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Francesco Dillon, Emanuele Torquati - Liszt: Complete Works for Cello and Piano (2011)

Posted By: tirexiss
Date: 20 Sep 2023 10:11:41
Francesco Dillon, Emanuele Torquati - Liszt: Complete Works for Cello and Piano (2011)

Francesco Dillon, Emanuele Torquati - Liszt: Complete Works for Cello and Piano (2011)
WEB | FLAC (tracks) - 214 MB | 56:27
Genre: Classical | Label: Brilliant Classics

Many of Liszt’s works were transcribed for other instruments; both by the composer himself and other musicians. These hauntingly beautiful pieces for cello and piano were originally written for piano solo or the voice. They are from the final period of his life and are the product of his old age and his quest for spirituality. Far from the virtuoso brilliance of his earlier works, their intense and romantic melodies express melancholy and desolation, the sparse textures and harmonic instability daringly looking forward to the twentieth century.
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Emanuele Torquati - Albert Roussel: Promenade Sentimentale, Complete Piano Music (2012) 2CDs

Posted By: Designol
Date: 14 Jun 2023 18:41:56
Emanuele Torquati - Albert Roussel: Promenade Sentimentale, Complete Piano Music (2012) 2CDs

Emanuele Torquati - Albert Roussel:
Promenade Sentimentale: Complete Piano Music (2012) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 282 Mb | Mp3 (CBR320) ~ 388 Mb | Scans included
Genre: Classical | Label: Brilliant Classics | # 94329 | Time: 02:02:05

The French composer Albert Roussel (1869-1937) was ideally placed to develop a unique musical style. His background was more colourful than most of his fellow composers (he initially studied mathematics and worked as a naval officer before devoting himself to music), while his early years as a composer saw him exposed to a barrage of rich but conflicting musical influences: the impressionist movement (spearheaded by Debussy) and the more traditional approach of the Schola Cantorum (championed by d'Indy and Franck). Roussel absorbed the wide-ranging styles that he heard around him, blending and modifying them to establish his own distinctive voice – a voice that can be perceived clearly in his music for solo piano. Traditional musical forms are a frequent point of inspiration: in the Suite in F sharp Op.14, Roussel uses rustic dances as a basis to explore both counterpoint and tonal disintegration, while the Bach-inspired Prélude et Fugue demonstrates the neo-Classical style that he was drawn to in his later period. Above all, Roussel's piano music is characterised by its unique synthesis of rationality and feeling.
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