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Fabio Biondi, Europa Galante - Il Diario di Chiara: Music from La Pietà in Venice in the 18th century (2014)

Posted By: ArlegZ
Fabio Biondi, Europa Galante - Il Diario di Chiara: Music from La Pietà in Venice in the 18th century (2014)

Fabio Biondi, Europa Galante - Il Diario di Chiara: Music from La Pietà in Venice in the 18th century (2014)
EAC | FLAC | Image (Cue & Log) ~ 419 Mb | Total time: 72:30 | Scans included
Classical | Label: Glossa | GCD 923401 | Recorded: 2013

Abandoned at the age of two months and taken in by the Ospedale della Pietà, Chiara (or Chiaretta) rose – within that enclosed charitable institution in Venice – to become one of the leading European violinists of the middle of the 18th century. No stranger to such acclaim himself from two and a half centuries later, Fabio Biondi, on his first release for Glossa, has devised a programme drawing on the personal diary of this remarkable musician – taught by Antonio Vivaldi, and later a virtuoso soloist on the violin as well as the viola d’amore – of concertos and sinfonias by composers who, like the prete rosso, taught at the Pietà: Porta, Porpora, Martinelli, Latilla, Perotti and Bernasconi are all musicians whose compositions charm and delight as much today as they will have done in the time of Chiara.

Antonio Florio, Cappella de’ Turchini - Gaetano Latilla: La Finta cameriera (2000)

Posted By: ArlegZ
Antonio Florio, Cappella de’ Turchini - Gaetano Latilla: La Finta cameriera (2000)

Antonio Florio, Cappella de’ Turchini - Gaetano Latilla: La Finta cameriera (2000)
EAC | FLAC | Image (Cue & Log) ~ 714 Mb | Total time: 141:33 | Scans included
Classical | Label: Opus 111 | OPS30-275/276 | Recorded: 2000

Gaetano Latilla (1711-88) is pretty much a footnote, but after its premiere in 1738, this opera, La finta cameriera, was performed at one time or another throughout Europe for the next 20 years. It consists of 44 arias and acres of recitative (indeed, the Parisians objected to all the chatter in 1752). I normally hate these 18th century “intermezzo” operas about people disguised as either the lower classes or their own brothers, particularly because in between the acres of recitative there usually are simple-to-sing, “flavorful” arias. This work, however, is different: many of the arias are very showy and difficult, and require true virtuoso singing.

Ann Hallenberg, Stefano Aresi, Stile Galante - The Farinelli Manuscript (2019)

Posted By: ArlegZ
Ann Hallenberg, Stefano Aresi, Stile Galante - The Farinelli Manuscript (2019)

Ann Hallenberg, Stefano Aresi, Stile Galante - The Farinelli Manuscript: Broschi, Latilla, Conforto, Giacomelli, Mele (2019)
EAC | FLAC | Image (Cue & Log) ~ 381 Mb | Total time: 72:04 | Scans included
Classical | Label: Glossa | # GCD 923521 | Recorded: 2019

With The Farinelli Manuscript Ann Hallenberg, accompanied by Stefano Aresi and Stile Galante, offers a scintillating reading of the music known to have been sung by the castrato Carlo Broschi during his 23-year stay in Spain (and sent as a present to the Empress Maria Theresa). Described as “a force of nature”, displaying flawless coloratura and a purity of timbre, the Swedish mezzo follows her previous appearance on Glossa with Aresi (a disc devoted to music associated with the later castrato Luigi Marchesi) with a spirited demonstration of the musicality which so attracted Farinelli to listeners at the Spanish court.