A Disco Symphony by Camouflage is a 1977 release that captures the expansive and theatrical side of the disco era. The album stands out for its ambitious structure, particularly the title suite, which blends multiple themes into a continuous, orchestral disco journey. Drawing inspiration from both symphonic arrangements and club-oriented grooves, the record merges lush string sections, vibrant brass, and rhythmic basslines to create a dynamic listening experience. The reinterpretation of “MacArthur Park” within the opening suite reflects the era’s trend of transforming classic compositions into dancefloor epics. The remaining tracks continue this balance between instrumental sophistication and infectious rhythm, showcasing tight musicianship and polished production. With its fusion of soul, funk, and disco elements, A Disco Symphony represents a bold attempt to elevate disco beyond singles into a more cohesive, album-oriented format, appealing to both dancers and audiophiles alike.

A Collection Of Rare Tracks, Unreleased Songs & B-Sides.
The German synth-pop trio Camouflage was officially formed in 1984 by vocalist Marcus Meyn and keyboardists/programmers Heiko Maile and Oliver Kreyssig. The group took first place in a radio-sponsored song contest in 1986, and before long, their debut single, "The Great Commandment," was scaling the German charts. Their full-length debut, Voices and Images, was released in 1988, reflecting the group's classic new wave synth-pop influences, but most of all Depeche Mode. 1989's Methods of Silence began to broaden Camouflage's sonic palette, yet the Depeche Mode sound still remained at the forefront. Oliver Kreyssig then left the group, leaving Maile and Meyn as a duo augmented by several studio musicians…

From a logical viewpoint "Sensor" was bound to be the electropop masterpiece that it is, given the patented "experimental" phase most bands go through before deciding to go back to what they do best. Following hit parade "Voices & Images" and the under rated follow-up "Methods of Silence" (perhaps due to the band including acoustic instrumentation) was "Meanwhile", an album few bothered with. And, granted, it sounded way too "ordinary" with its traditional rock setting and much of the Camouflage aura had gone missing. Oliver Kreyssig, who left the band after "Methods of Silence", decided to join the band again during the recording sessions for "Sensor", and it makes sense, as this new album shows a back-to-basics approach in terms of the song writing. The music, however, sounds remarkably fresh and modern…

Founded in the southern German city of Bietigheim-Bissingen by Heiko Maile, Oliver Kreyssig and Marcus Meyn in the year 1984, the band Camouflage scored an unexpected international hit with their debut album 'Voices & Images' in 1988. Their sophomore album 'Methods Of Silence', released just a year later, was an even bigger success. Songs like 'The Great Commandment' and 'Love Is A Shield', went on to become perennial classics of the synth pop genre. Heiko Maile and Marcus Meyn recorded their fourth album 'Bodega Bohemia' in the synthsound studio of Belgian producer and electro-pop pioneer Dan Lacksman. It was released on 26 April 1993. To mark the 30th anniversary of the album, the band opened up the archives to assemble a special bonus edition including a wealth of rare and unreleased recordings.

There is no denying that the German band Camouflage clearly was inspired by Depeche Mode. Camouflage came out a few years after Depeche Mode was already making albums and like Depeche Mode, it went through many of the same transitions of sound and musical style. In fact, Camouflage and Depeche Mode sound so much alike that they are almost indistinguishable from one another. In a way, Camouflage can be thought of as the little brother of Depeche Mode. But there is no denying that Camouflage has talent and they can come up with some great songs.
And then there's Relocated. Along with their previous album Sensor, Camouflage has proven its greatness in the 21st century. Both Relocated and Sensor are incredible albums with pretty much no weak spots between the two of them. If you like Depeche Mode at all, you must get both of these albums.

Founded in the southern German city of Bietigheim-Bissingen by Heiko Maile, Oliver Kreyssig and Marcus Meyn in the year 1984, the band Camouflage scored an unexpected international hit with their debut album ‘Voices & Images’ in 1988. Their sophomore album ‘Methods Of Silence’, released just a year later, was an even bigger success. Songs like ‘The Great Commandment’ and ‘Love Is A Shield’, went on to become perennial classics of the synth pop genre. For the production of their third album ‘Meanwhile’ Heiko Maile and Marcus Meyn (Oliver Kreyssig has left the band by then) were striking a new path. They recorded the songs with a band lineup with real drums, bass, guitar and keyboards. To mark the 30th anniversary of the album, the band opened up the archives to assemble a special bonus edition including a wealth of rare and unreleased recordings, limited to 500 triple LP sets and 1,500 double CDs.

To mark the 30th anniversary of "Voices & Images", the album now earns a repackaged, limited edition reissue featuring deleted remixes, rare versions and B-sides.
When it was played on modern rock radio stations in 1988, Camouflage had everybody duped with "The Great Commandment." With its chilly synths, robotic percussion, and gloomy vocals, the song was a Depeche Mode doppelganger. Similarly, Camouflage's debut album Voices & Images is the sound of young men who couldn't stop playing Depeche Mode's Black Celebration in their tape decks. However, they are somewhat talented plagiarists. The icy, computerized rhythms in the anti-racism track "Neighbours" and "Helpless Helpless" have toe-tapping appeal, and "Winner Takes Nothing" regurgitates Duran Duran as new romantic cyborgs…

To mark the 30th anniversary of the album, the band opened up the archives to assemble a special bonus edition including a wealth of rare and unreleased recordings.
Camouflage entered the synth pop game when most people had already moved on, which spelled trouble for their 1989 sophomore album. The total absence of acknowledged humor in Camouflage's material contrasted sharply with the vibrancy of the ensuing decade, and the album's widening addition of violins, saxophones, and guitars couldn't prevent the band from being forced into a prematurely outdated pigeonhole. In hindsight, this was the LP's biggest problem. "On Islands" and "One Fine Day" were sweet, multi-textured pop that swayed like a hammock strung between industrial pylons, while "Rue de Moorslede" regaled itself with a taut instrumental of circus organs…

Heiko Maile and Julian Demarre, both pop musicians and film composers, have been collabo- rating since the mid-90s album classic "Meanwhile" by Camouflage. While Heiko continued pursuing the perfect pop song, they both landed their first feature film score gigs. In recent years while working together on several films, they felt they should create something for themselves - a love letter to 70s and 80s electronic music. With some esoteric 1970s keyboards from Japan designed for the sound of tomorrow they have now recorded an album for all the days after tomorrow. The result is the genre-bending album Neostalgia, a unique blend of various electronic styles and 1970s Krautrock with pieces featuring intros/outros, flutes, flanger guitars and vocoders, and tracks pushing the six-minute mark.

Discover the mesmerizing sounds of Camouflage with their album "Rewind To The Future And Goodbye (3CD)" released by Polydor. This 3CD set showcases the band's unique blend of synth-pop, new wave, and electronic music.
Featuring a collection of their greatest hits and fan favorites, this album takes listeners on a journey through Camouflage's evolution as a band. From catchy melodies to thought-provoking lyrics, each track is a testament to the group's musical prowess and creativity. Listeners can expect to be immersed in a sonic landscape that seamlessly combines nostalgic elements with modern production techniques. The album offers a perfect balance of upbeat tracks that will get you moving and introspective tunes that will make you reflect. With its intricate soundscapes and infectious rhythms, "Rewind To The Future And Goodbye" is a must-have for any fan of electronic music. Whether you're a longtime follower of Camouflage or new to their music, this album is sure to captivate your ears and leave you wanting more. Experience the magic of Camouflage's music with this 3CD set that encapsulates the essence of the band's artistry. Get your copy today and embark on a musical journey unlike any other.

Most of the tracks on this album from Camouflage band member Heiko Maile were recorded with a basic stereo (2-track) cassette recorder. The studio set-up looked more or less like this: a drum computer (no Midi) and a sequencer were connected to each other and synchronized rhythmically. He crafted melodic sequences and rhythms and usually transposed them to the desired pitch manually, using the keyboards. Other live instruments were played over the top. Then everything, the sum of all the sound sources, was put together in a kind of "live recording" with the aid of a mixing desk. Just a single mistake would mean having to start all over again. Reconfiguring many of the sounds once the controls had already been adjuste was a painstaking process…

The German synth-pop trio Camouflage was officially formed in 1984 by vocalist Marcus Meyn and keyboardists/programmers Heiko Maile and Oliver Kreyssig. The group took first place in a radio-sponsored song contest in 1986, and before long, their debut single, "The Great Commandment," was scaling the German charts. Their full-length debut, Voices and Images, was released in 1988, reflecting the group's classic new wave synth-pop influences, but most of all Depeche Mode. 1989's Methods of Silence began to broaden Camouflage's sonic palette, yet the Depeche Mode sound still remained at the forefront.

The German synth-pop trio Camouflage was officially formed in 1984 by vocalist Marcus Meyn and keyboardists/programmers Heiko Maile and Oliver Kreyssig. The group took first place in a radio-sponsored song contest in 1986, and before long, their debut single, "The Great Commandment," was scaling the German charts. Their full-length debut, Voices and Images, was released in 1988, reflecting the group's classic new wave synth-pop influences, but most of all Depeche Mode. 1989's Methods of Silence began to broaden Camouflage's sonic palette, yet the Depeche Mode sound still remained at the forefront. Oliver Kreyssig then left the group, leaving Maile and Meyn as a duo augmented by several studio musicians. By the time of 1991's Meanwhile, Camouflage had garnered a not insignificant following on college radio; the album moved still farther away from synth-pop and incorporated greater instrumentation…

The Singles is a singles compilation album released by German synthpop group Camouflage on 7 February 2014 via Polydor label. The album contains all of the band's singles from 1987's The Great Commandment to 2007's The Pleasure Remains. All of the tracks have been remastered. It is also the debut release of the original seven-inch version of The Great Commandment on CD, as well as the debut of the single versions of "Thief" and "The Great Commandment 2.0" on an album.

Camouflage entered the synth pop game when most people had already moved on, which spelled trouble for their 1989 sophomore album. The total absence of acknowledged humor in Camouflage's material contrasted sharply with the vibrancy of the ensuing decade, and the album's widening addition of violins, saxophones, and guitars couldn't prevent the band from being forced into a prematurely outdated pigeonhole. In hindsight, this was the LP's biggest problem. "On Islands" and "One Fine Day" were sweet, multi-textured pop that swayed like a hammock strung between industrial pylons, while "Rue de Moorslede" regaled itself with a taut instrumental of circus organs, filtered horns, and the recurring sound of doors slammed shut…