconne which concludes his collection of 12 trio sonatas opus 2, could be interpreted as a tribute to Corelli, who also concludes his opus 2 with a chaconne.
After a period as maestro di cappella in Mantua, he went to Rome, where he started to compose oratorios and in particular chamber cantatas for the accademia of the Marchese Francesco Maria Ruspoli - Sunday morning concerts attended by the elite of Roman society. About 200 cantatas Caldara composed during his time in Rome. Among them are a number for two voices, soprano and alto. It is quite possible that the alto parts were performed by Caterina Petrolli, whom he married in 1711. From that point of view the performance by a male alto in this recording is perhaps not quite historically justified.
In the chamber cantatas of the baroque period mythological characters dominate, like Tirsi, Clori or Fileno. We meet three of them in the two cantatas on this disc. The overall structure is identical: the cantatas start with a two-movement Sinfonia, followed by a string of recitatives and arias for the respective singers, and concludes with a duet. The cantata Dipartita amorosa slightly differs from this pattern in that the Sinfonia is followed by a recitative for both singers. The concluding duet is also preceded by a recitativo a 2.
As far as the content is concerned, these two cantatas are more different. Whereas in Dipartita amorosa both lovers are united in lamenting their impending separation, Daliso e Clori is more about two characters in conflict with each other: Clori accuses Daliso of being unfaithful, whereas he swears to his faithfulness to her.
There is plenty of text illustration in these cantatas, like the violins imitating birds in Daliso's aria "Augelletti vezzosetti" (Beautiful little birds, learn how to call Clori) in Daliso e Clori or playing staccato notes (illustrating dropping tears) in Clori's aria "Crudo addio" in Dipartita amorosa.
Not only the two cantatas are full of expression, so are the trio sonatas, especially the slow movements of the Sonata in c minor ('grave' and 'adagio' respectively). The concluding Chaconne is a worthy conclusion of this disc.–Johan van Veen
Performer:
Monique Zanetti, soprano
Pascal Bertin, countertenor
Fons Musicæ
Yasunori Imamura, direction
Track List:
01. Daliso e Clori. Sinfonia: Allegro
02. Allegro
03. Recitativo: Quel duolo del mio core (Daliso)
04. Aria: Andante: Augelletti vezzosetti (Daliso)
05. Recitativo: Qual canto o mio Daliso (Clori)
06. Aria: Allegro: Fuggir voglio quella face (Clori)
07. Recitativo: T'incolpa per mendace (Daliso)
08. Aria: Allegro: Sa dire ogn' alma bella (Daliso)
09. Recitativo: Si che pur troppo e vero (Clori)
10. Aria: Allegro: Mi puoi ben dire (Clori)
11. Recitativo: Dunque sperar degg'io (Daliso)
12. Aria: Allegro: Torna all'alma (Daliso)
13. Recitativo: Daliso, io son convinta (Clori)
14. Aria: Allegro: Scherzando nel seno (Clori)
15. Recitativo: Bella vorrebbe l'alma (Daliso)
16. Duetto: Allegro: Ogni affetto nel mio petto
17. Sonate a 3 in C minor, Op. 1, No. 6: I. Grave
18. II. Presto
19. III. Adagio
20. IV. Allegro
21. Clori e Tirsi. Sinfonia: Allegro
22. Allegro
23. Recitativo a due: lo resto e vivo?
24. Recitativo: Se teco del mio core (Clori)
25. Aria: Largo: Crudo addio (Clori)
26. Recitativo: Se teco resta o cara (Tirsi)
27. Aria: Largo: Parto dissi e dirti moro (Tirsi)
28. Recitativo: Ma sai perche mio bene (Clori)
29. Aria: Allegro: Vivro finch amore (Clori)
30. Recitativo: Sento che mi da morte (Tirsi)
31. Aria: Allegro: Non mi tradire (Tirsi)
32. Recitativo a due: Io mi consolo almeno
33. Duetto: Allegretto: Quando senti un venticello
34. Chaconne in B flat major
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 14. December 2020, 20:20
Monique Zanetti, Pascal Bertin, Yasunori Imamura, Fons Musicale / Caldara - Cantate e Sonate
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Yasunori Imamura, Fons Musicæ - Antonio Caldara: Cantate e Sonate (2003)
