John Hicks is heard with his working trio on what is likely his final recording, made two months to the day prior to his unexpected death. With bassist Buster Williams and drummer Louis Hayes, also seasoned veterans and bandleaders themselves, the set list for this well-recorded studio session is a hard bop lover's feast, drawing from both familiar and less frequently heard repertoire. Hicks throws quite a few curves into Gigi Gryce's "Minority" by tossing in a few vamps then getting right to business with improvising rather than bothering to offer a chorus of its theme, with Williams' fleet bassline and Hayes' brushwork powering him in full flight. The leader's sole original is a salute to Cedar Walton, an upbeat piece called "As Birds Fly (Walton's Mountain)" in which the musicians easily scale its heights. The bassist contributed two originals, including the lush, somewhat moody "Strivers Jewels" and the delicate tribute to his then-young niece "Christina." Hayes is an asset throughout the recording, particularly standing out in the powerful interpretation of Dexter Gordon's "Cheesecake".

Pianist John Hicks recorded this trio date with bassist Walter Booker and drummer Idris Muhammad in Tokyo. He tackles Monk's pieces as a soloist; "Ruby My Dear" is lovely yet complex, while "'Round Midnight" is dramatic without overkill. His originals "Inc. 1" and "Avocja" are pulsating post-bop efforts. This is an enjoyable date worth picking up.

Both John Hicks and Frank Morgan passed away shortly after making the recordings gathered here: pianist Hicks in May 2006 and alto saxophonist Morgan in December 2007. They had both spent the preceding decades living very different lives: Morgan, as is well known within the jazz community, was a heroin addict to whom incarceration was no stranger. He disappeared from the scene for an interminably long 30 years before finding his way back from his problems and into the music world in 1985. Hicks, meanwhile, was prolific throughout his multi-decade career, recording many albums as a leader and working alongside many of the genre's greats as a sideman. This set of seven tracks does not consist entirely of duets: Morgan appears on only four of them and Hicks plays solo piano on the others (there are no other musicians involved)…