Herbert Howells (1892–1983) was a leading figure in the English Musical Renaissance, a movement that bridged the late 19th and early 20th centuries and saw composers seeking to forge a new path for English music. Many of Howells’ compositions are written in the form of a rhapsody. It is worth noting that he lived through both world wars, and wrote various works during the conflicts, including those on this recording. In such an unstable geopolitical context, it is perhaps unsurprising that English composers sought new forms of expression that were not tied to traditional German models like sonata form. The rhapsody, with the formal and expressive freedom it afforded, provided fertile ground for expressing the complexity and tragedy of the 20th century.

Brilliant Classics continues its fascinating survey of Pre‐Bachian keyboard music with a new recording of the complete organ works of Nicholas Bruhns. Bruhns, born into a musical dynasty, was organist, violist and violinist in Copenhagen, pupil of the famous Buxtehude, where he remained till his death, only 31 years old. Bruhn’s works make full use of the many newly developed possibilities of the organ in his days, and form a splendid display of keyboard (and pedal!) virtuosity, and intricate counterpoint. To complement Bruhns’ complete organ works this recording presents other works by Sweelinck (his famous Chromatic Fantasy), Scheidemann, Scheidt and Buxtehude. Adriano Falcioni is one of the foremost organists of this time, winner of many international competitions. He already made several organ recordings for Brilliant Classics (Franck, Muffat, Couperin, Duruflé). Includes liner notes by the artist and an artist biography. Contains specifications of the magnificent organ of the Chiesa di San Giorgio in Ferrara, Italy.