On Nomas, the brilliant Italian vocal visionary, composer, and avant-garde lyricist Maria Pia De Vito steps into the spotlight with a towering, historically luminous, and masterfully panoramic career-spanning archive document. Released in 2012 by the vanguard specialized publication imprint Musica Jazz, this magnificent milestone stands as an exceptionally fluid, high-velocity exhibit of modern Mediterranean creative architecture, mapping her singular ability to blend complex post-bop geometry with traditional Neapolitan folk songs, Brazilian grooves, and poetic soundscapes. Spanning nearly 75 minutes of immaculate high-fidelity spatial design, the expansive 16-track landscape operates with an intense, beautifully fluid, and masterfully balanced acoustic energy. De Vito treats the human voice as an absolute uninhibited improvisational instrument, moving effortlessly from intricate scat flights to deep theatrical storytelling—tracking breathtaking highlights like the recontextualized chamber works Il paradiso dei cacciottielli and Scugnizzeide, a vibrant fusion reading of Hermeto Pascoal's Frevo em Maceió, and a stunningly intimate interpretation of Joni Mitchell's Amelia. This archive remains an indispensable masterpiece for serious vocal jazz purists and avant-garde creative music collectors worldwide.

On Phone, a towering, historically luminous, and masterfully panoramic Mediterranean collective alignment steps into the studio to deliver an absolute masterpiece of cross-cultural vocal and instrumental architecture. Released in 1998 by the prestigious Italian vanguard chamber-jazz imprint EGEA, this magnificent milestone stands as an exceptionally fluid, deeply poetic exhibit of modern creative music, fusing advanced post-bop geometry with traditional Mediterranean ethnic currents and avant-garde vocal exploration. Spanning over 52 minutes of immaculate high-fidelity spatial design, the 9-track landscape operates with an intense, beautifully fluid, and masterfully balanced acoustic energy. Vocal visionary Maria Pia De Vito treats the human voice as a brilliant, uninhibited improvisational instrument, darting masterfully alongside Gianluigi Trovesi's crying alto clarinet lines—firing off spectacular landmarks like the shifting, theatrical opener Voulez-Vous…?, the deeply moving, rhythmically rich Scugnizzeide, and the expansive, hypnotic structures of Notturno macedone. Driven by De Vito's evocative vocal telemetry, Trovesi's woodwind genius, John Taylor's pristine, rolling grand piano layouts, Enzo Pietropaoli's anchoring double bass foundations, and Federico Sanesi's delicate, multi-layered tabla and percussion currents, this archive remains an indispensable masterpiece for serious vocal jazz purists and avant-garde collectors worldwide.