On this legendary and masterfully intimate 1983 acoustic summit, three of Europe's greatest modern jazz string visionaries join forces for a spectacular, high-fidelity masterclass in interplay and acoustic texture. Simply titled Trio, this landmark session on the JMS label brings together Belgian guitar icon Philip Catherine, French gypsy-jazz lineage guitar master Christian Escoudé, and the virtuosic violin wizardry of Didier Lockwood. Stripped entirely of a traditional rhythm section, the three masters rely on an incredible, telepathic sense of timing and deep swing to create a lush, rhythmically propulsive landscape. The album's compositions are split evenly among the three musicians, showcasing a gorgeous array of post-bop harmonic explorations, breezy Mediterranean melodies, and blistering, high-velocity soloing. From the fluid, weaving guitar textures of Catherine's "Changement d'avis" to the dramatic, soaring violin flights on Lockwood's "Broken Doll" and Escoudé’s tender lyricism on "Ballade pour Alison," this pristine chamber session remains an absolute, essential jewel of 1980s European acoustic jazz.

On this incredibly imaginative and atmospheric 1998 studio release, legendary French violin virtuoso Didier Lockwood delivers a deeply poetic masterclass in contemporary acoustic fusion and modern post-bop. Released on the prestigious Dreyfus Jazz imprint, 'Round About Silence showcases Lockwood exploring a softer, highly textured acoustic palette that effortlessly balances high-velocity improvisations with introspective, impressionistic spaces. Lockwood displays a breathtaking multi-instrumental brilliance on this session, interweaving his signature soaring violin lines with alto saxophone, trumpet, and mandolin. The record features a brilliant circle of world-class European jazz heavyweights—including jaw-dropping acoustic guitar contributions from gypsy jazz master Biréli Lagrène, cinematic textures from accordionist Marc Berthoumieux, and a rock-solid, fluid rhythm engine featuring pianist Benoît Sourisse, bassist Marc-Michel Le Bévillon, and drummer André Charlier. From the breezy, rhythmic charm of "Bossa Pour Didier" to the intricate, horn-enriched post-bop suites of the title track, this high-fidelity session stands as a brilliant, multifaceted classic in modern European jazz.

“Didier Lockwood Group” is an engaging jazz fusion album led by the virtuoso violinist Didier Lockwood. Released in 1993, the record showcases Lockwood’s innovative approach to both acoustic and synthesized violin, blending traditional jazz phrasing with contemporary fusion textures. Supported by Jean-Marie Ecay on guitars, Laurent Vernerey on basses, and Loic Pontieux on drums, the ensemble delivers a tight and energetic performance across the album’s tracks. Guest musicians Denis Benarrosh and Bernard Arcadio add further depth through percussion and keyboards, enhancing the harmonic and rhythmic complexity. The compositions range from lively, upbeat pieces like “Tip Tap” to atmospheric and melodic explorations such as “La Ballade Irlandaise,” demonstrating the group’s versatility and technical mastery. This album captures the essence of European jazz fusion in the early 1990s, combining virtuosic soloing with cohesive ensemble interplay for a sophisticated and exciting listening experience.

At the age of 12, Alexandre Cavaliere met Didier Lockwood, who invited him to Paris, giving his career a flying start. Then, everything followed naturally. Alexandre Cavaliere has been touring the international scene and has an impressive list of performances: at the Princess Grace Theatre in Monaco, as the opening act for Michel Jonasz at the Olympia, at the Espoo Jazz Festival in Finland, at the Brosella Folk & Jazz Festival and at the Djangofolllies, or again, thanks to Dorado Schmitt, in New York, at the Django Reinhardt Festival at Birdland.