Su	Mo	Tu	We	Th	Fr	Sa
31	1	2	3	4	5	6
7	8	9	10	11	12	13
14	15	16	17	18	19	20
21	22	23	24	25	26	27
28	29	30	1	2	3	4

Johann Sebastian Bach - Glenn Gould - The Art of Fugue Vol. 1 (1962, CD ReIssue 2007)

Posted By: luckburz

Date: 13 Oct 2013 10:45:47

Johann Sebastian Bach - Glenn Gould - The Art of Fugue Vol. 1 (1962, CD ReIssue 2007)

Johann Sebastian Bach - Glenn Gould - The Art of Fugue Vol. 1
EAC+LOG+CUE | FLAC: 159 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Columbia Masterworks # 88697147642 | Country/Year: Europe 2007, 1962
Genre: Classical | Style: Baroque, Piano

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 15. April 2013, 7:18

Glenn Gould / Bach: The Art of Fugue Vol 1

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:47.08 | 0 | 12532
2 | 2:47.08 | 2:43.44 | 12533 | 24801
3 | 5:30.52 | 2:20.39 | 24802 | 35340
4 | 7:51.16 | 3:21.65 | 35341 | 50480
5 | 11:13.06 | 2:53.38 | 50481 | 63493
6 | 14:06.44 | 4:57.70 | 63494 | 85838
7 | 19:04.39 | 3:48.16 | 85839 | 102954
8 | 22:52.55 | 4:55.41 | 102955 | 125120
9 | 27:48.21 | 3:05.29 | 125121 | 139024

Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bach- Glenn Gould - The Art of Fugue Vol 1.wav

Peak level 97.7 %
Extraction speed 6.4 X
Range quality 100.0 %
Copy CRC 686FD3B6
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 3) [2D17E5AB] (AR v2)
Track 2 accurately ripped (confidence 3) [BBAC6757] (AR v2)
Track 3 accurately ripped (confidence 3) [CA4C8D8E] (AR v2)
Track 4 accurately ripped (confidence 3) [F2C5AAB1] (AR v2)
Track 5 accurately ripped (confidence 3) [054A8ECE] (AR v2)
Track 6 accurately ripped (confidence 3) [AFC4DD51] (AR v2)
Track 7 accurately ripped (confidence 3) [AEAF491F] (AR v2)
Track 8 accurately ripped (confidence 3) [C8A63442] (AR v2)
Track 9 accurately ripped (confidence 3) [4E0A6CA0] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: LaVh7fjEHyL_TnecwUplJmmPfCs-] found, Submit result: LaVh7fjEHyL_TnecwUplJmmPfCs- has been confirmed
[115ee168] (46/46) Accurately ripped

==== Log checksum D9B1D0D31176AE0FD1CFE9804909E15D64F5A331ABB0A39D1C4D6C65E7A45CAD ====

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-04-17 14:21:22

––––––––––––––––––––––––––––––––––––––––
Analyzed: Glenn Gould / Bach: The Art of Fugue Vol 1
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -3.84 dB -19.64 dB 2:47 01-Bach BWV 1080 Vol I Contrapunctus I
DR10 -0.37 dB -14.21 dB 2:44 02-Bach BWV 1080 Vol I Contrapunctus II
DR10 -6.62 dB -21.48 dB 2:21 03-Bach BWV 1080 Vol I Contrapunctus III
DR10 -1.03 dB -15.59 dB 3:22 04-Bach BWV 1080 Vol I Contrapunctus IV
DR11 -2.41 dB -16.94 dB 2:54 05-Bach BWV 1080 Vol I Contrapunctus V
DR10 -0.20 dB -13.84 dB 4:58 06-Bach BWV 1080 Vol I Contrapunctus VI (a 4, in Stile francese)
DR12 -2.91 dB -19.28 dB 3:48 07-Bach BWV 1080 Vol I Contrapunctus VII (a 4, per Augmentationem et Diminutionem)
DR11 -2.02 dB -16.89 dB 4:56 08-Bach BWV 1080 Vol I Contrapunctus VIII (a 3)
DR11 -0.20 dB -14.83 dB 3:05 09-Bach BWV 1080 Vol I Contrapunctus IX (a 4, alla Duodecima)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 724 kbps
Codec: FLAC
================================================================================

CD Info:

Johann Sebastian Bach - Glenn Gould - The Art of Fugue Vol 1

First Half: Fugues 1-9, Recorded On The Organ At All-Saints' Anglican Church, Toronto, Canada

Label: Columbia Masterworks
Catalog#: 88697147642
Format: CD, Album, Mono, ReIssue
Country: Europe
Released: 2007, 1962
Genre: Classical
Style: Baroque, Organ

Tracklist:

1 Bach BWV 1080 Vol I Contrapunctus I 2:47
2 Bach BWV 1080 Vol I Contrapunctus II 2:44
3 Bach BWV 1080 Vol I Contrapunctus III 2:21
4 Bach BWV 1080 Vol I Contrapunctus IV 3:22
5 Bach BWV 1080 Vol I Contrapunctus V 2:54
6 Bach BWV 1080 Vol I Contrapunctus VI (a 4, in Stile francese) 4:58
7 Bach BWV 1080 Vol I Contrapunctus VII (a 4, per Augmentationem et Diminutionem) 3:48
8 Bach BWV 1080 Vol I Contrapunctus VIII (a 3) 4:56
9 Bach BWV 1080 Vol I Contrapunctus IX (a 4, alla Duodecima) 3:05

The Art of Fugue (or The Art of the Fugue, original German: Die Kunst der Fuge), BWV 1080, is an incomplete work of unspecified instrumentation by Johann Sebastian Bach (1685–1750). Written in the last decade of his life, The Art of Fugue culminates Bach's experimentation with monothematic instrumental works. It consists of 14 fugues and 4 canons, each using some variation of a single principal subject, and generally ordered to increase in complexity.
"The governing idea of the work", as Bach specialist Christoph Wolff put it, is "an exploration in depth of the contrapuntal possibilities inherent in a single musical subject."

The earliest extant source for the work is an autograph manuscript of the early 1740s, containing 12 fugues and 2 canons. The revised version was published in 1751, containing 14 fugues and 4 canons.
The order of the work's component pieces has been debated, especially as there are differences between the manuscript and the printed editions appearing immediately after Bach's death. Also musical reasons have been invoked to propose different orders for later publications and/or the execution of the work, e.g. by Wolfgang Graeser in 1927, who also published his own "completion" of the final Contrapunctus XIV.
The 1751 printed edition contained—apart from a high number of errors and other flaws—a four-part version of Contrapunctus XIII, arranged to be played on two keyboards (rectus BWV 1080/18,1 and inversus BWV 1080/18,2). It is however doubtful whether the printed indication "a 2 Clav.", and the fourth added voice, that is not mirrored according to Bach's usual practice, derive from him, or from his son(s) that supervised this first edition.
The engraving of the copper plates for the printed edition would however have started shortly before the composer's death, according to contemporary sources, but it is unlikely that Bach had any real supervision in that preparation of the printed edition, due to his illness at the time.
The first printed edition also includes an unrelated work as a kind of "encore", the chorale prelude Vor deinen Thron tret Ich hiermit (Herewith I come before Thy Throne), BWV 668a, which Bach is said to have dictated on his deathbed.
A 1742 fair copy manuscript contains Contrapuncti I–III, V–IX, and XI–XIII, plus the octave and augmented canons and an earlier version of Contrapunctus X. wikipedia

More music interpreted by Glenn Gould

all of my uploads in my blog

________________

Download:

Music
Artwork

________________

60s Baroque 2000s Classical Lossless