An overlooked gem from Blue Note - a special live performance that brings together some of the label's funkiest and most soulful artists of the 70s. The set's somewhat unusual for Blue Note at the time - especially given the label's increasingly studio-driven approach to jazz, with projects by the Mizell Brothers and others - yet given that bent, the whole thing's a great illustration of the vibrancy of all these artists always from the studio - playing live and extremely funky!

On Mind Transplant, the legendary American drum icon, fusion pioneer, and polyrhythmic visionary Alphonse Mouzon steps into the studio to deliver a towering, historically volcanic, and masterfully panoramic jazz-rock document. Released as a pristine, high-fidelity digital reissue in 2003 by the vanguard archival imprint Blue Note Records, this monumental milestone stands as an exceptionally fluid, high-octane masterpiece of electric fusion architecture, frequently cited alongside Tommy Bolin's classic sessions as a definitive peak of the mid-70s instrumental heavy-groove movement. Spanning over 33 minutes of immaculate high-fidelity spatial design, the 8-track landscape operates with an intense, lightning-fast, and beautifully volatile kinetic energy. Mouzon acts as a brilliant sonic visionary from the drum throne, organizing dizzying modal flights and thunderous cross-rhythms—firing off spectacular tracking landmarks like the blistering, high-velocity title track opener Mind Transplant, the explosive, rhythmically intricate Carbon Dioxide, and the dangerously fast closing statement Nitroglycerin. Driven by Mouzon's relentless, hyper-fluid drum telemetry, searing dual-guitar rock pyrotechnics, deep bubbling synthesizer frameworks, and driving bass foundations, this pristine archive remains an indispensable masterpiece for serious jazz-fusion purists and progressive rock collectors worldwide.

On Funky Snakefoot, the legendary American drum icon, fusion pioneer, and polyrhythmic visionary Alphonse Mouzon steps into the studio to deliver a towering, historically volcanic, and masterfully panoramic funk-fusion document. Released as a pristine, high-fidelity Japanese archival reissue by the vanguard imprint Blue Note Records, this monumental milestone stands as an exceptionally fluid, high-octane masterpiece of breakbeat architecture, solidifying Mouzon's reputation as one of the most sampled and boundary-pushing rhythmic minds of the era. Spanning nearly 43 minutes of immaculate high-fidelity spatial design, the 12-track landscape operates with an intense, heavily syncopated, and beautifully volatile kinetic energy. Mouzon acts as a brilliant sonic visionary, multitasking from the drum throne while handling vocals, synthesizer layers, and tack piano sweeps—firing off spectacular tracking landmarks like the deep soul-jazz opener I've Given You My Love, the legendary, break-heavy title track Funky Snakefoot, and the explosive drum-solo manifesto Where I'm Drumming From. Driven by Mouzon's thunderous, lightning-fast syncopations, Gary King's deep electric bass foundations, Richie Resnicoff's scratching guitar paths, and a blistering brass frontline featuring Randy Brecker and Barry Rogers, this pristine independent archive remains an indispensable masterpiece for serious jazz-funk purists and rare groove collectors worldwide.

Blues in Orbit is a spectacularly colorful, historically monumental, and masterfully synchronized large-ensemble studio masterpiece directed by the legendary Canadian-American jazz pianist, composer, and ultimate orchestrator icon Gil Evans, released in 2009 by the premier German archival jazz imprint Enja Records. Spanning over 36 minutes across 8 visionary tracks, this high-fidelity document serves as an absolute peak monument in late-1960s and early-1970s progressive jazz orchestration archaeology. Gathering rare, fiercely experimental New York studio sessions tracked between 1969 and 1971, Evans completely bypasses conventional big-band arrangements, choosing instead to execute a bold, psychedelic sonic blueprint that masterfully bridges his signature cool-jazz textures with electric guitars, deep modal grooves, and raw avant-garde horn textures.

Enlightenment is an absolutely staggering, monumental, and historically definitive volcanic masterwork by the legendary American jazz pianist, composer, and modal pioneer McCoy Tyner, originally recorded live at the Montreux Jazz Festival in 1973 and beautifully preserved on CD via Milestone Records in 1990. Spanning nearly 70 minutes across seven breathtaking performances, this high-fidelity archive captures the former John Coltrane Quartet anchor at the absolute absolute absolute peak of his creative power, unleashing torrents of heavy chordal clusters and blistering pentatonic runs. Backed by a spectacular, hyper-kinetic acoustic powerhouse quartet featuring the ferocious, multi-reed virtuosity of Azar Lawrence, the deep, woody bass structures of Joony Booth, and the thunderous, polyrhythmic drum engine of Alphonse Mouzon, Tyner crafts a transcendent musical experience. The performance is highlighted by the multi-part, deeply spiritual Enlightenment Suite, the complex, rapid modal pathways of Nebula, and the legendary closer Walk Spirit, Talk Spirit—a massive, sprawling 24-minute tour de force that ranks among the greatest live statements in jazz history. Exceptionally preserved in pristine lossless audio quality, this definitive historical archive stands as a mandatory cornerstone and an absolute holy grail for global purists of modern creative piano jazz, high-energy post-bop, and monumental live concert recording achievements.

One of the corner stones of our record collection. A real jazz funk gem that we never stopped listening since 1981. Featuring the cream of 70's musicians like Herbie Hancock, Lee Ritenour and Jerry Hey, this intense album is a must have for every jazz funk collector. Don't miss out Freddie Hubbard's great flugelhorn solo on our favorite piece " By All Means ".

Alphonse Mouzon is a well-known jazz-fusion drummer and percussionist, and the Chairman/CEO of Tenacious Records. He also composes, arranges and produces, as well as acts. Alphonse Mouzon's popularity as a performing artist first became realized in the late 1960s and early 1970s.