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Jeremy Spencer - Precious Little (2006)

Posted By: Designol
Jeremy Spencer - Precious Little (2006)

Jeremy Spencer - Precious Little (2006)
EAC | FLAC | Image (Cue&Log) ~ 312 Mb | Mp3 (CBR320) ~ 136 Mb | Scans included | 00:46:52
Modern Electric Blues, British Blues, Rock & Roll, Blues-Rock | Label: Blind Pig | # BPCD 5106

It's been nearly 33 years since Jeremy Spencer, the slide guitarist and vocalist in the original Fleetwood Mac, walked into silence, obscurity, and cult mystery – not unlike his bandmate Peter Green, who returned to active recording before Spencer had. Precious Little was licensed to Blind Pig from the Bluestown Records label in Norway. This isn't some stodgy codger trying for one last blast of fame before he goes out into the long good night. In fact, Precious Little is an effortless, relaxed presentation of the blues through the fantastic voice and stellar guitar playing of a bona fide British bluesman. One might complain that this set is perhaps a bit too laid-back, but that complaint is small when taking in the communication that's happening between Spencer and his Norwegian blues band in a studio that has the old mixing board from Stax! The material is a mixture of originals and covers that Spencer plays either on his National Steel with a humbucking pickup or one of his fine electric guitars. The warmth in his voice and the ease of his playing is that of a master musician.

Jeremy Spencer - Mona (2020)

Posted By: ciklon5
Jeremy Spencer - Mona (2020)

Jeremy Spencer - Mona (2020)
FLAC tracks |43:52 | 226 Mb
Genre: Blues, Easy Listening / Label: Sibylline Media

Here is another collection featuring Mona, my favourite guitar beauty! Her creator, Jan Ingar Kvisler, is an excellent Norwegian luthier who specialises in wood and tone, and custom-made her for me in 2007. He, being a man of God, told me that he prayed before each session of working on her creation, that he would make no mistakes.However, to his dismay, he made three significant blunders. The first was that he had miscalculated the length of her distinctive ebony fretboard, resulting in a shorter scale. The second was that when he was carving out the pick-up shapes on her flamed maple topped body, the router gouged out more than was required, necessitating his replacing the customary P90 plastic covers with custom-sized ones of the same maple wood. The third and crowning mistake, which resulted in me christening her ‘Mona’, is due to the varnish machine malfunctioning, resulting in a tiny pattern of cracks resembling the Mona Lisa painting.