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Beethoven - Alfred Brendel - Piano Sonatas Op. 2 Nr. 1 - 3 (1994) {Repost}

Posted By: luckburz

Date: 14 Dec 2012 05:32:11

Beethoven - Alfred Brendel - Piano Sonatas Op. 2 Nr. 1 - 3 (1994) {Repost}

Beethoven - Alfred Brendel - Piano Sonatas Op. 2 Nr. 1 - 3
EAC+LOG+CUE | FLAC: 198 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Philips # 442 124-2 | Country/Year: Europe 1994
Genre: Classical | Style: First Viennese School

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 15. August 2012, 12:34

Alfred Brendel / Beethoven - Klaviersonaten Nr. 1 - 3

Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 4:20.00 | 33 | 19532
2 | 4:20.33 | 4:42.00 | 19533 | 40682
3 | 9:02.33 | 3:17.50 | 40683 | 55507
4 | 12:20.08 | 5:24.25 | 55508 | 79832
5 | 17:44.33 | 7:45.00 | 79833 | 114707
6 | 25:29.33 | 6:36.00 | 114708 | 144407
7 | 32:05.33 | 3:33.02 | 144408 | 160384
8 | 35:38.35 | 7:32.73 | 160385 | 194357
9 | 43:11.33 | 10:27.00 | 194358 | 241382
10 | 53:38.33 | 7:17.00 | 241383 | 274157
11 | 60:55.33 | 3:13.00 | 274158 | 288632
12 | 64:08.33 | 5:42.00 | 288633 | 314282

Range status and errors

Selected range

Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Alfred Brendel - Beethoven - Klaviersonaten Nr. 1 - 3.wav

Peak level 100.0 %
Extraction speed 8.0 X
Range quality 100.0 %
Test CRC A3066189
Copy CRC A3066189
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 2) [5E620CFA] (AR v2)
Track 2 accurately ripped (confidence 2) [5E0C4D4C] (AR v2)
Track 3 accurately ripped (confidence 2) [C72E7407] (AR v2)
Track 4 accurately ripped (confidence 2) [628D7850] (AR v2)
Track 5 accurately ripped (confidence 2) [CBBD0F88] (AR v2)
Track 6 accurately ripped (confidence 2) [A69693A2] (AR v2)
Track 7 accurately ripped (confidence 2) [01B5313C] (AR v2)
Track 8 accurately ripped (confidence 2) [46BF3951] (AR v2)
Track 9 accurately ripped (confidence 9) [03B7598E] (AR v1)
Track 10 accurately ripped (confidence 2) [D8371111] (AR v2)
Track 11 accurately ripped (confidence 2) [6F34A108] (AR v2)
Track 12 accurately ripped (confidence 2) [8F67DFD6] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: P9Rjskhj0HOZMFed2uzo20pwo6g-] disk not present in database, Submit result: discs with pregaps not supported in this protocol version

==== Log checksum 62D325E78D05280EA2A17BF853AB796A644D33B7727BE7F68C82BB3B635C450F ====

Dynamic

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-08-17 12:27:05

––––––––––––––––––––––––––––––––––––––––
Analyzed: Alfred Brendel / Beethoven - Klaviersonaten Nr. 1 - 3
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -2.91 dB -21.75 dB 4:20 01-Klaviersonate Nr. 1 f-moll op. 2 Nr. 1 - 1. Allegro
DR14 -6.10 dB -25.80 dB 4:42 02-Klaviersonate Nr. 1 f-moll op. 2 Nr. 1 - 2. Adagio
DR13 -4.83 dB -22.32 dB 3:18 03-Klaviersonate Nr. 1 f-moll op. 2 Nr. 1 - 3. Menuetto. Allegretto
DR14 -1.70 dB -20.44 dB 5:24 04-Klaviersonate Nr. 1 f-moll op. 2 Nr. 1 - 4. Prestissimo
DR16 -1.30 dB -21.87 dB 7:45 05-Klaviersonate Nr. 2 A-dur op. 2 Nr. 2 - 1. Allegro vivace
DR16 -2.55 dB -25.20 dB 6:36 06-Klaviersonate Nr. 2 A-dur op. 2 Nr. 2 - 2. Largo appassionato
DR14 -1.48 dB -21.79 dB 3:33 07-Klaviersonate Nr. 2 A-dur op. 2 Nr. 2 - 3. Scherzo. Allegretto
DR14 -3.20 dB -21.50 dB 7:33 08-Klaviersonate Nr. 2 A-dur op. 2 Nr. 2 - 4. Rondo. Grazioso
DR14 -1.30 dB -20.73 dB 10:27 09-Klaviersonate Nr. 3 C-dur op. 2 Nr. 3 - 1. Allegro con brio
DR14 -4.86 dB -25.08 dB 7:17 10-Klaviersonate Nr. 3 C-dur op. 2 Nr. 3 - 2. Adagio
DR14 -0.81 dB -21.11 dB 3:13 11-Klaviersonate Nr. 3 C-dur op. 2 Nr. 3 - 3. Scherzo. Allegro
DR15 0.00 dB -20.97 dB 5:42 12-Klaviersonate Nr. 3 C-dur op. 2 Nr. 3 - 4. Allegro assai
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 397 kbps
Codec: FLAC
================================================================================

CD Info:

Ludwig van Beethoven - Alfred Brendel - Piano Sonatas Op. 2 Nos. 1-3

Label: Philips
Catalog#: 442 124-2
Format: CD, Album
Country: Europe
Released: 1994
Genre: Classical

Tracklist:

01. Klaviersonate Nr. 1 f-moll op. 2 Nr. 1 - 1. Allegro 4:20
02. Klaviersonate Nr. 1 f-moll op. 2 Nr. 1 - 2. Adagio 4:42
03. Klaviersonate Nr. 1 f-moll op. 2 Nr. 1 - 3. Menuetto. Allegretto 3:17
04. Klaviersonate Nr. 1 f-moll op. 2 Nr. 1 - 4. Prestissimo 5:24
05. Klaviersonate Nr. 2 A-dur op. 2 Nr. 2 - 1. Allegro vivace 7:45
06. Klaviersonate Nr. 2 A-dur op. 2 Nr. 2 - 2. Largo appassionato 6:36
07. Klaviersonate Nr. 2 A-dur op. 2 Nr. 2 - 3. Scherzo. Allegretto 3:33
08. Klaviersonate Nr. 2 A-dur op. 2 Nr. 2 - 4. Rondo. Grazioso 7:32
09. Klaviersonate Nr. 3 C-dur op. 2 Nr. 3 - 1. Allegro con brio 10:27
10. Klaviersonate Nr. 3 C-dur op. 2 Nr. 3 - 2. Adagio 7:17
11. Klaviersonate Nr. 3 C-dur op. 2 Nr. 3 - 3. Scherzo. Allegro 3:13
12. Klaviersonate Nr. 3 C-dur op. 2 Nr. 3 - 4. Allegro assai 5:42

Alfred Brendel is the preeminent thinking pianist, a loner to whom fame came through the power of imaginative integrity, an artist who has achieved – at his best – a divinatory rapport with piano literature from Bach to Schoenberg. Yet by his account, "I did not come from a musical or intellectual family….I have not been a child prodigy. I do not have a photographic memory; neither do I play faster than other people. I am not a good sight-reader." Born in Wiesenberg, Moravia – in the latter-day Czech Republic – in 1931, he received piano lessons from ages 6 to 16, as the family moved from Zagreb to Graz, and studied composition privately while supporting himself in a variety of odd jobs. Brendel was among the first generation to learn from recordings, the legacies of Cortot, Kempff, Schnabel, Furtwängler, and Toscanini proving especially valuable. Master classes with Eduard Steuermann – a pupil of Busoni and Schoenberg – and Edwin Fischer crowned his scarce tuition. A 1948 debut recital in Graz marked the beginning of his career, launched by taking a prize at the Busoni Competition in Bolzano in 1949. Busoni's example, his mysticism and Faustian striving, fascinated the young Brendel – he recorded Busoni's Fantasia Contrappuntistica in the early 1950s – but proved a detour while prompting an extraordinary insight into the music of Liszt. The ensnaring and gradual liberation from Busoni's influence may be traced in the several essays Brendel wrote about him in Musical Thoughts & After-Thoughts. Fischer came to mean more. "With Fischer," Brendel wrote in 1960, "one was in more immediate contact with the music: there was no curtain before the soul when he communicated with the audience. One other musician, Furtwängler, conveyed to the same degree this sensation of music not being played, but rather happening by itself." Armed with such ideals, Brendel embarked upon an international recital and recording career which, in the decade of the 1960s, saw his reputation grow throughout Europe and North America as he became a frequent guest with the world's greatest orchestras. He performed the entire cycle of Beethoven sonatas in London's Wigmore Hall in 1962, and recorded them for Vox. In the 1970s he became an exclusive Philips artist, touring and recording prolifically, not only the Classical masters – Haydn, Mozart, Beethoven, Schubert, and Schumann – but Liszt, Mussorgsky, Stravinsky, Bartók, and Schoenberg, and garnering numerous awards. He has published books of comedic poetry and musical criticism. In 2004 he appeared in concert with his son, cellist Adrian Brendel. Brendel announced his retirement in 2007 and undertook one last, worldwide concert and recital tour, ending in Vienna in December 2008, performing, appropriately enough, Mozart's "Jeunehomme" Piano Concerto. allmusicguide

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