On Organics, the legendary French jazz pianist, author, and electronic visionary Laurent de Wilde guides his exceptional, high-velocity electro-acoustic quartet into the studio to deliver a towering, historically volcanic, and masterfully panoramic document. Released in 2004 by the specialized European vanguard imprint Nocturne, this monumental milestone stands as a pristine peak in the early-2000s future-jazz movement, seamlessly blurring the physical boundaries between live instrumentation and advanced studio sequencing. Spanning nearly 49 minutes of immaculate high-fidelity spatial design, the 8-track landscape operates with an intense, heavily syncopated, and beautifully volatile kinetic energy. De Wilde acts as a brilliant sonic visionary from his Fender Rhodes station, weaving warm analog keys and real-time electronic programming with explosive drum-and-bass architecture—firing off massive landmarks like the driving, hypnotic opener The Prisoner, the hyper-complex electronic matrix of Spintronix, and a masterfully panoramic, radical deconstruction of George Gershwin's classic closing statement Summertime. Driven by de Wilde's liquid electric piano layouts, Gaël Horellou's soaring saxophone velocity and digital effects, Philippe Bussonnet's thunderous, driving electric basslines, and Yoan Serra's hyper-fluid, mathematical drum patterns, this pristine independent archive remains an indispensable masterpiece for serious jazz-fusion purists and electronic music collectors worldwide.

On Talisman, the legendary French saxophone icon Barney Wilen leads his brilliant quartet through a profoundly elegant, smoky, and masterfully lyrical studio document. Released in 1994 by the premier French jazz imprint Ida Records, this exquisite late-career offering highlights Wilen's absolute mastery of tone and space, shifting fluidly between multiple horns to breathe new life into foundational hard-bop milestones and classic ballads. Spanning nearly 50 minutes of immaculate high-fidelity design, the 11-track landscape operates with an intimate, deeply expressive, and highly interactive kinetic energy. The quartet delivers pristine acoustic geometry across the tracking, firing off crisp, swinging versions of Dizzy Gillespie's Birk's Works and Clifford Brown's Daahoud alongside a gorgeous, haunting reading of Miles Davis's Blue In Green. Driven by Wilen's dark, velvety saxophone lines, Laurent de Wilde's sparkling acoustic piano and celesta textures, and a beautifully locked rhythm pocket, this archive remains an indispensable treasure for serious cool jazz purists and European post-bop collectors worldwide.

This project showcases a union between two artists expressing their infinite love of the piano after years of joint concerts and international collaboration.

After a magnificent tribute to Thelonious Monk with the same partners a few years ago, Laurent de Wilde returns to us in a trio setting with a repertoire that is entirely his own, except for a theme co-composed with his drummer Donald Kontomanou.