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Helmut Koch, Staatskapelle Berlin - Georg Philipp Telemann: Pimpinone oder Die ungleiche Heirat (1998)

Posted By: ArlegZ
Helmut Koch, Staatskapelle Berlin - Georg Philipp Telemann: Pimpinone oder Die ungleiche Heirat (1998)

Helmut Koch, Staatskapelle Berlin - Georg Philipp Telemann: Pimpinone oder Die ungleiche Heirat (1998)
EAC | FLAC | Image (Cue & Log) ~ 293 Mb | Total time: 56:03 | Scans included
Classical | Label: Berlin Classics | # 0020712BC | Recorded: 1964

Pimpinone, TWV 21:15, is a comic opera by the German composer Georg Philipp Telemann with a libretto by Johann Philipp Praetorius. Its full title is Die Ungleiche Heirat zwischen Vespetta und Pimpinone oder Das herrsch-süchtige Camer Mägden (The Unequal Marriage Between Vespetta and Pimpinone or The Domineering Chambermaid). The work is described as a Lustiges Zwischenspiel ("comic intermezzo") in three parts. It was first performed at the Theater am Gänsemarkt, Hamburg on 27 September 1725 as light relief between the acts of Telemann's adaptation of Handel's opera seria Tamerlano. Pimpinone was highly successful and pointed the way forward to later intermezzi, particularly Giovanni Battista Pergolesi's La serva padrona.

Helmut Koch, Rundfunk-Symphonie-Orchester Berlin - Handel: Judas Maccabaus (1996)

Posted By: ArlegZ
Helmut Koch, Rundfunk-Symphonie-Orchester Berlin - Handel: Judas Maccabaus (1996)

Helmut Koch, Rundfunk-Symphonie-Orchester Berlin - Handel: Judas Maccabaus (1996)
EAC | FLAC | Image (Cue & Log) ~ 809 Mb | Total time: 78:21+77:44 | Scans included
Classical | Label: Berlin Classics | 0091122BC | Recorded: 1966

Oratorios were to become Handelís favorite form of composition from the late 1730ís onward, and of the impressive series of works written during the last two decades of his life the oratorio Judas Maccabaeus was the most successful of this genre, eclipsing even The Messiah in popularity. Handel and librettist Reverend Thomas Morell drew upon the story of the revolt of the Israelites in 168 B.C. against the decree of Antiochus IV forbidding the practice of their religion, focusing on Judas Maccabaeus, the fearless supreme commander in the battle for freedom.