Charles Avison - 12 Concerti Grossi after Sonatas by Domenico Scarlatti (1994, ReIssued 2007) {2x CD}
Charles Avison (1709-1770) - 12 Concerti Grossi after Sonatas by Domenico Scarlatti
The Brandenburg Consort / Roy Goodman
EAC+LOG+CUE | FLAC: 760 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Hyperion # CDD22060 | Country/Year: UK 2007, 1994
Genre: Classical | Style: (Late) Baroque
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
selfrip [] not my rip [X]
Charles Avison - 12 Concerti Grossi after Sonatas by Domenico Scarlatti (1994, ReIssued 2007) {2x CD}
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 6. July 2011, 21:47
The Brandenburg Consort, Roy Goodman / Charles Avison - 12 Concerti Grossi (CD1)
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:54.10 | 0 | 8559
2 | 1:54.10 | 5:00.22 | 8560 | 31081
3 | 6:54.32 | 2:08.53 | 31082 | 40734
4 | 9:03.10 | 4:02.65 | 40735 | 58949
5 | 13:06.00 | 1:50.72 | 58950 | 67271
6 | 14:56.72 | 4:19.48 | 67272 | 86744
7 | 19:16.45 | 5:55.07 | 86745 | 113376
8 | 25:11.52 | 2:16.23 | 113377 | 123599
9 | 27:28.00 | 2:17.40 | 123600 | 133914
10 | 29:45.40 | 3:40.70 | 133915 | 150484
11 | 33:26.35 | 2:21.40 | 150485 | 161099
12 | 35:48.00 | 2:22.00 | 161100 | 171749
13 | 38:10.00 | 5:37.32 | 171750 | 197056
14 | 43:47.32 | 1:56.08 | 197057 | 205764
15 | 45:43.40 | 5:16.05 | 205765 | 229469
16 | 50:59.45 | 2:48.30 | 229470 | 242099
17 | 53:48.00 | 3:31.62 | 242100 | 257986
18 | 57:19.62 | 1:46.00 | 257987 | 265936
19 | 59:05.62 | 1:53.50 | 265937 | 274461
20 | 60:59.37 | 2:28.38 | 274462 | 285599
21 | 63:28.00 | 2:53.45 | 285600 | 298619
22 | 66:21.45 | 5:00.67 | 298620 | 321186
23 | 71:22.37 | 2:02.73 | 321187 | 330409
24 | 73:25.35 | 3:08.41 | 330410 | 344550
Range status and errors
Selected range
Filename Z:\NetLab\Charles Avison - 12 Concerti Grossi (The Brandenburg Consort, Roy Goodman) (2007) {2CDs Hyperion}\CD 1\Charles Avison - 12 Concerti Grossi (CD1).wav
Peak level 99.5 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC 7354941A
Copy CRC 7354941A
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [29C4DF2D] (AR v1)
Track 2 accurately ripped (confidence 3) [D439163F] (AR v1)
Track 3 accurately ripped (confidence 3) [44A609CC] (AR v1)
Track 4 accurately ripped (confidence 3) [E4D13330] (AR v1)
Track 5 accurately ripped (confidence 3) [C926E495] (AR v1)
Track 6 accurately ripped (confidence 3) [56E124AE] (AR v1)
Track 7 accurately ripped (confidence 3) [94924DC3] (AR v1)
Track 8 accurately ripped (confidence 3) [B8C33E77] (AR v1)
Track 9 accurately ripped (confidence 3) [C9677115] (AR v1)
Track 10 accurately ripped (confidence 3) [8D20F580] (AR v1)
Track 11 accurately ripped (confidence 3) [A1771D30] (AR v1)
Track 12 accurately ripped (confidence 3) [B31E613A] (AR v1)
Track 13 accurately ripped (confidence 3) [B6C51997] (AR v1)
Track 14 accurately ripped (confidence 3) [96D48186] (AR v1)
Track 15 accurately ripped (confidence 3) [42B7E5E7] (AR v1)
Track 16 accurately ripped (confidence 3) [2B449A58] (AR v1)
Track 17 accurately ripped (confidence 3) [9B17DF0A] (AR v1)
Track 18 accurately ripped (confidence 3) [C5F4E4CB] (AR v1)
Track 19 accurately ripped (confidence 3) [53DB5EE6] (AR v1)
Track 20 accurately ripped (confidence 3) [F6C47D9E] (AR v1)
Track 21 accurately ripped (confidence 3) [6D492C12] (AR v1)
Track 22 accurately ripped (confidence 3) [3A362359] (AR v1)
Track 23 accurately ripped (confidence 3) [07586BBF] (AR v1)
Track 24 accurately ripped (confidence 3) [3A687013] (AR v1)
All tracks accurately ripped
End of status report
==== Log checksum A4317B02927842FE064BBE8BC6A9A9DA093802189ACAAFBCA2F1225F74CE1B87 ====
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 7. July 2011, 21:50
The Brandenburg Consort, Roy Goodman / Charles Avison - 12 Concerti Grossi (CD2)
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:02.37 | 0 | 9186
2 | 2:02.37 | 3:21.03 | 9187 | 24264
3 | 5:23.40 | 2:13.72 | 24265 | 34311
4 | 7:37.37 | 3:28.38 | 34312 | 49949
5 | 11:06.00 | 1:27.35 | 49950 | 56509
6 | 12:33.35 | 3:04.05 | 56510 | 70314
7 | 15:37.40 | 2:42.05 | 70315 | 82469
8 | 18:19.45 | 2:09.30 | 82470 | 92174
9 | 20:29.00 | 1:58.65 | 92175 | 101089
10 | 22:27.65 | 4:06.45 | 101090 | 119584
11 | 26:34.35 | 3:26.02 | 119585 | 135036
12 | 30:00.37 | 3:50.38 | 135037 | 152324
13 | 33:51.00 | 1:21.70 | 152325 | 158469
14 | 35:12.70 | 2:21.27 | 158470 | 169071
15 | 37:34.22 | 0:46.45 | 169072 | 172566
16 | 38:20.67 | 2:20.08 | 172567 | 183074
17 | 40:41.00 | 4:19.37 | 183075 | 202536
18 | 45:00.37 | 3:38.13 | 202537 | 218899
19 | 48:38.50 | 6:57.62 | 218900 | 250236
20 | 55:36.37 | 2:40.38 | 250237 | 262274
21 | 58:17.00 | 1:15.05 | 262275 | 267904
22 | 59:32.05 | 1:30.65 | 267905 | 274719
23 | 61:02.70 | 3:58.10 | 274720 | 292579
24 | 65:01.05 | 4:52.30 | 292580 | 314509
25 | 69:53.35 | 0:57.05 | 314510 | 318789
26 | 70:50.40 | 3:16.36 | 318790 | 333525
Range status and errors
Selected range
Filename Z:\NetLab\Charles Avison - 12 Concerti Grossi (The Brandenburg Consort, Roy Goodman) (2007) {2CDs Hyperion}\CD 2\Charles Avison - 12 Concerti Grossi (CD2).wav
Peak level 99.9 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC AF1B6295
Copy CRC AF1B6295
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [6988DDE2] (AR v1)
Track 2 accurately ripped (confidence 3) [69A2386A] (AR v1)
Track 3 accurately ripped (confidence 3) [B50F0145] (AR v1)
Track 4 accurately ripped (confidence 3) [5835409D] (AR v1)
Track 5 accurately ripped (confidence 3) [D0E37626] (AR v1)
Track 6 accurately ripped (confidence 3) [F4FBB075] (AR v1)
Track 7 accurately ripped (confidence 3) [B9626579] (AR v1)
Track 8 accurately ripped (confidence 3) [092D5D48] (AR v1)
Track 9 accurately ripped (confidence 3) [D7E5FAF2] (AR v1)
Track 10 accurately ripped (confidence 3) [9CA8108C] (AR v1)
Track 11 accurately ripped (confidence 3) [BDF0E04C] (AR v1)
Track 12 accurately ripped (confidence 3) [BE37332B] (AR v1)
Track 13 accurately ripped (confidence 3) [A99BF277] (AR v1)
Track 14 accurately ripped (confidence 3) [B4B0200D] (AR v1)
Track 15 accurately ripped (confidence 3) [BC421DBF] (AR v1)
Track 16 accurately ripped (confidence 3) [F46D907B] (AR v1)
Track 17 accurately ripped (confidence 3) [8CB54280] (AR v1)
Track 18 accurately ripped (confidence 3) [971945EC] (AR v1)
Track 19 accurately ripped (confidence 3) [2E922FB1] (AR v1)
Track 20 accurately ripped (confidence 3) [0FEC28A2] (AR v1)
Track 21 accurately ripped (confidence 3) [D0FF1892] (AR v1)
Track 22 accurately ripped (confidence 3) [56E515BC] (AR v1)
Track 23 accurately ripped (confidence 3) [33D0334B] (AR v1)
Track 24 accurately ripped (confidence 3) [8C659EB2] (AR v1)
Track 25 accurately ripped (confidence 3) [2D8A4094] (AR v1)
Track 26 accurately ripped (confidence 3) [1F3A0980] (AR v1)
All tracks accurately ripped
End of status report
==== Log checksum 9E28CDA67E6040A7E4157AD2B6FC7DFCE2636EC088DCC99D1A0CFA4B57D33B4E ====
EAC extraction logfile from 6. July 2011, 21:47
The Brandenburg Consort, Roy Goodman / Charles Avison - 12 Concerti Grossi (CD1)
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:54.10 | 0 | 8559
2 | 1:54.10 | 5:00.22 | 8560 | 31081
3 | 6:54.32 | 2:08.53 | 31082 | 40734
4 | 9:03.10 | 4:02.65 | 40735 | 58949
5 | 13:06.00 | 1:50.72 | 58950 | 67271
6 | 14:56.72 | 4:19.48 | 67272 | 86744
7 | 19:16.45 | 5:55.07 | 86745 | 113376
8 | 25:11.52 | 2:16.23 | 113377 | 123599
9 | 27:28.00 | 2:17.40 | 123600 | 133914
10 | 29:45.40 | 3:40.70 | 133915 | 150484
11 | 33:26.35 | 2:21.40 | 150485 | 161099
12 | 35:48.00 | 2:22.00 | 161100 | 171749
13 | 38:10.00 | 5:37.32 | 171750 | 197056
14 | 43:47.32 | 1:56.08 | 197057 | 205764
15 | 45:43.40 | 5:16.05 | 205765 | 229469
16 | 50:59.45 | 2:48.30 | 229470 | 242099
17 | 53:48.00 | 3:31.62 | 242100 | 257986
18 | 57:19.62 | 1:46.00 | 257987 | 265936
19 | 59:05.62 | 1:53.50 | 265937 | 274461
20 | 60:59.37 | 2:28.38 | 274462 | 285599
21 | 63:28.00 | 2:53.45 | 285600 | 298619
22 | 66:21.45 | 5:00.67 | 298620 | 321186
23 | 71:22.37 | 2:02.73 | 321187 | 330409
24 | 73:25.35 | 3:08.41 | 330410 | 344550
Range status and errors
Selected range
Filename Z:\NetLab\Charles Avison - 12 Concerti Grossi (The Brandenburg Consort, Roy Goodman) (2007) {2CDs Hyperion}\CD 1\Charles Avison - 12 Concerti Grossi (CD1).wav
Peak level 99.5 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC 7354941A
Copy CRC 7354941A
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [29C4DF2D] (AR v1)
Track 2 accurately ripped (confidence 3) [D439163F] (AR v1)
Track 3 accurately ripped (confidence 3) [44A609CC] (AR v1)
Track 4 accurately ripped (confidence 3) [E4D13330] (AR v1)
Track 5 accurately ripped (confidence 3) [C926E495] (AR v1)
Track 6 accurately ripped (confidence 3) [56E124AE] (AR v1)
Track 7 accurately ripped (confidence 3) [94924DC3] (AR v1)
Track 8 accurately ripped (confidence 3) [B8C33E77] (AR v1)
Track 9 accurately ripped (confidence 3) [C9677115] (AR v1)
Track 10 accurately ripped (confidence 3) [8D20F580] (AR v1)
Track 11 accurately ripped (confidence 3) [A1771D30] (AR v1)
Track 12 accurately ripped (confidence 3) [B31E613A] (AR v1)
Track 13 accurately ripped (confidence 3) [B6C51997] (AR v1)
Track 14 accurately ripped (confidence 3) [96D48186] (AR v1)
Track 15 accurately ripped (confidence 3) [42B7E5E7] (AR v1)
Track 16 accurately ripped (confidence 3) [2B449A58] (AR v1)
Track 17 accurately ripped (confidence 3) [9B17DF0A] (AR v1)
Track 18 accurately ripped (confidence 3) [C5F4E4CB] (AR v1)
Track 19 accurately ripped (confidence 3) [53DB5EE6] (AR v1)
Track 20 accurately ripped (confidence 3) [F6C47D9E] (AR v1)
Track 21 accurately ripped (confidence 3) [6D492C12] (AR v1)
Track 22 accurately ripped (confidence 3) [3A362359] (AR v1)
Track 23 accurately ripped (confidence 3) [07586BBF] (AR v1)
Track 24 accurately ripped (confidence 3) [3A687013] (AR v1)
All tracks accurately ripped
End of status report
==== Log checksum A4317B02927842FE064BBE8BC6A9A9DA093802189ACAAFBCA2F1225F74CE1B87 ====
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 7. July 2011, 21:50
The Brandenburg Consort, Roy Goodman / Charles Avison - 12 Concerti Grossi (CD2)
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:02.37 | 0 | 9186
2 | 2:02.37 | 3:21.03 | 9187 | 24264
3 | 5:23.40 | 2:13.72 | 24265 | 34311
4 | 7:37.37 | 3:28.38 | 34312 | 49949
5 | 11:06.00 | 1:27.35 | 49950 | 56509
6 | 12:33.35 | 3:04.05 | 56510 | 70314
7 | 15:37.40 | 2:42.05 | 70315 | 82469
8 | 18:19.45 | 2:09.30 | 82470 | 92174
9 | 20:29.00 | 1:58.65 | 92175 | 101089
10 | 22:27.65 | 4:06.45 | 101090 | 119584
11 | 26:34.35 | 3:26.02 | 119585 | 135036
12 | 30:00.37 | 3:50.38 | 135037 | 152324
13 | 33:51.00 | 1:21.70 | 152325 | 158469
14 | 35:12.70 | 2:21.27 | 158470 | 169071
15 | 37:34.22 | 0:46.45 | 169072 | 172566
16 | 38:20.67 | 2:20.08 | 172567 | 183074
17 | 40:41.00 | 4:19.37 | 183075 | 202536
18 | 45:00.37 | 3:38.13 | 202537 | 218899
19 | 48:38.50 | 6:57.62 | 218900 | 250236
20 | 55:36.37 | 2:40.38 | 250237 | 262274
21 | 58:17.00 | 1:15.05 | 262275 | 267904
22 | 59:32.05 | 1:30.65 | 267905 | 274719
23 | 61:02.70 | 3:58.10 | 274720 | 292579
24 | 65:01.05 | 4:52.30 | 292580 | 314509
25 | 69:53.35 | 0:57.05 | 314510 | 318789
26 | 70:50.40 | 3:16.36 | 318790 | 333525
Range status and errors
Selected range
Filename Z:\NetLab\Charles Avison - 12 Concerti Grossi (The Brandenburg Consort, Roy Goodman) (2007) {2CDs Hyperion}\CD 2\Charles Avison - 12 Concerti Grossi (CD2).wav
Peak level 99.9 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC AF1B6295
Copy CRC AF1B6295
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [6988DDE2] (AR v1)
Track 2 accurately ripped (confidence 3) [69A2386A] (AR v1)
Track 3 accurately ripped (confidence 3) [B50F0145] (AR v1)
Track 4 accurately ripped (confidence 3) [5835409D] (AR v1)
Track 5 accurately ripped (confidence 3) [D0E37626] (AR v1)
Track 6 accurately ripped (confidence 3) [F4FBB075] (AR v1)
Track 7 accurately ripped (confidence 3) [B9626579] (AR v1)
Track 8 accurately ripped (confidence 3) [092D5D48] (AR v1)
Track 9 accurately ripped (confidence 3) [D7E5FAF2] (AR v1)
Track 10 accurately ripped (confidence 3) [9CA8108C] (AR v1)
Track 11 accurately ripped (confidence 3) [BDF0E04C] (AR v1)
Track 12 accurately ripped (confidence 3) [BE37332B] (AR v1)
Track 13 accurately ripped (confidence 3) [A99BF277] (AR v1)
Track 14 accurately ripped (confidence 3) [B4B0200D] (AR v1)
Track 15 accurately ripped (confidence 3) [BC421DBF] (AR v1)
Track 16 accurately ripped (confidence 3) [F46D907B] (AR v1)
Track 17 accurately ripped (confidence 3) [8CB54280] (AR v1)
Track 18 accurately ripped (confidence 3) [971945EC] (AR v1)
Track 19 accurately ripped (confidence 3) [2E922FB1] (AR v1)
Track 20 accurately ripped (confidence 3) [0FEC28A2] (AR v1)
Track 21 accurately ripped (confidence 3) [D0FF1892] (AR v1)
Track 22 accurately ripped (confidence 3) [56E515BC] (AR v1)
Track 23 accurately ripped (confidence 3) [33D0334B] (AR v1)
Track 24 accurately ripped (confidence 3) [8C659EB2] (AR v1)
Track 25 accurately ripped (confidence 3) [2D8A4094] (AR v1)
Track 26 accurately ripped (confidence 3) [1F3A0980] (AR v1)
All tracks accurately ripped
End of status report
==== Log checksum 9E28CDA67E6040A7E4157AD2B6FC7DFCE2636EC088DCC99D1A0CFA4B57D33B4E ====
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-10-01 16:41:22
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Brandenburg Consort, Roy Goodman / Charles Avison - 12 Concerti Grossi (CD1)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.05 dB -19.49 dB 1:54 01-Concerto Grosso No 1 in A major; I. Adagio
DR14 -0.40 dB -18.93 dB 5:00 02-II. Allegro
DR12 -5.30 dB -22.13 dB 2:09 03-III. Amoroso
DR13 -0.20 dB -18.17 dB 4:03 04-IV. Allegro
DR12 -2.82 dB -19.20 dB 1:51 05-Concerto Grosso No 2 in G major; I. Largo
DR14 -0.37 dB -18.85 dB 4:20 06-II. Allegro
DR14 -1.40 dB -19.58 dB 5:55 07-III. Andante
DR13 -4.33 dB -20.73 dB 2:16 08-IV. Vivace
DR11 -2.75 dB -18.81 dB 2:18 09-Concerto Grosso No 3 in D minor; I. Largo Andante
DR15 -0.41 dB -18.93 dB 3:41 10-II. Allegro Spiritoso
DR14 -2.67 dB -20.82 dB 2:22 11-III. Vivace
DR14 -0.80 dB -17.44 dB 2:22 12-IV. Allegro
DR14 -0.13 dB -19.86 dB 5:37 13-Concerto Grosso No 4 in A minor; I. Andante
DR13 -1.02 dB -18.67 dB 1:56 14-II. Allegro
DR13 -3.19 dB -20.85 dB 5:16 15-III. Largo
DR14 -2.53 dB -21.93 dB 2:48 16-IV. Vivace
DR14 -2.66 dB -20.47 dB 3:32 17-Concerto Grosso No 5 in D minor; I. Largo
DR14 -0.04 dB -17.44 dB 1:46 18-II. Allegro
DR12 -1.60 dB -17.26 dB 1:54 19-III. Andante Moderato
DR14 -2.25 dB -19.72 dB 2:29 20-IV. Allegro
DR13 -2.49 dB -19.93 dB 2:54 21-Concerto Grosso No 6 in D major; I. Largo
DR13 -0.20 dB -17.91 dB 5:01 22-II. Con Furia
DR13 -2.16 dB -22.98 dB 2:03 23-III. Adagio
DR13 -0.90 dB -17.98 dB 3:09 24-IV. Vivacemente
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 24
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 706 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Brandenburg Consort, Roy Goodman / Charles Avison - 12 Concerti Grossi (CD2)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.65 dB -21.06 dB 2:02 01-Concerto Grosso No 7 in G minor; I. Adagio
DR15 -1.04 dB -20.05 dB 3:21 02-II. Allegro
DR15 -6.20 dB -26.00 dB 2:14 03-III. Adagio
DR14 -2.26 dB -21.24 dB 3:29 04-IV. Allegro Affettuoso
DR13 -3.60 dB -20.83 dB 1:27 05-Concerto Grosso No 8 in E minor; I. Adagio
DR14 -0.21 dB -20.50 dB 3:04 06-II. Allegro
DR14 -4.50 dB -22.22 dB 2:42 07-III. Amoroso
DR14 -0.89 dB -20.62 dB 2:09 08-IV. Vivace
DR13 -1.75 dB -19.94 dB 1:59 09-Concerto Grosso No 9 in C major; I. Largo
DR15 -0.11 dB -21.33 dB 4:07 10-II. Con Spirito - Andante
DR14 -5.29 dB -23.92 dB 3:26 11-III. Siciliana
DR13 -1.62 dB -20.02 dB 3:51 12-IV. Allegro
DR13 -2.85 dB -20.07 dB 1:22 13-Concerto Grosso No 10 in D major; I. Grazioso
DR12 -0.30 dB -17.02 dB 2:21 14-II. Allegro
DR13 -6.62 dB -24.26 dB 0:47 15-III. Adagio
DR13 -1.65 dB -18.24 dB 2:20 16-IV. Giga (Allegro)
DR14 -3.39 dB -21.51 dB 4:19 17-Concerto Grosso No 11 in G major; I. Con Affetto
DR15 -1.43 dB -20.57 dB 3:38 18-II. Allegro
DR13 -1.37 dB -20.18 dB 6:58 19-III. Andante Moderato
DR14 -2.38 dB -22.02 dB 2:41 20-IV. Vivacemente
DR11 -9.53 dB -28.45 dB 1:15 21-Concerto Grosso No 12 in D major; I. Grave Temporegiato
DR12 -4.56 dB -21.83 dB 1:31 22-II. Largo Tempo Giusto
DR13 -0.01 dB -18.21 dB 3:58 23-III. Allegro Spiritoso
DR12 -4.09 dB -20.90 dB 4:52 24-IV. Lentemente
DR10 -13.93 dB -28.21 dB 0:57 25-V. Temporegiato
DR14 -0.01 dB -17.64 dB 3:16 26-VI. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 26
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 715 kbps
Codec: FLAC
================================================================================
log date: 2012-10-01 16:41:22
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Brandenburg Consort, Roy Goodman / Charles Avison - 12 Concerti Grossi (CD1)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.05 dB -19.49 dB 1:54 01-Concerto Grosso No 1 in A major; I. Adagio
DR14 -0.40 dB -18.93 dB 5:00 02-II. Allegro
DR12 -5.30 dB -22.13 dB 2:09 03-III. Amoroso
DR13 -0.20 dB -18.17 dB 4:03 04-IV. Allegro
DR12 -2.82 dB -19.20 dB 1:51 05-Concerto Grosso No 2 in G major; I. Largo
DR14 -0.37 dB -18.85 dB 4:20 06-II. Allegro
DR14 -1.40 dB -19.58 dB 5:55 07-III. Andante
DR13 -4.33 dB -20.73 dB 2:16 08-IV. Vivace
DR11 -2.75 dB -18.81 dB 2:18 09-Concerto Grosso No 3 in D minor; I. Largo Andante
DR15 -0.41 dB -18.93 dB 3:41 10-II. Allegro Spiritoso
DR14 -2.67 dB -20.82 dB 2:22 11-III. Vivace
DR14 -0.80 dB -17.44 dB 2:22 12-IV. Allegro
DR14 -0.13 dB -19.86 dB 5:37 13-Concerto Grosso No 4 in A minor; I. Andante
DR13 -1.02 dB -18.67 dB 1:56 14-II. Allegro
DR13 -3.19 dB -20.85 dB 5:16 15-III. Largo
DR14 -2.53 dB -21.93 dB 2:48 16-IV. Vivace
DR14 -2.66 dB -20.47 dB 3:32 17-Concerto Grosso No 5 in D minor; I. Largo
DR14 -0.04 dB -17.44 dB 1:46 18-II. Allegro
DR12 -1.60 dB -17.26 dB 1:54 19-III. Andante Moderato
DR14 -2.25 dB -19.72 dB 2:29 20-IV. Allegro
DR13 -2.49 dB -19.93 dB 2:54 21-Concerto Grosso No 6 in D major; I. Largo
DR13 -0.20 dB -17.91 dB 5:01 22-II. Con Furia
DR13 -2.16 dB -22.98 dB 2:03 23-III. Adagio
DR13 -0.90 dB -17.98 dB 3:09 24-IV. Vivacemente
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 24
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 706 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Brandenburg Consort, Roy Goodman / Charles Avison - 12 Concerti Grossi (CD2)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.65 dB -21.06 dB 2:02 01-Concerto Grosso No 7 in G minor; I. Adagio
DR15 -1.04 dB -20.05 dB 3:21 02-II. Allegro
DR15 -6.20 dB -26.00 dB 2:14 03-III. Adagio
DR14 -2.26 dB -21.24 dB 3:29 04-IV. Allegro Affettuoso
DR13 -3.60 dB -20.83 dB 1:27 05-Concerto Grosso No 8 in E minor; I. Adagio
DR14 -0.21 dB -20.50 dB 3:04 06-II. Allegro
DR14 -4.50 dB -22.22 dB 2:42 07-III. Amoroso
DR14 -0.89 dB -20.62 dB 2:09 08-IV. Vivace
DR13 -1.75 dB -19.94 dB 1:59 09-Concerto Grosso No 9 in C major; I. Largo
DR15 -0.11 dB -21.33 dB 4:07 10-II. Con Spirito - Andante
DR14 -5.29 dB -23.92 dB 3:26 11-III. Siciliana
DR13 -1.62 dB -20.02 dB 3:51 12-IV. Allegro
DR13 -2.85 dB -20.07 dB 1:22 13-Concerto Grosso No 10 in D major; I. Grazioso
DR12 -0.30 dB -17.02 dB 2:21 14-II. Allegro
DR13 -6.62 dB -24.26 dB 0:47 15-III. Adagio
DR13 -1.65 dB -18.24 dB 2:20 16-IV. Giga (Allegro)
DR14 -3.39 dB -21.51 dB 4:19 17-Concerto Grosso No 11 in G major; I. Con Affetto
DR15 -1.43 dB -20.57 dB 3:38 18-II. Allegro
DR13 -1.37 dB -20.18 dB 6:58 19-III. Andante Moderato
DR14 -2.38 dB -22.02 dB 2:41 20-IV. Vivacemente
DR11 -9.53 dB -28.45 dB 1:15 21-Concerto Grosso No 12 in D major; I. Grave Temporegiato
DR12 -4.56 dB -21.83 dB 1:31 22-II. Largo Tempo Giusto
DR13 -0.01 dB -18.21 dB 3:58 23-III. Allegro Spiritoso
DR12 -4.09 dB -20.90 dB 4:52 24-IV. Lentemente
DR10 -13.93 dB -28.21 dB 0:57 25-V. Temporegiato
DR14 -0.01 dB -17.64 dB 3:16 26-VI. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 26
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 715 kbps
Codec: FLAC
================================================================================
CD Info:
Charles Avison (1709-1770) - The Brandenburg Consort / Roy Goodman - 12 Concerti Grossi after Sonatas by Domenico Scarlatti (1744)
Label: Hyperion
Catalog#: CDD22060
Format: 2xCD, Album
Country: UK
Released: 2007, 1994
Genre: Classical
Style: Baroque
Tracklist:
CD 1
Concerto Grosso No 1 in A major;
1-1. Adagio (Kk91a, Transposed) 1:54
1-2. Allegro (Kk24) 4:59
1-3. Amoroso (Kk91d) 2:08
1-4. Allegro (Kk26) 3:59
Concerto Grosso No 2 in G major;
1-5. Largo (Kk91c) 1:50
1-6. Allegro (Kk13) 4:18
1-7. Andante (Kk4) 5:52
1-8. Vivace (Kk2) 2:06
Concerto Grosso No 3 in D minor;
1-9. Largo Andante (Kk89c) 2:16
1-10. Allegro Spiritoso (Kk37, Transposed) 3:39
1-11. Vivace (Kk38) 2:20
1-12. Allegro (Kk1) 2:17
Concerto Grosso No 4 in A minor;
1-13. Andante (Kk12, Transposed) 5:35
1-14. Allegro (Kk3) 1:55
1-15. Largo (Unknown) 5:14
1-16. Vivace (Kk36) 2:39
Concerto Grosso No 5 in D minor;
1-17. Largo (Unknown) 3:30
1-18. Allegro (Kk11, Transposed) 1:47
1-19. Andante Moderato (Kk41) 1:53
1-20. Allegro (Kk5) 2:19
Concerto Grosso No 6 in D major;
1-21. Largo (Unknown) 2:52
1-22. Con Furia (Kk29) 4:58
1-23. Adagio (Kk89c) 2:02
1-24. Vivacemente (Kk21) 3:08
CD 2
Concerto Grosso No 7 in G minor;
2-1. Adagio (Kk88a, Altered) 2:00
2-2. Allegro (Kk19, Transposed) 3:20
2-3. Adagio (Kk88d) 2:12
2-4. Allegro Affettuoso (Kk17, Transposed) 3:21
Concerto Grosso No 8 in E minor;
2-5. Adagio (Kk81a, Shortened) 1:25
2-6. Allegro (Kk20) 3:02
2-7. Amoroso (Kk81d) 2:41
2-8. Vivace (Kk15) 2:01
Concerto Grosso No 9 in C major;
2-9. Largo (Unknown) 2:06
2-10. Con Spirito - Andante (Kk31, Transposed) 4:06
2-11. Siciliana (Unknown) 3:24
2-12. Allegro (Kk7) 3:44
Concerto Grosso No 10 in D major;
2-13. Grazioso (Unknown) 1:20
2-14. Allegro (Kk10) 2:20
2-15. Adagio (Unknown) 0:47
2-16. Giga (Allegro) (Kk9) 2:12
Concerto Grosso No 11 in G major;
2-17. Con Affetto (Unknown) 4:16
2-18. Allegro (Kk28, Transposed) 3:37
2-19. Andante Moderato (Kk25, Transposed) 6:56
2-20. Vivacemente (Kk6, Transposed) 2:29
Concerto Grosso No 12 in D major;
2-21. Grave Temporegiato (Unknown) 1:14
2-22. Largo Tempo Giusto (Unknown) 1:30
2-23. Allegro Spiritoso (Kk23) 3:58
2-24. Lentemente (Unknown) 4:51
2-25. Temporegiato (Unknown) 0:55
2-26. Allegro (Kk33) 3:15
Roy Goodman (concertino) Peter Fender, Theresa Caudle, Helen Orsler, Pauline Smith (violin I)
Miles Golding [concertino], Alison Townley, Nicolette Moonen, Jean Paterson, Rebecca Miles (violin II)
Judith Tarling, David Brooker, Peter Whiskin (viola)
Angela East [concertino], Helen Gough (violoncello)
Cecelia Bruggemeyer (double-bass)
Alastair Ross (harpsichord)
David Miller (archlute, baroque guitar & theorbo)
Charles Avison - 12 Concerti Grossi after Sonatas by Domenico Scarlatti (1994, ReIssued 2007) {2x CD}
Review Mark Sealey, MusicWeb International
This two-CD set was originally issued by Hyperion on CDA 66891/2 in the mid-1990s; it’s good to have the collection available like this and it can be thoroughly recommended.
The Concerto Grosso was originally developed in the 1670s and 1680s by Corelli and Stradella in Rome as a way to exploit spaces for polychoral effect. It had become a particularly English form by the 1740s, when these sprightly and varied pieces by Avison were written. Indeed it was actually more popular outside Italy, where it had first been transformed into a concertino form with two violins, cello and continuo for more secular performances. It was then abandoned altogether in favour of the more virtuosic three-movement concerto.
The original centre of gravity for the Grand Concertos, as they came to be called, was London; here Handel’s Opp. 3 and 6 and the influential Geminiani sets, Opp. 2 and 3, fuelled a demand that even provincial composers found hard to meet. It was on this tide that these works by Avison rode.
Living in Newcastle for almost all his life, Avison visited London during the 1730s and will have heard much such music. For provincial musicians including Avison the Concerto Grosso provided appealing material for local music-making. Professionals were usually hired to manage the more demanding parts that were out of the reach of regular local orchestral players. Organist of St John’s church from 1735 and of St Nicholas - now the cathedral in Newcastle - the following year, Avison was soon asked to direct a series of subscription concerts of his own. These were also extended to venues in Durham. It was for these series that much of Avison’s orchestral music was written.
Having put out feelers for likely uptake a year before with an earlier version of the sixth concerto, Avison gathered over 150 subscribers for the set we hear on these CDs. He published them himself in 1744. It was Thomas Roseingrave’s edition of 42 Scarlatti sonatas in 1739 that created a real appetite for Italian sonatas in general. And for Scarlatti’s harpsichord music in particular. Interest in them soon assumed the proportions of a cult … ‘The Lessons of M. Scarlatti were in style so new and brilliant, that no great or promising player acquired notice of the public so effectually by the performance of any other music’ wrote Burney. A character in Sterne’s Tristram Shandy is even likened to ‘the sixth of Avison’s Scarlatti’!
Of the fifty movements that comprise these dozen Concerti Grossi, only twelve have not been traced to works by Scarlatti; they may have been composed by Avison himself. This is entirely consistent with one of Avison’s purposes in writing this music - to render accessible to his public what he considered extremely difficult music to play: Scarlatti’s keyboard sonatas, that is. This even though said sonatas were originally composed for Scarlatti’s young pupil, Maria Barbara, the daughter of Portuguese King Joao V, to whom Scarlatti was appointed music master in 1720. In fact, the difficulties that Avison perceived were rather ones of what we might call obscurantism or over-embellishment, than technical. What’s more Avison had to go beyond the Roseingrave publication for a significant number of slow movements.
The Brandenburg Consort play period instruments here and play them with delight and style, although there are some ‘mixed’ moments … the opening movement of the tenth concerto is anything but ‘grazioso’ being rather sluggish in tempo, for example. The musicians under the compelling direction of Goodman have, in compensation for other somewhat drooping tempi, the great virtue of bringing out the music’s immense variety. That quality, ever present in Scarlatti’s ‘originals’, is evident here and carries the listener along. Not that these are arrangements or realizations of Scarlatti - although you will not fail to recognize some strikingly familiar motifs - the first movement of the eleventh Concerto Grosso for example.
The change in the sonatas’ character with full instrumental colour is instructive, not curious. These works are lively, melodious and richly-painted canvasses in their own right in which Avison has accentuated his own creativity and palette of sounds. Quite rightly, that is the starting point for the Brandenburg Consort - to promote colour, lively rhythmic structure and the fresh essence of the concerti, all but the last of which are in four movements, slow-fast-slow-fast.
The accompanying booklet is clear and informative and the recorded acoustic good, although be prepared for longer than usual gaps between tracks. There is no other extant recording of this repertoire – indeed Avison is woefully under-represented on CD in general - so you can buy with confidence.
Review Uncle Dave Lewis , allmusic
Roy Goodman leads the Brandenburg Consort with his violin and is the primary violin soloist in the concerti; one wonders if this was not Goodman's finest hour as a soloist – his playing is direct, clear, and full-throated. The ensemble as a whole is no less so, contributing ample amounts of color to the ripieno yet achieving absolute unanimity of purpose as a group. Hyperion's recording is very forward, but not too loud – just right to make this relatively small band come across with a big sound. If you are a fan of Baroque concerti – and there is every indication that most folks who like Baroque music at all like the concerti as well – then Roy Goodman leading the Brandenburg Consort's Charles Avison: 12 Concerti Grossi after sonatas by Domenico Scarlatti cannot fail to appeal.
Thanks to pr3ss!
Charles Avison - 12 Concerti Grossi after Sonatas by Domenico Scarlatti (1994, ReIssued 2007) {2x CD}
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