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50 Years Grosses Festspielhaus Salzburg [25CDs] - Janáček: From the House of the Dead (2010)

Posted By: ArlegZ
50 Years Grosses Festspielhaus Salzburg [25CDs] -  Janáček: From the House of the Dead (2010)

50 Years Grosses Festspielhaus Salzburg [25CDs] - Janáček: From the House of the Dead (2010)
EAC | FLAC | Image (Cue & Log) ~ 378 Gb | Total time: 01:31:35 | Scans included
Classical | Label: Deutsche Grammophon | # 477 9111 | Recorded: 1992

The Grosses Festpielhaus in Salzburg has been the scene of countless memorable musical events - operas, concerts and recitals - for 50 years. Here is a unique chance to celebrate the glories of this distinguished era. In an exceptional collaboration with the Salzburg Festival, we have prepared a 25-CD box set - 5 complete operas, 10 concerts and 2 recitals - featuring many of the world's greatest artists, in recordings with classical status and others that are appearing on CD for the first time.

Paolo Olmi, Orchestra of the Opera National de Lyon - Mozart: Le nozze di Figaro (2003/1994)

Posted By: Vilboa
Paolo Olmi, Orchestra of the Opera National de Lyon - Mozart: Le nozze di Figaro (2003/1994)

Paolo Olmi, Orchestra of the Opera National de Lyon, Giovanni Furlanetto, Elzbieta Szmytka, Ludovic Tézier - Mozart: Le nozze di Figaro (2003/1994)
PAL 4:3 (720x576) VBR | Italiano (LinearPCM, 2 ch) | 7.48 Gb (DVD9) | 190 min
Classical | Arthaus Musik | Sub: Italiano, English, Francais, Deutsch, Espanol

The Marriage of Figaro, as this elegant 1994 production brilliantly reminds us, was a French bedroom comedy before it became a Mozart opera. It is a classic of French literature, and it is still enjoyable as a spoken play after more than two centuries of existence. Its literary quality gives this production a special flavor. The music–some of Mozart's finest–is beautifully presented by a carefully chosen international cast (including Giovanni Furlanetto, Elzbieta Szymtka, Janice Watson, and Ludovic Tezier), but what sets this production apart is its theatrical flavor, cultivated by a director who is an expert on classic French theater. The standards of spoken theater are upheld in timing, body language, the inflection of punch lines. These qualities are more important here than in most operas; style is both crucial and elusive. Fortunately, the Opera de Lyon, one of most imaginative companies in Europe, shows an impressive sense of style. (Joe McLellan)