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Andrew Lawrence-King - Choregraphie: Music for Louis XIV's dancing masters (2007, Harmonia Mundi # HMU 907335)

Posted By: luckburz
Andrew Lawrence-King - Choregraphie: Music for Louis XIV's dancing masters (2007, Harmonia Mundi # HMU 907335)

Andrew Lawrence-King ‎– Chorégraphie: Music For Louis XIV's Dancing Masters
EAC+LOG+CUE | FLAC: 277 MB | Full Artwork: 151 MB | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMU 907335 | Country/Year: France 2007
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip []

Andrew Lawrence-King - Choregraphie: Music for Louis XIV's dancing masters (2007, Harmonia Mundi # HMU 907335)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 30. September 2013, 11:53

Andrew Lawrence-King / Choregraphie: Music for Louis XIV's dancing masters

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


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23 | 63:22.33 | 9:32.23 | 285183 | 328105


Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Andrew Lawrence-King - Choregraphie- Music for Louis XIV's dancing masters.wav

Peak level 85.5 %
Extraction speed 1.1 X
Range quality 100.0 %
Copy CRC 118E42CE
Copy OK

No errors occurred


AccurateRip summary

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Track 2 accurately ripped (confidence 2) [590F1C38] (AR v2)
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Track 10 accurately ripped (confidence 2) [2E19806A] (AR v2)
Track 11 accurately ripped (confidence 2) [DA22CBF3] (AR v2)
Track 12 accurately ripped (confidence 3) [4024402E] (AR v2)
Track 13 accurately ripped (confidence 2) [C77DA33E] (AR v2)
Track 14 accurately ripped (confidence 3) [2C7A95E6] (AR v2)
Track 15 accurately ripped (confidence 2) [48193124] (AR v2)
Track 16 accurately ripped (confidence 2) [A2E3D699] (AR v2)
Track 17 accurately ripped (confidence 2) [5B14F898] (AR v2)
Track 18 accurately ripped (confidence 2) [14AD5F2A] (AR v2)
Track 19 accurately ripped (confidence 2) [E9915458] (AR v2)
Track 20 accurately ripped (confidence 2) [835F4CB1] (AR v2)
Track 21 accurately ripped (confidence 2) [0E2AB554] (AR v2)
Track 22 accurately ripped (confidence 2) [B4398F78] (AR v2)
Track 23 accurately ripped (confidence 2) [20170AB6] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: CtzJbceRY9wA4fgEAQAByiyShPw-] found, Submit result: CtzJbceRY9wA4fgEAQAByiyShPw- has been confirmed
[ad7bcb17] (3/3) Accurately ripped


==== Log checksum BC7AF46D74D658F45F8A825B28A7DE26C95413658B3FF515BEA345F284A5E3BC ====

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-10-02 09:53:58

––––––––––––––––––––––––––––––––––––––––
Analyzed: Andre Campra / Choregraphie: Music for Louis XIV's dancing masters
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -9.03 dB -24.05 dB 1:42 02-Entree Espagnole
DR13 -5.54 dB -22.63 dB 1:28 21-Entree Espagnole
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 2
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Andre Campre / Choregraphie: Music for Louis XIV's dancing masters (1)
Andrew Laurence-King apres d'Anglebert, Marais, Corbetta / Choregraphie: Music for Louis XIV's dancing masters (2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -9.58 dB -26.51 dB 2:35 04-Le Louvre
DR14 -1.67 dB -20.31 dB 5:06 22-Les Folies d'Espagne
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 2
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anglebert / Choregraphie: Music for Louis XIV's dancing masters (1)
Anonymous / Choregraphie: Music for Louis XIV's dancing masters (2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -8.84 dB -26.80 dB 1:27 01-Prelude in C
DR13 -6.16 dB -24.48 dB 2:26 11-Suite Le Bourgogne
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 2
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Statistics for: 08-Chaconne du Vieux Gautier
Number of samples: 13086528
Duration: 4:57
––––––––––––––––––––––––––––––––––––––––

Left Right

Peak Value: -11.40 dB –- -10.79 dB
Avg RMS: -25.86 dB –- -26.55 dB
DR channel: 11.57 dB –- 12.83 dB
––––––––––––––––––––––––––––––––––––––––

Official DR Value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Jean-Baptiste Lully / Choregraphie: Music for Louis XIV's dancing masters
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.83 dB -21.38 dB 1:48 03-Entree: Air pour les paysans et Paysanes
DR12 -6.88 dB -21.83 dB 1:35 05-Le Mariee de Rollant
DR12 -12.07 dB -28.74 dB 1:39 06-Sarabande pour une femme
DR11 -10.21 dB -23.63 dB 0:56 07-Bouree pour les Basques
DR11 -5.76 dB -20.60 dB 1:12 09-Le Congredance
DR12 -6.31 dB -23.68 dB 4:07 10-Entree d'Apollon
DR13 -6.02 dB -21.70 dB 2:33 12-Gigues
DR14 -3.65 dB -22.28 dB 5:09 13-Overture: Le retour des Plaisirs
DR12 -9.42 dB -24.86 dB 1:48 15-Sarabande
DR12 -8.05 dB -24.35 dB 2:43 17-Pavane des saisons
DR13 -3.38 dB -21.48 dB 6:02 19-Passacaille d'Armide
DR15 -1.36 dB -20.78 dB 9:32 23-Chaconne d'Amadis
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jean-Henry d'Anglebert / Choregraphie: Music for Louis XIV's dancing masters
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -4.35 dB -22.63 dB 3:47 18-Gaillarde
DR14 -4.62 dB -24.98 dB 7:20 20-Prelude in D minor
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 2
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Marin Mersenne / Choregraphie: Music for Louis XIV's dancing masters (1)
Wilhelm Brade / Choregraphie: Music for Louis XIV's dancing masters (2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -12.74 dB -27.44 dB 1:49 14-Courante: La Bocanes
DR12 -4.45 dB -20.00 dB 1:13 16-La Vignonne
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 2
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================



CD Info:

Andrew Lawrence-King ‎– Chorégraphie : Music For Louis XIV's Dancing Masters

Label: Harmonia Mundi
Catalog#: HMU 907335
Format: CD, Album
Country: France
Released: 2007
Genre: Classical
Style: Baroque

Tracklist:

Entrée
1 Prélude In C 1:26
2 From « L'Europe Galante : Air En Rondeau Gay » - Entrée Espagnole 1:42
3 From « Xerxes » - Entrée: Air Pour Les Paysans Et Paysanes: Des Paysans Et Paysanes Chantent Et Dansent A L'Espagnole 1:48
4 From « Hésionne » - Le Louvre 2:34
5 From « Ballet Du Temps, Ballet Des Plaisirs, Une Nopce De Village, Roland Etc. » - La Mariée De Rollant 1:35
6 From « Le Bourgeois Gentilhomme » - Sarabande Pour Une Femme 1:39
7 From « Xerxes » - Bourée Pour Les Basques 0:55
8 Chaconne Du Vieux Gautier 4:56
9 From « Xerxes, Armide » - La Contredance 1:12
Suite
10 From « Le Triomphe De L'Amour » - Entrée D'Apollon 4:06
11 Suite La Bourgogne; Courante - Bourée - Sarabande - Passepied 2:26
12 From « Rolland » - Gigues: Gigue A Deux - Gigue Pour Homme 2:33
Passacaille
13 From « Alceste » - Overture: Le Retour Des Plaisirs 5:09
14 From « Harmonie Universelle » - Courante: La Bocanes 1:48
15 From « Une Nopce De Village » - Sarabande 1:48
16 From « Neue Lustige Volten » - La Vignonne 1:13
17 From « Pièces De Symphonie, Ballet Des Saisons » - Pavane Des Saisons 2:42
18 Gaillarde 3:46
19 From « Armide » - Passacaille D'Armide 6:02
A L'Espagnole
20 Prélude In D Minor (1689) 7:19
21 From « L'Europe Galante » - Entrée Espagnole 1:28
22 Les Folies D'Espagne 5:05
Chaconne
23 From « Amadis » - Chaconne D'Amadis: Les Héros Et Héroïnes Leur Joie Par Des Danses 9:32

Companies etc:

Phonographic Copyright (p) – Harmonia Mundi USA
Copyright © – Harmonia Mundi USA

Credits:

Design – Scarlett Freund
Edited By [Sessions Producer], Engineer [Sessions Producer] – John Hadden
Executive Producer – Robina G. Young
Harp [Baroque Triple Harp] – Andrew Lawrence-King
Libretto By [Danse-book] – Raoul-Auger Feuillet
Liner Notes – Andrew Lawrence-King, Elsa Beaulieu, Heidi Fritz
Transcription By [Danse-book] – d'Anglebert

Notes:

Recorded march, 2004 at St. Andrews Church, Toddington, England.

Baroque Triple Harp by Chris Barlow, 2004, after 17th-c. Italian Models.

Music composed by Jean-Baptiste Lully preserved in the first baroque dance-book: Raoul Auger Feuillet's Chorégraphie (Paris, 1700).
Préludes by Jean-Henry d'Anglebert, Overtures & Dances By Lully & Campra in solo settings by d'Anglebert.

Review by James Manheim

This is one of those albums that can be listened to on two levels: one for the enjoyment of the rich, heavily ornamented sound of Andrew Lawrence-King's Baroque triple harp (the term refers to the instrument's three rows of strings, a configuration that survives today in Welsh folk music), and one for the music involved and how it fit into the musical and cultural universe of its time. The composers on the disc are familiar – Lully and Campra are responsible for most of the pieces. But the music was taken out of its original surroundings and arranged for solo instruments, the harp being a common one. One use for these arrangements was for the dance lessons of Louis XIV himself, one of history's few dancer-kings; the arrangements by Jean-Henri d'Angelbert were included in a dance instruction book called Choréographie, compiled by Raoul-Auger Feuillet, which contained perhaps history's first instance of dance notation. The lavish booklet includes examples of this, and it's pretty much worth the purchase price on its own. Others at the center of the Sun King's orbits of power loved dancing and might have heard this music as well: from New Year to Carnival," a visiting Bavarian princess wrote, "the court just danced and partied."

What the listener gets here, then, is something of an early dance mix. The pieces are mostly upbeat and short – sometimes very short. They are divided into five sets, beginning with an Entrée and concluding with the weightier and longer Chaconne, which gives Lawrence-King the chance to display his facility with ornamentation on a difficult instrument as it progresses into denser textures. Within each set are a mixture of programatically named pieces and the generic French court dances: sarabande, bourée, and so on. The trick in playing this music, according to one treatise, was to "please the ear, and at the same time to mark the dance rhythms so well, that one feels inspired in spite of oneself with the desire to dance." Lawrence-King treats the rhythm a bit freely for dancers, or even foot-tappers, but the subtle touch of his ornaments reveals something new each time one listens to it. The music of the French court remains the least understood aspect of the whole Baroque period, not least because performing organizations today can't muster the resources necessary to their reenactment. Recordings like this one, that hold onto the music's original entertainment value while showing us something of how French courtiers heard and enjoyed music, are invaluable. The sound picks up every little detail of Lawrence-King's harp, some of which are as quiet as the sounds of a Chinese zither. ~allmusicguide
Andrew Lawrence-King - Choregraphie: Music for Louis XIV's dancing masters (2007, Harmonia Mundi # HMU 907335)

Andrew Lawrence-King - Choregraphie: Music for Louis XIV's dancing masters (2007, Harmonia Mundi # HMU 907335)


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