Released in 2004 by Lester Radio Corporation (LRC Ltd.), Giants of the Organ Come Together brings together two of the absolute titan figures of the Hammond B-3 organ, Jimmy McGriff and Richard "Groove" Holmes, for a soul-jazz showcase originally recorded in the early 1970s. Mixed with distinct stereo separation—featuring McGriff on the right channel and Holmes on the left, flanked respectively by guitarists O'Donel Levy and George Freeman—the dual-organ summit delivers a masterclass in bluesy improvisation, deep grooves, and swinging hard-bop interplay. Backed by the iconic funk drum backbone of Bernard Purdie and percussionist Kwasi Jayourba, the sextet stretches out over blues jams like "Licks A' Plenty" and reinvented jazz standards like "How High the Moon" and "Out of Nowhere."

The Man I Love is a blues-drenched, soulful jazz session by iconic tenor saxophonist Illinois Jacquet, released on the French label Black And Blue. Originally recorded in Paris in January 1973 alongside Hammond B-3 organ master Wild Bill Davis and drummer Al Bartee, these tracks capture Jacquet in peak form, fusing his signature honking, muscular Texas-tenor tone with deeply swinging organ-trio grooves. Combining relaxed blues, soaring ballads, and hard-driving swingers, the trio delivers fiery interpretations of George Gershwin's title track, Duke Ellington classics (Cotton Tail, It Don't Mean A Thing), Erroll Garner's Misty, and infectious Jacquet originals like Pamela's Blues and No Sweat.

On this exceptional, soul-stirring 2005 self-released masterpiece, brilliant keyboardist and composer Rob Whitlock delivers the highly anticipated, star-studded continuation of his celebrated instrumental sketches. Anchored by the warm, purring grease of Whitlock’s masterful Hammond B-3 organ and elegant acoustic piano touch, Sketchin' 2 bridges modern post-bop harmonic depth with gritty, urban contemporary jazz grooves. The album serves as a breathtaking collective showcase for a phenomenal cast of modern musical titans. It features an incredibly powerful, towering performance by the legendary tenor saxophonist Michael Brecker and the deeply inventive, locked-in contrabass guitar lines of Anthony Jackson. Powered by the elite, world-class drumming rotation of Vinnie Colaiuta and Cliff Almond, the tracks move seamlessly from heavy, syncopated funk-jazz workouts to beautiful lyrical ballads. With additional blistering guitar work from Scott Henderson and Pat Kelly, alongside the sunny, tropical accents of Othello Molineaux's steel pans, this immersive high-fidelity session radiates remarkable sophistication, fire, and organic warmth.

On this exceptionally soulful and harmonically rich 2006 studio release, master keyboardist and composer Rob Whitlock delivers a brilliant, deeply engaging masterclass in contemporary jazz and electric fusion. Operating at the heart of the session with his warm, swirling Hammond B-3 organ and lyrical acoustic piano work, Whitlock crafts an incredibly polished and dynamic musical landscape. The album is elevated to legendary status by an absolute dream team of modern jazz heavyweights, featuring a towering performance by the iconic tenor saxophonist Michael Brecker and the foundational, razor-sharp precision of contrabass guitar pioneer Anthony Jackson. Supported by the blistering, world-class drum work of Vinnie Colaiuta and Cliff Almond, the band glides seamlessly from gritty, grease-drenched blues-funk grooves to high-octane fusion workouts and lush, evocative ballads. With stellar guest spots from guitar maestro Scott Henderson and the bright textures of Othello Molineaux's steel pans, this high-fidelity session radiates remarkable creative warmth and unmatched musicianship.

Lou Donaldson's 1961 classic, Here 'Tis, reissued in immaculate audiophile quality by Analogue Productions, stands as a foundational, sizzling, and quintessential masterpiece of the early soul jazz movement. The brilliant alto saxophonist, deeply rooted in the fiery bebop language of Charlie Parker, effortlessly shifts gears into an earthy, blues-drenched, and foot-tapping groove session. What makes this particular Blue Note date legendary is the historic, initial alignment of Donaldson with three cornerstones of the greasy organ-trio aesthetic: a young, emerging guitar genius Grant Green, the deeply soulful Hammond B-3 organ wizard Baby Face Willette, and the flawlessly steady, propulsive drummer Dave Bailey. Together, they cook up an irresistible, blues-heavy sound canvas. From the infectious, heavy-grooving title track and the energetic shuffle of Watusi Jump to the slow-burning, gospel-tinged strut of Walk Wid Me, the quartet strips away academic pretense to deliver acoustic jazz at its most kinetic, visceral, and joyously swinging. This definitive audiophile transfer captures every ounce of the smoky, warm studio room ambiance and deep room thumping bass frequencies.

Prime Time is a wonderfully vibrant, greasy, and hard-grooving late-eighties studio album by the founding father of the modern jazz organ, Jimmy Smith, released in 1989 on Milestone Records. True to its name, the recording shows that Smith's legendary mastery over the Hammond B-3 organ remained completely undiminished, serving up an infectious blend of greasy soul jazz, driving hard bop shuffles, and down-home rhythm & blues. For this expansive session, the lineup features a rotating, powerhouse cast of soulful veterans, including the blistering horn work of saxophonists Curtis Peagler, Herman Riley, and Rickey Woodard, alongside the tasteful, funk-tinged fretwork of guitar master Phil Upchurch. The tracklist rolls seamlessly from burning instrumental workouts like C Jam Blues and the grooving opener Here Comes C.T. to a gritty, standout blues vocal delivery by Barbara Morrison on Farther On Up The Road. Driven by Smith's signature, thumping bass-pedal lines and fiery chord stabs, this late-career gem stands out as a high-caliber addition to his monumental discography.

Sum Serious Blues is a vibrant, hard-grooving studio album by the undisputed master of the Hammond B-3 organ, Jimmy Smith, released in 1993 on Milestone Records. Marking a triumphant return to form in the early nineties, the album captures Smith doing what he does best: delivering deep, soulful blues, finger-snapping shuffles, and swinging hard bop numbers. For this massive, texturally rich session, Smith's legendary organ trio core is expanded into a powerhouse ensemble, featuring the tasty fretwork of guitar veteran Phil Upchurch and a brilliant brass section arranged by legendary saxophonist Buddy Collette. The tracklist features burning instrumental improvisations, a stellar revisit of his iconic masterpiece The Sermon, and standout guest vocal appearances by Marlena Shaw and Bernard Ighner. Packed with thick, driving bass-pedal lines and fiery, spontaneous horn interactions, this late-career gem stands out as a high-caliber testament to Jimmy Smith's enduring status as a giant of jazz and rhythm & blues.

Open House / Plain Talk is a magnificent, expanded double-session CD release capturing the undisputed king of the Hammond B-3 organ, Jimmy Smith, recorded during an exceptionally inspired single day in March 1960 for the legendary Blue Note Records. Originally split across two distinct, highly praised vinyl LPs (Open House and Plain Talk), this comprehensive collection unites both stellar sessions into one continuous, hard-swinging masterclass. Supported by his definitive core trio featuring guitarist Quentin Warren and drummer Donald Bailey, Smith elevates the groove by fronting a powerhouse three-horn frontline consisting of hard bop heavyweights Blue Mitchell, Jackie McLean, and the deeply soulful tenor saxophone of Ike Quebec. The collective trade blazing, raw improvisational lines across infectious blues pieces, finger-snapping uptempo shuffles, and gorgeous, late-night ballad renditions. Packed with immense rhythmic energy, thick bass-pedal grooves, and pristine audio quality, this definitive compilation remains an absolute cornerstone of the classic 1960s soul-jazz and hard bop movements.