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Carbonelli - Helene Schmitt - Sonates pour violon & basse continue (2002)

Posted By: luckburz

Date: 13 Jun 2013 10:45:43

Carbonelli - Helene Schmitt - Sonates pour violon & basse continue (2002)

Giovanni Stefano Carbonelli - Helene Schmitt - Sonates pour violon & basse continue
EAC+LOG+CUE | WV: 370 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Alpha # 046 | Country/Year: France 2002
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

EAC

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 6. December 2010, 0:19

Helene Schmitt / Giovanni Stefano Carbonelli - Sonates pour violon & basse continue

Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:26.46 | 0 | 10995
2 | 2:26.46 | 3:25.71 | 10996 | 26441
3 | 5:52.42 | 2:12.02 | 26442 | 36343
4 | 8:04.44 | 2:35.47 | 36344 | 48015
5 | 10:40.16 | 2:51.48 | 48016 | 60888
6 | 13:31.64 | 2:33.21 | 60889 | 72384
7 | 16:05.10 | 1:56.18 | 72385 | 81102
8 | 18:01.28 | 1:56.59 | 81103 | 89861
9 | 19:58.12 | 2:41.37 | 89862 | 101973
10 | 22:39.49 | 3:35.74 | 101974 | 118172
11 | 26:15.48 | 7:48.43 | 118173 | 153315
12 | 34:04.16 | 5:43.74 | 153316 | 179114
13 | 39:48.15 | 2:12.38 | 179115 | 189052
14 | 42:00.53 | 2:44.30 | 189053 | 201382
15 | 44:45.08 | 2:04.05 | 201383 | 210687
16 | 46:49.13 | 3:08.34 | 210688 | 224821
17 | 49:57.47 | 4:24.52 | 224822 | 244673
18 | 54:22.24 | 2:31.15 | 244674 | 256013
19 | 56:53.39 | 10:11.50 | 256014 | 301888

Range status and errors

Selected range

Filename Z:\NetLab\Giovanni Stefano Carbonelli - Sonates pour violon & basse continue (Helene Schmitt).wav

Peak level 100.0 %
Range quality 100.0 %
Test CRC 88DA1E1A
Copy CRC 88DA1E1A
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 3) [BEEB0CD2]
Track 2 accurately ripped (confidence 3) [067B6E43]
Track 3 accurately ripped (confidence 3) [4E3B2344]
Track 4 accurately ripped (confidence 3) [333F641E]
Track 5 accurately ripped (confidence 3) [DFE7D8D7]
Track 6 accurately ripped (confidence 3) [987CE442]
Track 7 accurately ripped (confidence 3) [12E1D6EB]
Track 8 accurately ripped (confidence 3) [00660431]
Track 9 accurately ripped (confidence 3) [C80664B8]
Track 10 accurately ripped (confidence 3) [62BB7CFB]
Track 11 accurately ripped (confidence 3) [94E7B93F]
Track 12 accurately ripped (confidence 3) [920087F5]
Track 13 accurately ripped (confidence 3) [829317FF]
Track 14 accurately ripped (confidence 3) [610D2946]
Track 15 accurately ripped (confidence 3) [4B75F6DF]
Track 16 accurately ripped (confidence 3) [F4BF5D9F]
Track 17 accurately ripped (confidence 3) [FBD720E5]
Track 18 accurately ripped (confidence 3) [6C378CEC]
Track 19 accurately ripped (confidence 3) [AF9BFC1C]

All tracks accurately ripped

End of status report

auCDtect

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)

––––––––––––––––––––––––––––––
[Helene Schmitt - Giovanni Stefano Carbonelli - Sonates pour violon & basse continue.wav]
Detected average hi-boundary frequency: 2.041275e+004 Hz
Detected average lo-boundary frequency: 1.365364e+004 Hz
Detected average hi-cut frequency: 2.052897e+004 Hz
Detected average lo-cut frequency: 1.494212e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.417952e+000
First order smothness: 3.405360e-001
Second order smothness: 8.221483e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 94%.

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-04-24 20:30:26

––––––––––––––––––––––––––––––––––––––––
Analyzed: Helene Schmitt / Giovanni Stefano Carbonelli - Sonates pour violon & basse continue
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -2.83 dB -16.05 dB 2:27 01-Sonate X, sol mineur - I. Largo
DR12 0.00 dB -14.78 dB 3:26 02-II. Allegro
DR11 -2.60 dB -16.92 dB 2:12 03-III. Largo
DR12 -0.98 dB -16.18 dB 2:36 04-IV. Giga
DR12 -1.93 dB -18.90 dB 2:52 05-Sonate I, Re Majeur - I. Adagio
DR13 0.00 dB -14.98 dB 2:33 06-II. Andante
DR11 -0.50 dB -18.09 dB 1:56 07-III. Largo
DR14 0.00 dB -17.16 dB 1:57 08-IV. Allegro
DR12 -1.04 dB -16.53 dB 2:41 09-Sonate XII, si mineur - I. Largo
DR15 0.00 dB -16.94 dB 3:36 10-II. Andante
DR14 0.00 dB -18.43 dB 7:49 11-III. Aria con variazioni se piace
DR12 -5.25 dB -22.61 dB 5:44 12-Nicola Matteis (1650-1714) - Preludio - Avres pour guitare
DR11 -3.03 dB -17.60 dB 2:13 13-Sonate VII, la mineur - I. Largo
DR13 -0.34 dB -16.86 dB 2:44 14-II. Andante
DR13 -4.67 dB -21.76 dB 2:04 15-III. Adagio
DR13 -1.52 dB -17.51 dB 3:08 16-IV. Giga
DR13 -1.21 dB -17.55 dB 4:25 17-Sonate VI, la Majeur - I. Adagio, allegro, adagio
DR12 -0.25 dB -16.39 dB 2:31 18-II. Allegro
DR14 0.00 dB -17.47 dB 10:12 19-III. Aria con variazioni se piace
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 19
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 772 kbps
Codec: WavPack
================================================================================

CD Info:

Giovanni Stefano Carbonelli - Helene Schmitt - Sonates pour violon & basse continue

Giovanni Stefano Carbonelli (circa 1690 - 1772)
Nicola Matteis (circa 1650 - after 1709)

Label: Alpha
Catalog#: 046
Format: CD, Album
Country: France
Released: 2002
Genre: Classical
Style: Baroque

Tracklist:

Sonate X, sol mineur
01. I. Largo (2:27)
02. II. Allegro (3:26)
03. III. Largo (2:12)
04. IV. Giga (2:36)

Sonate I, Re Majeur
05. I. Adagio (2:52)
06. II. Andante (2:33)
07. III. Largo (1:56)
08. IV. Allegro (1:57)

Sonate XII, si mineur
09. I. Largo (2:41)
10. II. Andante (3:36)
11. III. Aria con variazioni se piace (7:49)

12. Nicola Matteis (1650-1714) - Preludio - Avres pour guitare (5:44)

Sonate VII, la mineur
13. I. Largo (2:13)
14. II. Andante (2:44)
15. III. Adagio (2:04)
16. IV. Giga (3:08)

Sonate VI, la Majeur
17. I. Adagio, allegro, adagio (4:25)
18. II. Allegro (2:31)
19. III. Aria con variazioni se piace (10:12)

Helene Schmitt (violon)
Gaetano Nasillo (violoncelle)
Andrea Marchiol (clavecin & orgue)
Karl-Ernst Schroder (guitare baroque)

review by James Manheim

Will the wholesale rediscovery of Baroque music eventually slow down? Surely, but it's hard to see the endpoint right now. This disc by French Baroque violinist Hélène Schmitt offers music by the virtually forgotten Giovanni Stefano Carbonelli, a student of Corelli who arrived in England in 1719. His music is clearly influenced by the virtuoso styles of his teacher but takes them a step in the direction of the lighter, more seductive mood of the galant era. The 1713 painting by Sebastiano Ricci that is examined in the booklet is an exact counterpart for the music recorded here, and this series on France's Alpha label is highly recommended to art lovers – they offer a sort of instant crash course in art history and in the relationships among the arts in French culture. There are six sonatas for violin and continuo, all but one in four movements (one of the four-movement pieces has an interpolated guitar finale by another composer), generally following the Corellian church sonata model of abstract fast and slow movements rather than dances. The performances here are magical. Schmitt, whose pictures in the booklet have the same soft beauty as the figures in the painting under discussion in the notes, is a superb young Baroque violinist, improvising ornaments here with an appropriately light touch. The continuo group has a cello, a guitar, and a harpsichord (or organ) – it's unusually large, but it fits this music beautifully; the addition of the guitar gives a languid feel that rounds off the edges and catches the peculiar flavor of Carbonelli's music, fancy, relaxed, and sweet. The close-up miking picks up a good deal of instrumental noise – listen to the music in close quarters or on headphones, and you'll find it distracting. allmusicguide

Carbonelli - Helene Schmitt - Sonates pour violon & basse continue (2002)

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