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Theatre of Voices, Paul Hillier - Dietrich Buxtehude and his Circle: Geist, Bruhns, Tunder, Förster (2016)

Posted By: Designol
Date: 10 Mar 2024 22:07:11
Theatre of Voices, Paul Hillier - Dietrich Buxtehude and his Circle: Geist, Bruhns, Tunder, Förster (2016)

Theatre of Voices, Paul Hillier - Buxtehude and his Circle (2016)
Dietrich Buxtehude - Christian Geist - Nicolas Bruhns - Franz Tunder - Kaspar Förster
EAC | FLAC | Image (Cue&Log) ~ 347 Mb | Mp3 (CBR320) ~ 180 Mb | Artwork included
Genre: Classical, Baroque | Label: Dacapo | # 6.220634 | Time: 01:15:31

Dietrich Buxtehude was not only the greatest organ virtuoso of his time and a celebrated composer of both sacred and secular music; he was also a highly enterprising and innovative artist with a unique ability to form networks around himself. This CD, conceived by Theatre of Voices and Paul Hillier, gives a rare insight into the circle around Buxtehude – a musical circle of time, place, friendships, teacher-pupil relationships and even family ties; a network of excellent composers from northern German musician families, all of whom worked in or migrated to Scandinavia in the course of the 1600s.
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Claudio Cavina, Roberto Gini, Concerto delle Viole - De Vitae Fugacitate (1992)

Posted By: ArlegZ
Date: 26 Oct 2022 21:00:22
Claudio Cavina, Roberto Gini, Concerto delle Viole - De Vitae Fugacitate (1992)

Claudio Cavina, Roberto Gini, Concerto delle Viole - De Vitae Fugacitate: Laments, cantatas and arias in 17th-century Germany (1992)
EAC | FLAC | Image (Cue & Log) ~ 300 Mb | Total time: 71:17 | Scans included
Classical | Label: Glossa | # GCD 920901 | Recorded: 1992

Originally recorded in an Italian villa in 1992, this release covered German solo vocal music ranging over much of the 17th century, most of it with the melancholy tone suggested by the album's title. Its release by Spain's Glossa label in 2009 was likely due to the fact that it includes music that even by then remained unfamiliar. The biggest attraction is the sextet of songs, and songs are what they are, by Adam Krieger, the founder of the Leipzig Collegium Musicum Bach decades later. Some are secular, some sacred, and they sound very little like Schütz, Schein, or the comparable Italian works of the period; they're free in shape, rather light-hearted, and apparently written for the entertainment of aristocratic amateurs.
Details
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