This recording – the first release of a complete cycle with the Finnish pianist and conductor Olli Mustonen, who plays two of his own cadenzas in Opus 15 – demonstrates the vitality of the piano concerto genre, which Beethoven preferred for various reasons. Synonymous with the composer, the five great individualities lie like continents in the sea of music, out of which they were catapulted, as it were, with volcanic force. But their geology also developed in phases of varying lengths. After Beethoven’s turbulent beginning in Bonn with the little E flat major concerto of 1784, historical developments forced a stylistic reorientation. In place of Johann Christian Bach, Mozart became his model.

UK collection that is comprised of musical selections from Kubrick's central masterpieces, complimented by pieces which the director used as 'temp tracks' during the production and by all accounts with every intention of using these in the film, only to decide to replace them late on. In 2001, the scherzo from Felix Mendelssohn's 'Midsummer Night's Dream' (used for scenes of weightlessness) and Vaughan Williams 'Antarctica Suite' (for the Stargate effects and scenes on the moon) were both used in preview showings of the film before being discarded. While on Eyes Wide Shut, Wagner's 'Lieder I'm Triebhaus' ('In the Greenhouse') from Wesendonck Lieder was a significant theme in the production for more than a year before being replaced. We have also assembled the complete vintage ballroom music from The Shining. The final movement from Berlioz's 'Symphonie Fantastique', with it's epic use of the chant from the Roman Catholic Requiem mass, the 'Dies Irae', and a Sibelius piece, 'Valse Triste'. Both were important to the evolution of the film. Finally, as a young man, Stanley Kubrick fell in love with Sergi Prokofiev's score for the Sergei Eisenstein's first sound film, Alexander Nevsky. He played it to death, and it would inspire him later in his own use of dramatic music. From the scintillating recording by Fritz Reiner with the Chicago SO, we include the movement, 'Battle On the Ice'.

A 3 CD set collecting highlights from the band's entire career. Progressive rock's first supergroup, Emerson Lake & Palmer fused together rock and classical music like no-one before. This 3CD set collects highlights from their entire career. ELP were no strangers to extended instrumental suites and longer running times. 'Take A Pebble' from their debut album ran for twelve and a half minutes, whilst the follow-up, 'Tarkus', featured a twenty-minute title track. Piano and keyboard workouts by Keith Emerson, often adapted from the classical realm, dazzle on these longer pieces. Their UK #2 hit single 'Fanfare For The Common Man' was inspired by an Aaron Copland work. Bassist Greg Lake would contribute shorter tracks, often ballads, that would become known via radio play: US hit 'Lucky Man', 'From The Beginning' and a single that is familiar to all, 'I Believe In Father Christmas'.
All are featured on 'Emerson Lake & Palmer - The Ultimate Collection'.

Beth Hart emerged in the 2010s as a formidable singer and songwriter on the contemporary blues scene. Her rise to stardom was a long time coming. Hart first made inroads as a contestant on Star Search in 1993 and had a brief period where she was pushed as a possible adult alternative act, landing a slot on the 1996 Lollapalooza tour. A series of bad business breaks and personal troubles kept her on the margins throughout the 2000s, but in 2011, she teamed up with blues guitar hero Joe Bonamassa for Don't Explain and the collaboration rejuvenated her career.

Standard two-disc pressing. This 39-track pressing features all of their A-Sides and best of their B-Sides as selected by the band. 'A Rough Outline' is a collection of singles and B-sides from one of Britpop's finest bands, The Bluetones. Combining the baggy beats of the Stone Roses with the clued-up jangle pop of the Smiths, the band enjoyed great success in the mid-to-late 90's with a string of memorable singles, all of which are included here along with the best of their B-sides. Includes the singles 'Slight Return' and 'Marblehead Johnson'. 39 tracks in all.

♪ Foi em 1985 que o sucesso da música Fricote (Luiz Caldas e Paulinho Camafeu, 1985), gravada por Luiz Caldas, detonou a explosão nacional de um afro-pop-baiano – gênero que seria rotulado como axé music ainda na segunda metade dos anos 1980 – em movimento que, além de Caldas, projetou para além das fronteiras de Salvador (BA) nomes como Margareth Menezes, Sarajane e Gerônimo Santana, autor e intérprete de Eu sou negão (Macuxi muita onda), música de 1987 que expôs o orgulho negro da Bahia preta de som mixado com ritmos caribenhos e africanos.

Collection includes the first three studio albums of American alternative metal band Deftones: Adrenaline (1995); Around the Fur (1997); White Pony (2000).

A Christmas Celebration of Hope is the thirty ninth studio album by American blues guitarist and singer-songwriter B.B. King released in November 2001 through MCA Records. It is a holiday album. The album earned King two Grammy Awards at the 45th Grammy Awards (2003): he, Anthony Daigle and John Holbrook were presented the award for Best Traditional Blues Album and the track "Auld Lang Syne" earned King the award for Best Pop Instrumental Performance.

Despite what some outside the scene may think, Doom covers a wide range of sounds and speeds. From the punk tinged angry bark of Saint Vitus, all the way to the near operatic storytelling of Candlemass, there is a wide spectrum. Chile’s own Capilla Ardiente, (Burning Chapel in English, just to annoy those full of religion and lacking in humour), fall solidly at the Candlemass end of that scale, not changing their style to follow fashion on this, their third album, ‘Where Gods Live And Men Die.’
For those who want to bang their heads and pump their fists into the air in a display of metal that is a marathon rather than a sprint, Capilla Ardiente have you covered. Whilst there is no urgency in any of the tracks, there is a crushing inexorability in the delivery of ‘Where Gods Live And Men Die’…

Eight centuries of Christmas music from France, Spain, and the New World. Under Joel Cohen’s vibrant direction, this generous and varied anthology, occupying three entire CD's and containing three hours of music, presents some of The Boston Camerata's most beloved and successful Christmas recordings, originally produced between 1986 and 1999, to a new generation of music lovers.

A well-rounded pianist, John Hicks' music on this set ranges from swing (Billy Strayhorn's tender "Star-Crossed Lovers" and "That Ole Devil Called Love") to Walter Davis' hard bop classic "Gypsy Folk Tales" and Hicks' intense "For John Chapman." This album has four trio numbers with vibraphonist Bobby Hutcherson and bassist Walter Booker, a trio of unaccompanied piano solos, and a piano duet version of the leader's "After the Morning" which teams Hicks with his wife Olympia.

Another gem from the creative Beegie Adair and her trio. This time, she is accompanied by Jeff Steinberg and his orchestra. A loving tribute to Tony Bennett and his illustrious career. As usual, Beegie includes one selection on the album where she plays solo piano and she picked 'I Left My Heart In San Francisco'. A beautiful rendition. This is a great album tinged with jazz overtones without losing the melodic memories of Tony's original sound. The orchestra is perfectly balanced and adds just the right touch while still allowing the familiar Beegie Adair Trio sound to shine through. If you are new to Beegie's music, this album will make you a convert to her impeccable sound and those like myself, have added it as another gem to her large catalog of great music.

Featuring 45 minutes of material that’s previously completely unreleased, this box set contains everything Finnforest recorded in the studio. It has the three rare studio albums originally released on Love Records in 1975, 1976 and 1979, plus all non-album tracks from singles and compilations. But we didn’t stop there: we dug through the band’s archives of tape reels and found some completely unreleased music. These sessions are compiled on the fifth album: first is the band’s debut studio session from 1973 and the flipside has four songs the band managed to finish during studio sessions for a planned fourth album in 1980 before splitting up.
Finnforest were formed in the mid-70's by Finnish brothers Pekka (guitar, bass) and Jussi Tegelman (drums) with synthesizer and keyboard player Jukka Rissanen. Mostly influenced by the Mahavishnu Orchestra…

"Regeneration Mode" is an album by the duo Chuck van Zyl and Peter D. Gulch (both known from the project The Nightcrawlers) filled with vintage, but most of all adventurous and future electronic music. It’s cosmic music pur sang, now and then briefly tapping in the heritage of the Berliner School style of the early '70’s while taking the listener out on a 60-minute atmospheric trip through the vast unknown. The highly cinematic outcome though is less traditional. A deep sense of mystery already announces itself on the strong, almost 30-minute album opener "Sector Zero Zero One". It’s a beautifully moulded sonic sci-fi story through dense soundscapes with quite some turns and twists along the ride.
The album continues with four shorter pieces that keep immersing in darkening, dense atmospheric moods…

Kim Simmonds' outlet for his electric blues-rock remains the on-again off-again Savoy Brown. Therefore he uses his solo albums, of which this is the third, to elaborate on the acoustic Delta blues generally ignored by his full-time outfit. Unlike Eric Clapton, who has consistently returned to this unplugged music throughout his career, Simmonds seems driven to explore his acoustic blues roots only since 1997. Simmonds uses this outlet to play predominantly self-penned material, with a few obscure covers thrown in. Accompanied by subtle piano, bass, and drums, the guitarist/vocalist commands center stage with his dusky yet emotional, talk-sung vocals, somewhat like J.J. Cale. Simmonds' guitar work is consistently classy, substituting the flash and boogie impulses of his extensive work as leader of Savoy Brown with a more thoughtful, measured playing that perfectly fits these terrific folk-blues tunes.