Terra feels like an attempt to move Mariza into the musical mainstream. She's already established herself at the forefront of fado, as one of the leading performers of the emotive Portuguese style, and there's no doubt she possesses a wonderful voice. But the addition of several guests, such as Chucho Valdés, Ivan Lins, and Tito Paris (among others) seems to open up the seams between fado and other genres, including Brazilian music and jazz. It does so relatively subtly, and she keeps her base pretty firmly in fado (witness the glorious "Ja Me Deixou"). Her duet with Paris on "Beijo de Saudade" is a highlight, and the voices play off each other gloriously, hers pure and clear, his gruff and harsh. Ultimately, the question is whether it all works, and it does, because it doesn't try to do too much, just a small re-positioning, although what the future will bring remains to be seen.

On her first album, Fado em Mim, Mariza covered four songs by the late queen of fado, Amália Rodrigues, drawing a specific parallel to her predecessor. On her second album, Fado Curvo, she covers only one, "Primavera," which may suggest that she is starting to put her inspiration behind her. But she remains true to the traditional sound and mood of fado, even if the album title implies that she is giving it her own twist. Producer Carlos Maria Trindade provides spare, acoustic, and rhythmic arrangements, focusing on the Portuguese guitar of Mário Pacheco, but for the most part he stays out of the singer's way, using the accompaniment merely to anchor her expressive vocals.

Transparente is Mariza's "big" album, it seems, the one designed to make her more than just the shining star of the new fado. The music connects the dots between Portugal and Brazil, giving an international quality to it all. Her voice is as crystal clear as ever, and production by Jacques Morelenbaum is wonderfully transparent. Yet there's a sheen to it all that seems intended to rub off any rough edges. You can hear it in the soft strings that cushion "Meu Fado Meu." It just seems to be trying too hard, rather than letting the music unfold. It's apparent, too, in the fact that the songs are all short – the longest barely passes three-and-a-half minutes. Not that it's not a gorgeous album; it enfolds the ears like silk; Mariza herself has never sounded more seductive, and the cello on "Quando Me Sinto So" is as warm and inviting as a lover's kiss.

Concerto em Lisboa is an album released on November 6, 2006 by fado singer Mariza. It was nominated in 2007 for a Latin Grammy in the category of Best Folk Album, becoming the first Portuguese artist to receive a nomination for a Latin Grammy Award. The album was released on both DVD and CD. Recorded in 2005, the concert took place in the gardens in front of Torre de Belém, in the neighborhood of Lisbon. Mariza was accompanied by an orchestra, Sinfonietta de Lisboa, conducted by Jaques Morelenbaum, the producer and arranger of her album, Transparente. The concert was attended by around 25.000 persons. Concerto em Lisboa contains live interpretations of the songs from Transparente, and also from Mariza's first and second albums, re-arranged for orchestra—including "Medo", "Há uma música do Povo", "Meu Fado Meu', "Cavaleiro Monge", "Há Palavras Que Nos Beijam", and "Ó Gente Da Minha Terra".

Though she's undoubtedly resigned to nearly eternal comparisons with Amalia Rodrigues, the master of Portugal's fado, Mariza's debut album finds her breaking out of the mold from the beginning. Newcomers to the fado will quickly become familiar with the style from the plaintive crystal of Mariza's voice and her evocative guitar accompaniment, but her delivery occasionally recalls jazz or the blues. Double bassist Ricardo Cruz and pianist Tiago Machado help carry the effervescent "Poetas," while light percussion adds a note of intrigue on the closer, "Barco Negro."

Fado Tradicional is the fifth studio album by Portuguese fado singer Mariza, released on 29 November 2010 by EMI Music Portugal. It was recorded in the Lisboa Estúdios in Portugal between July and September 2010 and produced by musician Diogo Clemente. Fado Tradicional received positive reviews from music critics, both in Portugal and internationally. Fado Tradicional was a certified platinum record in Portugal on the day of its release, for the sale of more than 20,000 copies.