DG present a new recording of fascinating repertoire completely new to the Universal Music catalogue: Symphonies No. 1–3 by George Enescu, plus his most well-known works, the Romanian Rhapsodies. GRAMMY® Award winning conductor Cristian Măcelaru, Artistic Director of the George Enescu Festival, and his Orchestre National de France are the perfect ambassadors for the symphonic works by Enescu (1881–1955). Enescu, composer and violin virtuoso was teacher of Yehudi Menuhin, lived in Romania, the US and France. Inspired by the musical heritage of his home country he created a completely unique oeuvre. Pablo Casals called him „The most amazing musician since Mozart“. And while the Romanian Rhapsodies (especially No.1) included here are much loved, the three symphonies are yet to be discovered as truly centre pieces of the symphonic repertoire.

A subtle and profound Spanish theme runs through Recuerdos – ‘Memories’. Violinist Augustin Hadelich has conceived an album that unites three works for violin and orchestra and a piece originally written for solo guitar. For Britten’s Violin Concerto, Prokofiev’s Violin Concerto No 2 and Sarasate’s Carmen Fantasy he is joined by the WDR Sinfonieorchester and its Chief Conductor, Cristian Măcelaru; he remains alone for Ruggero Ricci’s arrangement of Tárrega’s shimmering Recuerdos de la Alhambra.

This eagerly-awaited new release sees Simon Trpceski reunite with conductor Cristian Macelaru to record Brahms Piano Concertos. Their unrivalled chemistry, paramount in Brahms's chamber-like concertos, is on full display in these new performances which puts the two artists' musical affinity in the spotlight. These two contrasting concertos, one beginning in darkness, the other in light, mark Brahms's major contribution to the genre. With Trpceski's flawless technique and sensitive playing, pianophiles are in for a treat. Macelaru's orchestra, WDR Sinfonieorchester, joins the pair to complete the line-up; a perfect companion to their previous album, Shostakovich Piano Concertos, which garnered numerous accolades (BBC Music Magazine Concerto Choice, Le Choix de France Musique, among others).

Following their first album for Linn (Dvorák: Legends Op. 59, Czech Suite Op. 39), the WDR Sinfonieorchester and Cristian Macelaru pursue the same folk vein with two orchestral works by Béla Bartók. Based on a rather childish tale (prince, princess, fairies, and of course a happy ending!), the music of the ballet The Wooden Prince - recorded in full here - has all the ingredients of a masterpiece: masterful scoring for large forces, use of musical themes, an effortless amalgam of folk and late-Romantic elements. Composed in 1923 to celebrate the 50th anniversary of the merging of the towns of Buda and Pest - alongside commissions by Ernö Dohnányi and Zoltán Kodály - the century-old Dance Suite is a six-movement work that has become one of Bartók's best known compositions. Born in Timi?oara, a short distance from Hungaria, Macelaru can boast an unparalleled understanding of Bartók, as evident here.

The music of Johannes Brahms has long been close to Emmanuel Tjeknavorian's heart. Now, with the WDR Symphony Orchestra under Cristian Măcelaru, he has recorded Brahms' Violin Concerto and Zwei Gesänge,op. 91 with Anna Lucia Richter and Andreas Haefliger. On this album he not only plays the violin, but also the viola.

The blues is one of America’s greatest cultural inventions—and now, it provides the backbone for one of Pulitzer Prize-winning composer Wynton Marsalis’s most innovative and colossal works. In the hands of the Philadelphia Orchestra under the direction of celebrated conductor Cristian Măcelaru, Blues Symphony (Marsalis’s second symphony) takes the 12-bar blues and explodes it into a lyrical, kaleidoscopic history of American music.