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Freddy Cole - Love Makes The Changes (1998)

Posted By: Designol
Freddy Cole - Love Makes The Changes (1998)

Freddy Cole - Love Makes The Changes (1998)
EAC | FLAC | Image (Cue&Log) ~ 323 Mb | Mp3 (CBR320) ~ 134 Mb | Scans ~ 70 Mb
Vocal Jazz, Piano Jazz, Mainstream Jazz | Label: Fantasy | # FCD-9681-2 | 00:55:39

When jazz vocalist Freddy Cole sings, it's with a built-in groove that's unshakeable, with warm, honeyed tones that wrap the lyrics in velvet and set them down firmly in the pocket. Cole has one great little album here; if you thought it was impossible to produce a modern-day jazz vocal album that's not infused with endless oodles-of-noodles riffing that shows you nothing except the ability of the vocalist to sing everything but the melody, be prepared for greatness. With a small combo led by pianist Cedar Walton and tenor saxophonist Grover Washington, Jr., Cole has a backdrop that never gets in the way of his magic nor does anything that doesn't help the song. Timber-wise, he owes a lot of his phrasing to his older brother, Nat "King" Cole, and Francis Albert Sinatra, but Freddy ultimately remains his own man and that's what makes this album such a success. Ten or 12 stars, at least.

Idris Muhammad - My Turn (1993)

Posted By: Designol
Idris Muhammad - My Turn (1993)

Idris Muhammad - My Turn (1993)
EAC | FLAC | Tracks (Cue&Log) ~ 331 Mb | Mp3 (CBR320) ~ 127 Mb | Scans included | 00:50:05
Crossover Jazz, Soul-Jazz, Jazz Pop, Jazz-Funk | Label: Lipstick | # LIP 8902-2

Although Idris Muhammad was employed as a sideman on his share of soul-jazz sessions in the '70s, the drummer hasn't been terribly visible as a leader. So it came as a pleasant surprise when, in 1993, he sat in the driver's seat for My Turn, a decent collection of jazz-pop, soul-jazz, and R&B employing such big names as Grover Washington, Jr. (tenor and soprano sax), Randy Brecker (trumpeter and flügelhorn), Hiram Bullock (electric guitar), and Bob James (electric keyboards). Not unlike the type of project Muhammad would have gone for in the '70s, My Turn is far from straight-ahead hard bop but isn't a so-called "elevator jazz" date either. R&B, pop, and funk considerations are emphasized, but not at the expense of improvisational freedom. Washington and Brecker get in some inspired solos on tunes ranging from pianist Neal Creqe's funky "Dracula" to Washington's congenial "Happenstance," and Muhammad does a nice job combining pop and soul's accessibility with jazz's spontaneity. Those who like their crossover meaty instead of fluffy should enjoy this CD.