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    Harry Allen - Eu Não Quero Dançar ~ I Won't Dance (1998)

    Posted By: Mindsnatcher
    Harry Allen - Eu Não Quero Dançar ~ I Won't Dance (1998)

    Harry Allen - Eu Não Quero Dançar ~ I Won't Dance (1998)
    Label: RCA Victor | FLAC (image + .cue,log) | 58:50 | 348 MB | 12 tracks
    Genre: Jazz, Cool Jazz

    On this exceptionally elegant 1998 release, acclaimed tenor saxophonist Harry Allen delivers a gorgeous, breeze-swept exploration of bossa nova and classic jazz standards, capturing the exact relaxed essence of the cool jazz tradition. Mirroring the legendary collaborations of Stan Getz, Allen brings his signature warm, breathy tone and flawlessly melodic phrasing to timeless Brazilian compositions by Antonio Carlos Jobim and others. The album is elevated by an absolute dream team of musicians, featuring special guest vocalists Maucha Adnet and Dori Caymmi, whose intimate delivery adds deep emotional resonance to the session. Backed by the sophisticated rhythm section of pianist Larry Goldings, guitarist Joe Cohn, bassist Dennis Irwin, and master drummer Duduka Da Fonseca, the ensemble establishes an effortlessly swaying, late-night groove. It stands as a stunning, beautifully recorded tribute to the marriage of jazz improvisation and Brazilian lyricism, making it an absolute joy from start to finish.

    Tito Puente - The King Of Mambo (2000)

    Posted By: ciklon5
    Tito Puente - The King Of Mambo (2000)

    Tito Puente - The King Of Mambo (2000)
    FLAC (tracks + .cue, log, scans) | 1:29:55 | 428 Mb
    Genre: Mambo, Latin Jazz, Afro-Cuban Jazz

    Tito Puente By virtue of his warm and buoyant stage manner, constant touring, longevity, and appearances in the mass media, Tito Puente became one of the most beloved symbols of Latin jazz. But more than that, he managed to keep his music remarkably fresh over the decades; as a timbales virtuoso, he combined mastery over every rhythmic nuance with old-fashioned showmanship. A trained musician, he was also a fine, lyrical vibraphonist, a gifted arranger, and played piano, congas, bongos, and saxophone. His appeal cut across all ages and ethnic groups, helped no doubt by Santana's best-selling cover versions of "Oye Como Va" and "Para Los Rumberos" in 1970 and 1971, and cameo appearances on The Cosby Show in the 1980s and the film The Mambo Kings in 1992. His brand of classic salsa is generally free of dark undercurrents, radiating a joyous, compulsively danceable party atmosphere. Rooted in Spanish Harlem, of Puerto Rican descent, Puente originally intended to become a dancer, but those ambitions were scotched by a torn ankle tendon suffered in an accident.

    Mark Levine & The Latin Tinge - Hey, It's Me (2000)

    Posted By: Mindsnatcher
    Mark Levine & The Latin Tinge - Hey, It's Me (2000)

    Mark Levine & The Latin Tinge - Hey, It's Me (2000)
    Label: Left Coast Clave | FLAC (image + .cue,log,scans) / MP3-320 kbps | 61:15 | 386 MB / 145 MB | 11 tracks
    Genre: Jazz, Hard Bop

    On this superb release, veteran jazz pianist Mark Levine elegantly synthesizes the complex harmonic structures of hard bop with the vibrant, infectious polyrhythms of Afro-Cuban jazz. Leading his exceptional trio, The Latin Tinge, alongside master percussionist Michael Spiro, Levine reimagines timeless jazz standards and deep cuts with sophisticated arrangements that emphasize rhythmic drive and melodic clarity. The chemistry among the musicians is palpable as they navigate intricate rhythmic shifts and dense percussion patterns while maintaining an open, conversational groove. Levine’s lyrical piano work shines brilliantly, blending classic bebop phrasing with authentic Latin montunos, ensuring every track feels both intellectually stimulating and deeply danceable. This album stands as a definitive testament to Levine's immense skill as both a visionary bandleader and an inventive arranger in the contemporary Latin jazz landscape.

    Airto Moreira - Identity (1975)

    Posted By: Mindsnatcher
    Airto Moreira - Identity (1975)

    Airto Moreira - Identity (1975)
    Label: Arista | FLAC (tracks + .cue, log), MP3-320 kbps | 36:45 | 226 MB, 87 MB | 7 tracks
    Genre: Latin Jazz, World Fusion

    Released in 1975 on Arista Records, Identity stands as a spectacular landmark of progressive Latin jazz and world fusion, masterfully helmed by the legendary Brazilian percussionist Airto Moreira. Co-produced by Airto alongside keyboard pioneer Herbie Hancock, this ambitious studio session brings together an absolutely stellar, high-caliber lineup of musicians, including saxophone giant Wayne Shorter, avant-garde multi-instrumentalist Egberto Gismonti, trombonist Raul De Souza, and Airto's celebrated musical partner and vocalist Flora Purim. The music is a deeply imaginative, kaleidoscopic blend of rich Afro-Brazilian folk traditions, complex jazz-funk grooves, and cutting-edge synthesizer soundscapes provided by Hancock. Throughout the concise seven-track program, the ensemble maneuvers through mesmerizing compositions like the hauntingly beautiful Tales From Home (Lendas), the rhythmically driving Wake Up Song (Baiao Do Acordar / Cafe), and the deeply evocative tribute Flora On My Mind. Airto's brilliant polyrhythmic mastery serves as the heartbeat of the entire album, delivering an essential, highly experimental, and timeless masterpiece that perfectly encapsulates the boundary-pushing spirit of mid-1970s fusion.

    Airto Moreira - Life After That (2003)

    Posted By: Mindsnatcher
    Airto Moreira - Life After That (2003)

    Airto Moreira - Life After That (2003)
    Label: Narada World | FLAC (tracks + .cue, log, scans), MP3-320 kbps | 54:24 | 370 MB, 129 MB | 9 tracks
    Genre: Jazz, Latin Jazz, World Fusion

    Released in 2003 on the Narada World label, Life After That stands as a vibrant, deeply rhythmic masterpiece from the legendary Brazilian percussionist master Airto Moreira. This adventurous album serves as a dazzling sonic exploration that seamlessly bridges contemporary jazz, traditional Afro-Brazilian rhythms, and modern global fusion elements. Surrounded by an exceptional group of guest vocalists and instrumentalists, Airto crafts a rich, hypnotic tapestry of sound where organic, heavy percussion textures find perfect harmony with intricate melodic arrangements. The nine-track journey is exceptionally diverse, offering high-energy rhythmic celebrations like Ritmo Do Mundo, the deeply spiritual and multi-layered Baba And Malonga Went Home, and a breathtakingly raw, expressive Live Solo performance that highlights his unmatched improvisational genius. Throughout the entire fifty-four-minute session, Airto showcases his unique ability to turn complex polyrhythms into profoundly accessible, emotionally evocative stories, resulting in an essential, forward-thinking listening experience for enthusiasts of progressive world fusion and latin jazz.

    Danny Lerman - Meowbaby (2007)

    Posted By: Mocha
    Danny Lerman - Meowbaby (2007)

    Danny Lerman - Meowbaby (2007)
    Label: Sugar Whiskey Records | FLAC (image + .cue, log) | 01:04:08 | 464 MB | 15 tracks
    Genre: Jazz, Smooth Jazz, Contemporary Jazz

    Meowbaby is an exceptionally vibrant and infectious contemporary studio album by the highly accomplished American saxophonist Danny Lerman, released in 2007 under the Sugar Whiskey Records imprint. Known for his expressive phrasing, soaring melodic hooks, and high-energy showmanship, Lerman crafts an engaging musical journey that seamlessly blends urban grooves, Latin-tinged rhythms, and pristine smooth jazz production values. The record features a brilliant lineup of world-class guest musicians, including the soul-stirring vocals of Howard Hewett on a beautiful rendition of Imagine, the virtuosic flute embellishments of Hubert Laws on South Beach Serenata, and the scorching trumpet lines of jazz fusion icon Randy Brecker on Don't GoGo There. Throughout the fifteen distinct tracks, Lerman shifts effortlessly between driving, rhythmic dance grooves and intimate, romantic acoustic ballads. Ultimately, the collection shines as a polished, highly dynamic exhibition of instrumental pop-jazz crossover craftsmanship that appeals equally to serious fusion enthusiasts and mainstream radio listeners.