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Ludwig van Beethoven - Anima Eterna / Jos van Immerseel - Symphonies & Ouvertures (2008) {6x CD Box}

Posted By: luckburz
Ludwig van Beethoven - Anima Eterna / Jos van Immerseel - Symphonies & Ouvertures (2008) {6x CD Box}

Ludwig van Beethoven (1770–1827) - Symphonies & Ouvertures
Anima Eterna / Jos van Immerseel
EAC+LOG+CUE | FLAC: 1,67 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Zig Zag Territoires # ZZT080402.6 | Country/Year: France 2008
Genre: Classical | Style: Symphony

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [] not my rip [X]

Ludwig van Beethoven - Anima Eterna / Jos van Immerseel - Symphonies & Ouvertures (2008) {6x CD Box}


Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 2. June 2012, 19:58

Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD1)

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:50.13 | 0 | 21762
2 | 4:50.13 | 8:56.02 | 21763 | 61964
3 | 13:46.15 | 7:07.44 | 61965 | 94033
4 | 20:53.59 | 3:22.08 | 94034 | 109191
5 | 24:15.67 | 5:55.58 | 109192 | 135874
6 | 30:11.50 | 12:29.47 | 135875 | 192096
7 | 42:41.22 | 10:49.40 | 192097 | 240811
8 | 53:30.62 | 3:44.70 | 240812 | 257681
9 | 57:15.57 | 6:24.30 | 257682 | 286511


Range status and errors

Selected range

Filename Z:\NetLab\Beethoven - Symphonies, Ouvertures (Anima Eterna, Jos van Immerseel) (2008) {6CDs ZigZag Territoires}\CD1\Beethoven - Symphonies, Ouvertures (CD1).wav

Peak level 99.8 %
Extraction speed 5.1 X
Range quality 100.0 %
Test CRC F532F7BB
Copy CRC F532F7BB
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 8) [6BECCD80] (AR v2)
Track 2 accurately ripped (confidence 9) [B7DE54FC] (AR v2)
Track 3 accurately ripped (confidence 9) [428CEBAF] (AR v2)
Track 4 accurately ripped (confidence 9) [72DDCA69] (AR v2)
Track 5 accurately ripped (confidence 9) [63A3EC2B] (AR v2)
Track 6 accurately ripped (confidence 9) [31E12883] (AR v2)
Track 7 accurately ripped (confidence 9) [27CF85AB] (AR v2)
Track 8 accurately ripped (confidence 9) [5237D411] (AR v2)
Track 9 accurately ripped (confidence 9) [6D43693F] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum A33EBF70FFDE8DA51B2CB3668081BE0722B6A2C6B285C0A4A236C3BF34AE91B0 ====

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 2. June 2012, 21:22

Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD2)

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 16:59.49 | 0 | 76473
2 | 16:59.49 | 13:26.28 | 76474 | 136951
3 | 30:26.02 | 5:39.62 | 136952 | 162438
4 | 36:05.64 | 11:05.05 | 162439 | 212318
5 | 47:10.69 | 6:53.15 | 212319 | 243308
6 | 54:04.09 | 7:21.26 | 243309 | 276409
7 | 61:25.35 | 4:10.51 | 276410 | 295210
8 | 65:36.11 | 2:08.08 | 295211 | 304818


Range status and errors

Selected range

Filename Z:\NetLab\Beethoven - Symphonies, Ouvertures (Anima Eterna, Jos van Immerseel) (2008) {6CDs ZigZag Territoires}\CD2\Beethoven - Symphonies, Ouvertures (CD2).wav

Peak level 100.0 %
Extraction speed 6.7 X
Range quality 100.0 %
Test CRC 0405E2B0
Copy CRC 0405E2B0
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [1E3D2388] (AR v1)
Track 2 accurately ripped (confidence 4) [5DCDFC9D] (AR v1)
Track 3 accurately ripped (confidence 4) [4AA2927C] (AR v1)
Track 4 accurately ripped (confidence 4) [47250DD2] (AR v1)
Track 5 accurately ripped (confidence 4) [16C00A07] (AR v1)
Track 6 accurately ripped (confidence 4) [B5F76CBD] (AR v1)
Track 7 accurately ripped (confidence 4) [68641358] (AR v1)
Track 8 accurately ripped (confidence 4) [15582D5E] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 24664EF6D95A775179CE23F4B23F51C932EB97A1B3BCED96B81F6B1EB35E46E2 ====

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 7. June 2012, 20:15

Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD3)

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:27.69 | 0 | 29093
2 | 6:27.69 | 8:12.30 | 29094 | 66023
3 | 14:40.24 | 4:27.02 | 66024 | 86050
4 | 19:07.26 | 11:00.72 | 86051 | 135622
5 | 30:08.23 | 10:21.52 | 135623 | 182249
6 | 40:30.00 | 9:42.29 | 182250 | 225928
7 | 50:12.29 | 5:27.39 | 225929 | 250492
8 | 55:39.68 | 6:43.56 | 250493 | 280773


Range status and errors

Selected range

Filename Z:\NetLab\Beethoven - Symphonies, Ouvertures (Anima Eterna, Jos van Immerseel) (2008) {6CDs ZigZag Territoires}\CD3\Beethoven - Symphonies, Ouvertures (CD3).wav

Peak level 100.0 %
Extraction speed 5.0 X
Range quality 99.9 %
Test CRC 99B6C4B6
Copy CRC 99B6C4B6
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 8) [B734990E] (AR v2)
Track 2 accurately ripped (confidence 8) [D87D8EFE] (AR v2)
Track 3 accurately ripped (confidence 8) [591A615A] (AR v2)
Track 4 accurately ripped (confidence 8) [A4EDA141] (AR v2)
Track 5 accurately ripped (confidence 8) [4833251D] (AR v2)
Track 6 accurately ripped (confidence 8) [C038B5FA] (AR v2)
Track 7 accurately ripped (confidence 8) [1895886E] (AR v2)
Track 8 accurately ripped (confidence 8) [E5EA05E6] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum B2E27F055EB46613D2EF0907C5F6092A8C622D0C4C67CCC6814DE4CB304C7818 ====

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 7. June 2012, 21:33

Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD4)

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 10:37.13 | 0 | 47787
2 | 10:37.13 | 12:03.61 | 47788 | 102073
3 | 22:40.74 | 4:41.11 | 102074 | 123159
4 | 27:22.10 | 3:58.57 | 123160 | 141066
5 | 31:20.67 | 9:23.67 | 141067 | 183358
6 | 40:44.59 | 8:38.22 | 183359 | 222230
7 | 49:23.06 | 4:01.15 | 222231 | 240320
8 | 53:24.21 | 4:24.58 | 240321 | 260178
9 | 57:49.04 | 7:14.19 | 260179 | 292747


Range status and errors

Selected range

Filename Z:\NetLab\Beethoven - Symphonies, Ouvertures (Anima Eterna, Jos van Immerseel) (2008) {6CDs ZigZag Territoires}\CD4\Beethoven - Symphonies, Ouvertures (CD4).wav

Peak level 99.9 %
Extraction speed 8.2 X
Range quality 100.0 %
Test CRC 2A42F514
Copy CRC 2A42F514
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [B6EF2BFF] (AR v1)
Track 2 accurately ripped (confidence 4) [02BE707D] (AR v1)
Track 3 accurately ripped (confidence 4) [931470E8] (AR v1)
Track 4 accurately ripped (confidence 4) [C31C328F] (AR v1)
Track 5 accurately ripped (confidence 4) [10C0363D] (AR v1)
Track 6 accurately ripped (confidence 4) [25404A2B] (AR v1)
Track 7 accurately ripped (confidence 4) [675CC7E0] (AR v1)
Track 8 accurately ripped (confidence 4) [93590E77] (AR v1)
Track 9 accurately ripped (confidence 4) [7C92883E] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 5CA77CC35E4C33132997F5C25812C57B3E637DD93454A7064318A15079813E92 ====

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 7. June 2012, 22:58

Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD5)

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 13:09.36 | 0 | 59210
2 | 13:09.36 | 8:21.11 | 59211 | 96796
3 | 21:30.47 | 8:29.65 | 96797 | 135036
4 | 30:00.37 | 9:01.72 | 135037 | 175683
5 | 39:02.34 | 11:01.38 | 175684 | 225296


Range status and errors

Selected range

Filename Z:\NetLab\Beethoven - Symphonies, Ouvertures (Anima Eterna, Jos van Immerseel) (2008) {6CDs ZigZag Territoires}\CD5\Beethoven - Symphonies, Ouvertures (CD5).wav

Peak level 100.0 %
Extraction speed 7.4 X
Range quality 99.9 %
Test CRC D01005D8
Copy CRC D01005D8
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [D48D1E73] (AR v1)
Track 2 accurately ripped (confidence 4) [FF929392] (AR v1)
Track 3 accurately ripped (confidence 4) [D8088739] (AR v1)
Track 4 accurately ripped (confidence 4) [5DDA8223] (AR v1)
Track 5 accurately ripped (confidence 4) [248C8C23] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum BA7533D07A5F8B4DE1D9671866C86FD24F89C3866ABC4502C0596B6D45678890 ====

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 8. June 2012, 19:17

Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD6)

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 15:21.19 | 0 | 69093
2 | 15:21.19 | 13:31.40 | 69094 | 129958
3 | 28:52.59 | 12:31.39 | 129959 | 186322
4 | 41:24.23 | 6:11.34 | 186323 | 214181
5 | 47:35.57 | 3:25.19 | 214182 | 229575
6 | 51:01.01 | 10:14.30 | 229576 | 275655
7 | 61:15.31 | 4:06.49 | 275656 | 294154


Range status and errors

Selected range

Filename Z:\NetLab\Beethoven - Symphonies, Ouvertures (Anima Eterna, Jos van Immerseel) (2008) {6CDs ZigZag Territoires}\CD6\Beethoven - Symphonies, Ouvertures (CD6).wav

Peak level 100.0 %
Extraction speed 5.1 X
Range quality 100.0 %
Test CRC 96EB81A4
Copy CRC 96EB81A4
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 8) [C73CB03D] (AR v2)
Track 2 accurately ripped (confidence 8) [68EA4F24] (AR v2)
Track 3 accurately ripped (confidence 8) [EE5B96A9] (AR v2)
Track 4 accurately ripped (confidence 8) [9C4C6740] (AR v2)
Track 5 accurately ripped (confidence 8) [A06E3BC6] (AR v2)
Track 6 accurately ripped (confidence 8) [7128BECC] (AR v2)
Track 7 accurately ripped (confidence 8) [E9255369] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum BC023BB771D7AF78367E0746B1C09D7BDE83C6430C454307F12A25C10DB8EF5C ====

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2012-10-05 19:24:27

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD1)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.01 dB -18.43 dB 4:50 01-The Creatures of Prometheus, Overture op.43 in C major
DR16 -1.38 dB -21.52 dB 8:56 02-Symphony No.1 op.21 in C major; I. Adagio molto - Allegro con brio
DR14 -4.28 dB -26.07 dB 7:08 03-II. Andante cantabile con moto
DR12 -3.42 dB -21.22 dB 3:22 04-III. Menuetto: Allegro molto e vivace
DR14 -0.46 dB -20.54 dB 5:56 05-IV. Finale: Adagio - Allegro molto e vivace
DR15 -0.27 dB -20.24 dB 12:30 06-Symphony No.2 op.36 in D major; I. Adagio molto - Allegro con brio
DR14 -3.98 dB -25.43 dB 10:50 07-II. Larghetto
DR15 -1.59 dB -22.30 dB 3:45 08-III. Scherzo: Allegro
DR14 -0.18 dB -20.15 dB 6:24 09-IV. Allegro molto
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 618 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -1.26 dB -21.18 dB 17:00 01-Symphony No. 3 in E flat major, Op. 55, 'Eroica'; I. Allegro con brio
DR15 -0.33 dB -22.84 dB 13:26 02-II. Marcia frunebre: Adagio assai
DR15 -0.03 dB -22.99 dB 5:40 03-III. Scherzo: Allegro vivace
DR15 0.00 dB -20.92 dB 11:05 04-IV. Finale: Allegro molto
DR13 -0.04 dB -19.07 dB 6:53 05-Overture to Collin's Coriolan, Op. 62, 'Coriolan Overture'
DR14 -0.01 dB -18.86 dB 7:21 06-Egmont, Overture in F minor, op.84
DR14 -0.70 dB -21.32 dB 4:11 07-The Ruins of Athens, Op. 113; I. Overture in G minor
DR14 -3.95 dB -21.75 dB 2:08 08-II. Marcia alla turca in B flat major
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 616 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD3)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.04 dB -18.55 dB 6:28 01-Symphony No. 5 in C minor, Op. 67; I. Allegro con brio
DR15 -1.63 dB -22.61 dB 8:12 02-II. Andante con brio
DR13 -2.76 dB -23.09 dB 4:27 03-III. Allegro
DR12 0.00 dB -16.32 dB 11:01 04-IV. Allegro
DR14 -0.98 dB -19.78 dB 10:22 05-Symphony No. 4 in B flat major, Op. 60; I. Adagio - Allegro vivace
DR16 -0.02 dB -23.78 dB 9:42 06-II. Adagio
DR13 -1.46 dB -20.88 dB 5:28 07-III. Allegro vivace
DR14 -1.65 dB -20.51 dB 6:44 08-IV. Allegro ma non troppo
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 622 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD4)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.77 dB -21.08 dB 10:37 01-Symphony No. 6 in F major, Op. 68, 'Pastoral'; I. Allegro ma non troppo - Erwachen heiterer Empfindungen
DR13 -7.24 dB -25.45 dB 12:04 02-II. Andante molto moto - Szene am Bach
DR13 -2.77 dB -19.88 dB 4:41 03-III. Allegro - Lustiges Zusammensein der Landleute
DR12 0.00 dB -17.15 dB 3:59 04-IV. Allegro - Gewitter, Sturm
DR13 -0.03 dB -18.85 dB 9:24 05-V. Allegretto - Hirtengesang
DR14 -0.02 dB -18.12 dB 8:38 06-Symphony No. 8 in F major, Op. 93; I. Allegro vivace e con brio
DR13 -3.95 dB -25.07 dB 4:01 07-II. Allegretto Scherzando
DR14 -2.36 dB -20.70 dB 4:25 08-III. Tempo di Minuetto
DR13 0.00 dB -17.97 dB 7:14 09-IV. Allegro vivace
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 630 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD5)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 0.00 dB -17.88 dB 13:09 01-Symphony No. 7 in A major, Op. 92; I. Poco sostenuto - Vivace
DR15 -1.36 dB -23.49 dB 8:21 02-II. Allegretto
DR13 0.00 dB -18.98 dB 8:30 03-III. Presto
DR12 0.00 dB -15.97 dB 9:02 04-IV. Allegro con brio
DR13 -0.07 dB -18.12 dB 11:02 05-Overture - Consecration of the House in D Major, Op 124
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 5
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 660 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anima Eterna, Jos van Immerseel / Beethoven - Symphonies, Ouvertures (CD6)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.02 dB -20.99 dB 15:21 01-Symphony No. 9 in D minor, Op. 125, 'Choral'; I. Allegro ma non troppo, un poco maestoso
DR16 -0.07 dB -22.02 dB 13:32 02-II. Molto vivace
DR18 -5.04 dB -29.23 dB 12:32 03-III. Adagio molto e cantabile
DR14 -0.61 dB -22.09 dB 6:11 04-IV. Presto - Allegro assai
DR13 -0.06 dB -18.88 dB 3:25 05-V. Presto - Rezitativo
DR13 -0.04 dB -19.14 dB 10:14 06-VI. Allegro assai vivace alla marcia
DR12 0.00 dB -16.11 dB 4:07 07-VII. Allegro ma non tanto
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 7
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 616 kbps
Codec: FLAC
================================================================================



CD Info:

Ludwig van Beethoven (1770–1827) - Anima Eterna / Jos van Immerseel - Symphonies, Ouvertures

Label: Zig Zag Territoires
Catalog#: ZZT080402.6
Format: 6xCD, Album
Country: France
Released: 2008
Genre: Classical

Tracklist:

DISC 1
1. The Creatures of Prometheus, Overture in C major, op.43 (1801)
Symphony No.1 in C major, op.21 (1800)
2. I. Adagio molto - Allegro con brio
3. II. Andante cantabile con moto
4. III. Menuetto: Allegro molto e vivace
5. IV. Finale: Adagio - Allegro molto e vivace
Symphony No.2 in D major, op.36 (1802)
6. I. Adagio molto - Allegro con brio
7. II. Larghetto
8. III. Scherzo: Allegro
9. IV. Allegro molto

DISC 2
Symphony No. 3 in E flat major, Op. 55, 'Eroica' (1804)
1. I. Allegro con brio
2. II. Marcia frunebre: Adagio assai
3. III. Scherzo: Allegro vivace
4. IV. Finale: Allegro molto
5. Overture to Collin's Coriolan, Op. 62, 'Coriolan Overture'(1807)
6. Egmont, Overture in F minor, op.84 (1810)
The Ruins of Athens, Op. 113 (1811)
7. I. Overture in G minor
8. II. Marcia alla turca in B flat major

DISC 3
Symphony No. 5 in C minor, Op. 67 (1808)
1. I. Allegro con brio
2. II. Andante con brio
3. III. Allegro
4. IV. Allegro
Symphony No. 4 in B flat major, Op. 60 (1806)
5. I. Adagio - Allegro vivace
6. II. Adagio
7. III. Allegro vivace
8. IV. Allegro ma non troppo

DISC 4
Symphony No. 6 in F major, Op. 68, "Pastoral" (1808)
1. I. Allegro ma non troppo - Erwachen heiterer Empfindungen
2. II. Andante molto moto - Szene am Bach
3. III. Allegro - Lustiges Zusammensein der Landleute
4. IV. Allegro - Gewitter, Sturm
5. V. Allegretto - Hirtengesang
Symphony No. 8 in F major, Op. 93 (1812)
6. I. Allegro vivace e con brio
7. II. Allegretto Scherzando
8. III. Tempo di Minuetto
9. IV. Allegro vivace

DISC 5
Symphony No. 7 in A major, Op. 92 (1812)
1. I. Poco sostenuto - Vivace
2. II. Allegretto
3. III. Presto
4. IV. Allegro con brio
5. Overture - Consecration of the House in D major, Op 124 (1822)

DISC 6
Symphony No. 9 in D minor, Op. 125, "Choral" (1824) *
1. I. Allegro ma non troppo, un poco maestoso
2. II. Molto vivace
3. III. Adagio molto e cantabile
4. IV. Presto - Allegro assai
5. V. Presto - Rezitativo
6. VI. Allegro assai vivace alla marcia
7. VII. Allegro ma non tanto

Anima Eterna
Conductor: Jos van Immerseel

Anna-Kristina Kaappola - sopran *
Marianne Beate Kielland - contralto *
Markus Schäfer - tenor *
Thomas Bauer - bass *

Ludwig van Beethoven - Anima Eterna / Jos van Immerseel - Symphonies & Ouvertures (2008) {6x CD Box}


This research into tempos, orchestral forces and instruments makes it possible not only to obtain a characteristic timbre, but also to push these period instruments to their technical limits and thus to rediscover something of the challenging nature of Beethoven’s music, rather as it was experienced by Hector Berlioz when he discovered it through the Société des Concerts du Conservatoire in Paris in 1828. He wrote at the time: ‘At another point on the horizon, I saw the immense Beethoven rising. The jolt this gave me was almost comparable to the one I had received from Shakespeare. He opened up a new world in music for me, just as the playwright had revealed to me a new universe in poetry.’

Andrew Farach-Colton "GRAMOPHONE"
Indeed, from the first bristling chords, Anima Eterna's playing held me on the edge of my seat. Immerseel's brook is no ordinary stream but one that flows through a secluded oasis so hushed, cool and shady that one longs never to leave. And that's as good reason as any for me to recommend this superbly recorded and handsomely packaged set - even if it's just so you can visit that rejuvenating sanctuary whenever you like. I know I'll be back there often.

Michael Carter "FANFARE"
Beethoven’s symphonies date from 1800 to 1824, beginning in a Haydnesque manner, soon finding their own voice, and concluding in what one critic termed “the paragon of the Romantic symphony.” Aside from their chronology, there is little I need to say regarding these works, as their familiarity makes it wholly unnecessary to explain or dissect them in any way.

The arrival of this six-CD box brings to three the number of sets of period-instrument recordings on my shelves, the previous and long-time residents being Christopher Hogwood conducting The Academy of Ancient Music (L’Oiseau-Lyre 452 551) and Roger Norrington conducting his London Classical Players (EMI 49852), with Hogwood’s cycle being the most recently completed (1989) of the previously existing versions.

So given the existing embarrass de richesse of this material on both period and modern instruments, one must either have an enormous brass pair even to entertain the idea of recording these icons of the orchestral repertoire, or be brilliantly insane! Even though there are already three cycles on period instruments, there is certainly room for another from someone with insight, common sense, and a strong sense of Beethoven’s overall structure. Enter Dutch fortepianist and conductor Jos van Immerseel.

Van Immerseel’s cycle is the first on period instruments in almost two decades, and like his recordings of the Mozart and Beethoven piano concertos on Channel Classics and Sony respectively, the performances are historically accurate on every point, not to mention esthetically satisfying, first note to last. The recordings capture the most subtle of nuances in Beethoven’s scores and allow the music to breathe and flower. Anyone doubting the ability of period instruments to project the power of Beethoven should listen to the finale to the Seventh Symphony or the thunderous opening to the finale of the Ninth. Van Immerseel accentuates the composer’s wit found in the teasing nature of the opening to the finale to the First Symphony and Beethoven’s more gentle side is captured in the delicate and tender second movement of the Sixth.

While the music was meticulously researched, not a scintilla of common sense has been set aside in the interest of musicology. Van Immerseel sounds sophisticated compared to the almost two decades old and frequently edgy Norrington; he is also slightly smoother overall than Hogwood. But in defense of the competition, I must say that period-instrument performance has advanced light years since the Norrington and Hogwood sets hit the streets, and my comments are not meant to denigrate them, as they were primus inter pares and highly praised in their day.

Van Immerseel has been meticulous in his research, and his erudite and articulate notes address sources, pitch, size of the orchestral and choral forces, dynamics, and tempo. Roger Norrington addressed his embracing Beethoven’s metronome markings for his cycle, and Jos van Immerseel does the same, noting that while artistic opinions vary, Beethoven’s tempos are “perfectly accurate, but will only work when implemented by the right instruments, [and] by an orchestra that is not too large . . .”. The tempos, though brisk by some standards, make perfectly good sense, bringing to mind Otto Klemperer’s famous “You vill get used to it!” comment regarding his adoption of tempos at the other end of the spectrum.

The soloists and chorus used in the Ninth Symphony also require comment. Though largely unknown here, the quartet consists of established European soloists who confidently tackle Beethoven’s nigh-athletic vocal writing and tame its difficulties. The agile, articulate, and well-drilled chorus is small, consisting of only six voices per part, but these are strong, vibrant voices that sound far more numerous than they are without ever sacrificing tone quality. At the peak of the finale, they can hold their own with the band.

As for the orchestral playing, it leaves nothing to be desired; intonation is true and ensemble is razor sharp. Anima Eterna captures the music’s raw energy and succeeds in coupling it with eloquence and warmth, resulting in a wonderful blend of soul and virtuosity. In the end, these are sterling performances, certainly capable of going toe-to-toe with the period-instrument competition and well worth the time and effort to open your wallet.

Thanks to pr3ss!
Ludwig van Beethoven - Anima Eterna / Jos van Immerseel - Symphonies & Ouvertures (2008) {6x CD Box}

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