Tags
Language
Tags
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4
https://canv.ai/
The picture is generated by canv.ai

We are excited to announce that Canv.ai now features a built-in translator, allowing you to communicate in your native language. You can write prompts in your language, and they will be automatically translated into English, facilitating communication and the exchange of ideas!

We value freedom of speech and guarantee the absence of censorship on Canv.ai. At the same time, we hope and believe in the high moral standards of our users, which will help maintain a respectful and constructive atmosphere.


👉 Check for yourself!

Manitoba CO, Anne Manson, Michael Riesman - Philip Glass: Symphony No.3 & Suite from 'The Hours' for Piano and Orchestra (2013)

Posted By: Designol
Manitoba CO, Anne Manson, Michael Riesman - Philip Glass: Symphony No.3 & Suite from 'The Hours' for Piano and Orchestra (2013)

Philip Glass: Symphony No.3 & Suite from 'The Hours' for Piano and Orchestra (2013)
Manitoba Chamber Orchestra; Anne Manson, conductor; Michael Riesman, piano

EAC | FLAC | Image (Cue&Log) ~ 226 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
Classical, Minimalism | Label: Orange Mountain Music | # 0086 | Time: 00:49:45

In this recording made at Canada's famous Glenn Gould Studio at the CBC in Toronto, conductor and Philip Glass champion Anne Manson leads pianist Michael Riesman and her own Manitoba Chamber Orchestra in a tour de force performance of Glass's Oscar nominated music from The Hours and a virtuosic performance of Glass's Symphony No.3. Riesman, conductor and pianist on the original soundtrack recording of The Hours, was commissioned in 2002 to create a concert piece based on the score. Glass's third symphony was written in 1995 for the Stuttgart Chamber Orchestra and is one of the composer's most performed and accessible concert works. This recording shows off the Manitoba Chamber Orchestra's versatility, especially in the quick paced second and fourth movements, as well as the ensembles silky interpretation of the many-layered voices of the third movement, all under the precise direction of Manson.