Talk about rockers rollin'! This fantastic four-CD set from the veteran British rockers includes all 75 of their A-sides (many of them being radio edits not available on the original albums) plus Jump That Rock (Whatever You Want), their 2008 collaboration with the German techno act Scooter. Love 'em or hate 'em, Status Quo have been rockin' the charts for four decades. While they remain living legends and rock icons in the U.K., Europe, South America, and elsewhere, they can't even get arrested in the States! The "hip" U.K. press love to take as many potshots at them as possible, which is all the more reason to loveQuo. But we all know that, deep down (deeper and down), those critics probably have a soft spot for quite a few of Quo's hits but will never admit to it in public. At any rate, the band has always managed to maintain a certain quality level that may not always touch the stars, but, at the least, will always rock the house!

Every man's death diminishes us all, but the death of a man so close to completing his greatest achievement and the summation of his life's work diminishes us all greatly – very, very greatly. When Emil Gilels died in 1985, he had completed recordings of most but not all of Beethoven's piano sonatas, released here in a nine-disc set. What's here is unimaginably good: superlative recordings of 27 of the 32 canonical sonatas, including the "Pathétique," "Moonlight," "Waldstein," "Appassionata," "Les Adieux," and the majestic "Hammerklavier," plus the two early "Electoral" Sonatas and the mighty Eroica Variations. What's missing is unimaginably priceless: five of the canonical sonatas, including the first and – horror vacui – the last. But still, for what there is, we must be grateful. Beyond all argument one of the great pianists of the twentieth century, Gilels the Soviet super virtuoso had slowly mellowed and ripened over his long career, and when he began recording the sonatas in 1972, his interpretations had matured and deepened while his superlative technique remained gloriously intact straight through to the last recordings of his final year.

The contents of the EMI box are too numerous to list but all the sonatas, variations, and most short pieces are here: absent is the London Sketchbook, which is trite juvenalia.

For fans of Sviatoslav Richter, it does not much matter if the sound is not all that great and it does not much matter if the repertoire is the same repertoire as always. It does not even matter much if the performances are not the greatest Richter ever recorded. For fans of Sviatoslav Richter, the only thing that matters is that there are new Richter recordings because that all by itself means that they will be some of the greatest performances of the greatest repertoire ever recorded. And this five-disc set of Sonatas by Beethoven, Schubert, and Liszt does not disappoint. With recordings dates from 1961 through 1975 and recording venues all in the USSR and its empire, the sound is hard and harsh. But with repertoire ranging from the last three Beethoven Sonatas through Schubert's last Sonata to Liszt's only Sonata, the music has the supreme masterpieces of the Romantic repertoire. And while there are Richter performances here and there that may arguably exceed these, Richter's performances here are as virtuosic, as expressive, as profound, and as transcendent as any he ever recorded. Which makes them some of the greatest performances of the greatest repertoire ever recorded.

Portraits is a three-disc, 61-track box set covering Emmylou Harris' entire career for Reprise and Warner Records, which spans from 1974 to 1992. Not only does the box select highlights from classic albums like Luxury Liner, Roses in the Snow, and Blue Kentucky Girl, but it also features her early duets with Gram Parsons and selections from the Trio album she recorded with Dolly Parton and Linda Ronstadt. Portraits doesn't dwell too long on unreleased material – there are only five unearthed tracks on the entire set – preferring to sketch out a full overview of her career. While there might be a few favorite tracks missing, the box nevertheless fulfills its goals quite nicely – anyone looking for a comprehensive compilation of Emmylou's career will not be disappointed.

Cheap Trick may no longer be playing the stadiums that the group's monumental talent surely warrants, but they do have one of the most loyal cult followings in all rock & roll. Thus, when Epic Records decided to release a four-disc box set celebrating the quartet's 20th anniversary with the label, someone there was smart enough to let the band put together a collection for the collectors. Which means 32 of the 64 tracks here are previously unreleased, including many live cover tunes (Beatles, Velvet Underground), demo takes, and a few things only a fan would want. Some hits are here (including "Surrender"), but, as a good example, there's no "He's a Whore," which Cheap Trick probably figured their fans should already own.

Known for his mariachi-inspired easy listening sound, trumpeter Herb Alpert is one of the most successful instrumental performers in pop history. He is also one of the entertainment industry's canniest businessmen, having co-founded A&M Records – a label that ranks among the most prosperous artist-owned companies ever established – with partner Jerry Moss. Collection includes: The Lonely Bull (1962); South Of The Border (1964); Whipped Cream & Other Delights (1965); !!Going Places!! (1965); What Now My Love (1966); S.R.O (1966); The Beat Of The Brass (1968); Rise (1979); Fandango (1982); Bullish (1984); Keep Your Eye On Me (1987); Classics, Volume 1 (1987); Steppin' Out (Featuring Lani Hall) (2013); In The Mood (2014); Come Fly With Me (2015).