Louis Smith had a brilliant debut on this Blue Note album, his first of two before becoming a full-time teacher. The opener (Duke Pearson's "Tribute to Brownie") was a perfect piece for Smith to interpret, since his style was heavily influenced by Clifford Brown (who had died the previous year). He is also in excellent form on four of his basic originals and takes a particularly memorable solo on a haunting rendition of "Stardust." Altoist Cannonball Adderley (who used the pseudonym of "Buckshot La Funke" on this set, a name later used by Branford Marsalis), Duke Jordan or Tommy Flanagan on piano, bassist Doug Watkins, and drummer Art Taylor make for a potent supporting cast, but the focus is mostly on the criminally obscure Louis Smith. After cutting his second Blue Note set and switching to teaching, Smith would not record again as a leader until 1978.

Like his debut, Smithville is another set of thoroughly winning straight-ahead bop from the underappreciated trumpeter Louis Smith. Stylistically, there are no surprises here - this is mainstream bop and hard bop, comprised of original and contemporary bop numbers, as well as standards ("There'll Never Be Another You," "Embraceable You") - but since the music is performed so well, it doesn't matter. There is genuine passion to this music, not only from Smith, but also from pianist Sonny Clark, tenor saxophonist Charlie Rouse, bassist Paul Chambers and drummer Art Taylor. It's a first-rate hard bop set that deserves wider distribution than it has received.