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Anonymous 4 - Lily & The Lamb (1995, Harmonia Mundi # HMU 907125) [RE-UP]

Posted By: luckburz

Date: 15 Jul 2015 16:38:42

Anonymous 4 - Lily & The Lamb (1995, Harmonia Mundi # HMU 907125) [RE-UP]

Anonymous 4 - Lily & The Lamb
EAC+LOG+CUE | FLAC: 289 MB | Full Artwork: 258 MB | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMU 907125 | Country/Year: Europe 1995
Genre: Classical, Sacred | Style: Medieval, Vocal

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip [ ]

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 5. June 2013, 23:11

Anonymous 4 / Lily & The Lamb

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:04.42 | 0 | 9341
2 | 2:04.42 | 8:14.38 | 9342 | 46429
3 | 10:19.05 | 2:06.40 | 46430 | 55919
4 | 12:25.45 | 3:26.70 | 55920 | 71439
5 | 15:52.40 | 5:32.22 | 71440 | 96361
6 | 21:24.62 | 3:58.63 | 96362 | 114274
7 | 25:23.50 | 3:21.47 | 114275 | 129396
8 | 28:45.22 | 8:58.48 | 129397 | 169794
9 | 37:43.70 | 3:01.52 | 169795 | 183421
10 | 40:45.47 | 4:04.65 | 183422 | 201786
11 | 44:50.37 | 8:24.70 | 201787 | 239656
12 | 53:15.32 | 2:42.10 | 239657 | 251816
13 | 55:57.42 | 2:02.28 | 251817 | 260994
14 | 57:59.70 | 1:24.42 | 260995 | 267336
15 | 59:24.37 | 1:15.38 | 267337 | 272999
16 | 60:40.00 | 2:30.25 | 273000 | 284274
17 | 63:10.25 | 2:03.27 | 284275 | 293526
18 | 65:13.52 | 1:31.48 | 293527 | 300399

Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Anonymous 4 - Lily & The Lamb.wav

Peak level 92.1 %
Extraction speed 2.0 X
Range quality 100.0 %
Copy CRC 34646953
Copy OK

No errors occurred

AccurateRip summary

Track 1 cannot be verified as accurate (confidence 33) [3355AAD1], AccurateRip returned [32C32813] (AR v2)
Track 2 cannot be verified as accurate (confidence 33) [41C93468], AccurateRip returned [25F7F95E] (AR v2)
Track 3 cannot be verified as accurate (confidence 33) [3D98F90A], AccurateRip returned [D266E61F] (AR v2)
Track 4 cannot be verified as accurate (confidence 33) [8907181D], AccurateRip returned [941937B4] (AR v2)
Track 5 cannot be verified as accurate (confidence 33) [C9C2F230], AccurateRip returned [DF65456B] (AR v2)
Track 6 cannot be verified as accurate (confidence 32) [8E039A41], AccurateRip returned [67EBA374] (AR v2)
Track 7 cannot be verified as accurate (confidence 33) [1617EBF4], AccurateRip returned [23F98BD2] (AR v2)
Track 8 cannot be verified as accurate (confidence 31) [34437453], AccurateRip returned [13FE255D] (AR v2)
Track 9 cannot be verified as accurate (confidence 32) [A1A16551], AccurateRip returned [120EBBFA] (AR v2)
Track 10 cannot be verified as accurate (confidence 33) [0BE73CC7], AccurateRip returned [05A06492] (AR v2)
Track 11 cannot be verified as accurate (confidence 33) [B0AFF486], AccurateRip returned [1CB7545E] (AR v2)
Track 12 cannot be verified as accurate (confidence 33) [21768184], AccurateRip returned [3708F68B] (AR v2)
Track 13 cannot be verified as accurate (confidence 33) [9C81726F], AccurateRip returned [2069C228] (AR v2)
Track 14 cannot be verified as accurate (confidence 33) [FF3E303A], AccurateRip returned [33C4AB85] (AR v2)
Track 15 cannot be verified as accurate (confidence 33) [398697BF], AccurateRip returned [17A9D5E2] (AR v2)
Track 16 cannot be verified as accurate (confidence 33) [F9014242], AccurateRip returned [7FCA118A] (AR v2)
Track 17 cannot be verified as accurate (confidence 33) [D4FC1A72], AccurateRip returned [CEC88899] (AR v2)
Track 18 cannot be verified as accurate (confidence 32) [912EE9C9], AccurateRip returned [2132B3A5] (AR v2)

No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: LGy46im5uGh8PyJ2He5A6z7z2Ug-] found, Submit result: LGy46im5uGh8PyJ2He5A6z7z2Ug- has been confirmed
[56b9c970] (04/10) Accurately ripped
[2822e57a] (06/10) Differs in 43 samples @66:45:10
You can use CUETools to repair this rip.

==== Log checksum B8C3FEF43F6A69FD7C8396F8B7640BB3C03E636A98EAF4AE8112A330D8E5545D ====

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-06-06 12:23:46

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anonymous 4 / Lily & The Lamb
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -10.28 dB -29.07 dB 2:05 01-Processional Hymn: O gloriosa domina
DR14 -8.04 dB -27.29 dB 8:15 02-Hymn: Þe milde lomb isprad o rode
DR12 -4.67 dB -22.11 dB 2:07 03-Conductus: Ave Maria gracia plena
DR12 -4.01 dB -19.94 dB 3:27 04-Conductus: O Maria stella maris
DR15 -1.50 dB -23.56 dB 5:32 05-Sequence: Stabat iuxta Christi crucem
DR14 -3.70 dB -22.41 dB 3:59 06-Sequence: Stillat in stellam radium
DR13 -2.04 dB -21.74 dB 3:22 07-Sequence: Salve virgo singularis
DR17 -1.59 dB -25.33 dB 8:59 08-Sequence: Stond wel, moder, under roode
DR13 -3.51 dB -21.81 dB 3:02 09-Sequence: O Maria virgo pia
DR13 -5.81 dB -25.09 dB 4:05 10-Hymn: In te concipitur
DR13 -9.16 dB -28.66 dB 8:25 11-Sequence: Jesu Cristes milde moder
DR13 -0.71 dB -21.41 dB 2:42 12-Motet: Veni mater gracie/Dou way, Robin
DR14 -1.45 dB -18.92 dB 2:02 13-Motet: O mors moreris/O vita vera/Mors
DR13 -4.88 dB -22.38 dB 1:25 14-Conductus: Salve virgo tonantis solium
DR14 -4.81 dB -25.49 dB 1:16 15-Sequence: Miserere miseris
DR11 -4.43 dB -19.31 dB 2:30 16-Conductus: Ave Maria salus hominum
DR12 -7.35 dB -24.04 dB 2:03 17-Conductus: Memor esto tuorum
DR12 -4.21 dB -24.12 dB 1:32 18-Antiphon: Ave regina celorum
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 18
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 576 kbps
Codec: FLAC
================================================================================

CD Info:

Anonymous 4 - The Lily and the Lamb: Chant and Polyphony from Medieval England

Label: Harmonia Mundi
Catalog#: HMU 907125
Format: CD, Album
Country: Europe
Released: 1995
Genre: Classical
Style: Medieval

Tracklist:

1 O Gloriosa Domina 2:00
2 Þe Milde Lomb Isprad O Rode 8:10
3 Ave Maria Gracia Plena 2:07
4 O Maria Stella Maris 3:23
5 Stabat Iuxta Christi Crucem 5:29
6 Stillat In Stellam Radium 3:53
7 Salve Virgo Singularis 3:17
8 Stond Wel, Moder, Under Roode 8:51
9 O Maria Virgo Pia 2:59
10 In Te Concipitur 4:01
11 Jesu Christes Milde Moder 8:20
12 Veni Mater Gracie / Dou Way, Robin 2:37
13 O Mors Moreris / O Vita Vera / Mors 2:02
14 Salve Virgo Tonantis Solium 1:21
15 Miserere Miseris 1:12
16 Ave Maria Salus Hominum 2:30
17 Memor Esto Tuorum 2:00
18 Ave Regina Celorum 1:31

Notes:

Chant & polyphony from medieval England

The booklet includes lyrics, both in original language (Latin or Medieval English) and translations to English.

1. Processional hymn
2. Hymn
3. Conductus
4. Conductus
5. Sequence
6. Sequence
7. Sequence
8. Sequence
9. Sequence
10. Hymn
11. Sequence
12. Motet
13. Motet
14. Conductus
15. Sequence
16. Conductus
17. Conductus
18. Antiphon

Recorded: September 28 - October 1, 1994, The Priory Church of St. Mary and St. Blaise, Boxgrove, Chichester.

Cover: Issenheim altarpiece (detail, center panel)
Cliché: Art Resource, NY.
Produced in the USA.

Transcriptions and translations of "Stabat iuxta Christi crucem", "Miserere miseris" and "Ave regina celorum" have been prepared from available original sources by Susan Hellauer.

The tune of the painchant hymn "O gloriosa domina" from the Worcester antiphoner has been transcribed from the facsimile collection edited by Dom André Mocquereau and published in 1922 by Solesmes as Vol. XII of Paléographie Musicale: Les principaux Manuscrits de Chant (reprinted in 1971 by Herbert Lang & Cie S.A., Berne). The text, from a manuscript in the Pierpont Morgan Library, New York, was translated by Susan Hellauer.

Selected performing material ("Þe milde lomb isprad o rode", "Stond wel, moder, under roode" and "Veni mater gracie/Dou way, Robin") was drawn from Medieval English Songs, edited by E. J. Dobson and F.Ll. Harrison and published by Cambridge University Press, New York.

The remaining music was performed using material published in Polyphonic Music of the Fourteenth Century, edited and translated by Ernest H. Sanders, Frank Ll. Harrison, and Peter Lefferts, and published by Éditions de L'Oiseau-Lyre. "Ave Maria gracia plena", "O Maria stella maris", "Stillat in stellam radium", "O Maria virgo pia", "In te concipitur", "Jesu Christes milde moder", "O mors moreris/O vita vera/Mors", "Ave Maria salus hominum", and "Memor esto tuorum" are found in Volume XIV; "Salve virgo singularis" and "Salve virgo tonatis solium" are from Volume XVII. Special thanks to Mrs. Margarita Hanson for permission to use this material.

Total timing - 66:45

"The disc's title refers to Mary and her son, the Christ, which is the general theme of the medieval chant, polyphony, and poetry that forms this program. The selections are ordered around three 13th century "sequences" that describe Mary's experiences at the foot of the cross. You can get deep into the mechanics and musicological aspects of this fascinating music, or you can just listen. This is music that speaks to everyone, and the mere sound of these voices, whether in their incredibly pure and perfect unison or multi-colored polyphony, can touch places within that otherwise rarely resonate. There's also something reassuring about connecting in this way with struggling souls of the distant past whose cares and hopes were much like ours. They survived largely due to their faith and its proclamation through music such as this." –David Vernier, Amazon.com

"The singing is absolutely gorgeous. Not only do the 4 sound like angels; they phrase and inflect seraphically as well. You need go no further than the 'O Gloriosa Domina' Processional that starts the program to hear their clear, handsome, seemingly effortless unanimity in action…'Stond wel, moder, under roode' took my breath away." – American Record Guide

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