Tags
Language
Tags
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4

Collegium Musicum Amsterdam, Anthony Zielhorst - Giaches de Wert: Motets, Book I, 1566 (2014)

Posted By: Designol
Collegium Musicum Amsterdam, Anthony Zielhorst - Giaches de Wert: Motets, Book I, 1566 (2014)

Giaches de Wert - O mors, quam amara est - Motets, Book I, 1566 (2014)
Collegium Musicum Amsterdam, Anthony Zielhorst

EAC | FLAC | Image (Cue&Log) ~ 320 Mb | Mp3 (CBR320) ~ 175 Mb | Scans included
Genre: Classical, Choral | Label: Brilliant Classics | # 94684 | Time: 01:14:41

Giaches de Wert (1536‐1595) was born in Flanders. He became one of the foremost composers of the Golden Age of Renaissance vocal polyphony, together with other illustrious composers: Dufay, Ockeghem, Obrecht, Josquin and Lassus. At an early age he went to Italy, where he became Maestro di Cappella of the Santa Barbara Basilica of Mantua, built by Guglielmo Gonzaga, head of the ruling family who were central in the development of the high cultural climate of Mantua. De Wert’s music is firmly rooted in the stately Franco‐Flemish polyphonic tradition, in which he introduced “Italian” elements expressing the emotional content of the text, such as sadness, sorrow, joy and exaltation. This new recording contains the First Book of Motets, a first recording, sung by one of the foremost Early Music Choirs of The Netherlands, the Collegium Musicum Amsterdam, conducted by Anthony Zielhorst.

La Venexiana - L'arte del madrigale: de Wert, Marenzio, Luzzaschi, Gesualdo, d'India [9CDs] (2016)

Posted By: ArlegZ
La Venexiana - L'arte del madrigale: de Wert, Marenzio, Luzzaschi, Gesualdo, d'India [9CDs] (2016)

La Venexiana - L'arte del madrigale: Giaches de Wert, Luca Marenzio, Luzzasco Luzzaschi, Carlo Gesualdo, Sigismondo d'India [9CDs] (2016)
EAC | FLAC | Image (Cue & Log) ~ 2.13 Gb | Total time: 07:56:39 | Scans included
Classical | Label: Glossa | # GCD 920920 | Recorded: 1997-2009

Over the years Glossa has been at the forefront of releasing recordings of late Renaissance madrigals, and the label has had the pleasure of assisting superlative artists in doing so: none more so than the voices of La Venexiana and its director Claudio Cavina. This release is a reflection of such creative richness. The recordings on this release date from the dozen years after La Venexianas foundation in 1996, a time of great activity for the ensemble, and which complements the Monteverdi Complete Madrigals Books set, released previously. These two impressive collections demonstrate effectively why La Venexiana has been so popular with audiences and why it has been praised by critics as well.