Singing is a deeply moving, incredibly soulful gospel-crossover studio album by the vocal ensemble Harlem Voices, released in 1996 by the prominent German compilation and reissue label Polystar. Spanning exactly one hour across 14 beautifully arranged tracks, this high-fidelity archive showcases a brilliant musical concept, transforming massive global pop, rock, and R&B radio blockbusters of the mid-1990s into powerful, uplifting choral experiences. Anchored by immense vocal harmonies, rich solo leads, and a warm, rhythmic acoustic and electronic backbeat, the group infuses secular chart-toppers with the deep emotional resonance, hand-clapping energy, and spiritual power of traditional gospel and classic soul. Listeners are treated to magnificent, reworked vocal interpretations of monumental contemporary ballads like Take That's Back For Good, Wet Wet Wet's Love Is All Around, and Eric Clapton's Tears in Heaven, right next to driving pop-soul revisions of Chaka Khan's Ain't Nobody, Ace Of Base's All That She Wants, and iconic anthems for unity such as Michael Jackson's Heal The World and Elton John's Circle Of Life. Exceptionally engineered with stunning stereo depth and natural dynamic range, this pristine lossless archive stands as a unique, highly collectable easy-listening treasure for global aficionados of soul vocal groups, vocal pop, and passionate gospel reinventions.

Aktuelle Hits im modernen Streichersound Vol. 2 is an incredibly lush, beautifully arranged classical crossover studio album by the acclaimed White String Orchestra, released in 1996 by the renowned German compilation imprint Polystar. Translating to "Current Hits in a Modern String Sound," this magnificent 16-track installment transforms the biggest radio blockbusters and cinematic themes of the mid-1990s into sweeping, sophisticated orchestral masterpieces. Relying on stunning violin leads, deep cello foundations, and sleek contemporary rhythm programming, the ensemble creates a perfectly balanced easy-listening experience that bridges classical elegance with driving pop appeal. Listeners are treated to spectacular symphonic interpretations of massive international chart-toppers like the Fugees' Killing Me Softly, the Spice Girls' Wannabe, Celine Dion's Because You Loved Me, and Michael Jackson's Stranger In Moscow. The selection also weaves in dramatic cinematic textures with the iconic Theme From Mission: Impossible alongside soaring timeless ballads from Whitney Houston and Bryan Adams. Pristinely engineered with rich analog warmth, this high-fidelity archive stands as a quintessential treasure for global collectors of instrumental pop, orchestral covers, and soothing background arrangements.

Traumhafte Balladen im modernen Streichersound Vol.3 is an incredibly lush, beautifully orchestrated instrumental studio album by the acclaimed White String Orchestra, released in 1997 by the renowned German compilation label Polystar. Translating to "Dreamy Ballads in a Modern String Sound," this magnificent 18-track collection delivers a masterful blueprint in classical crossover, taking the biggest contemporary pop, rock, and R&B radio blockbusters of the mid-1990s and wrapping them in sweeping, elegant symphonic textures. Driven by stunning violin counterpoints, rich cello beds, and sleek modern studio percussion, the ensemble creates a deeply relaxing and cinematic sonic sanctuary. Listeners are treated to gorgeous instrumental interpretations of soaring chart-toppers like R. Kelly's I Believe I Can Fly, No Doubt's Don't Speak, and Toni Braxton's Un-Break My Heart, alongside monumental rock and pop anthems such as Queen's Who Wants To Live Forever, Bon Jovi's Bed Of Roses, and Led Zeppelin's immortal Stairway To Heaven. Impeccably engineered with rich analog depth, this pristine high-fidelity archive stands as a quintessential easy-listening treasure for global collectors of symphonic pop, orchestral covers, and soothing instrumental history.

Wave Of Emotion is a fiercely energetic, texturally rich, and highly innovative studio album by the multi-talented guitar virtuoso and singer-songwriter Richie Kotzen, released in 1996 exclusively in Japan via Polystar Records. Serving as a crucial bridge in his mid-nineties discography, the album perfectly captures Kotzen expanding his musical horizons by fusing gritty, soulful blues-rock with intricate jazz-fusion stylings and heavy funk syncopation. Renowned for his incendiary legato and finger-picking techniques, Kotzen dials back the purely neoclassical speed of his early Shrapnel years to deliver compositions focused on tight rhythmic hooks, raw emotional weight, and muscular vocal work reminiscent of classic soul-rock belters. From the explosive opening charge of World Affair and the blistering, technically demanding title track, to the atmospheric, multi-layered fusion exploration of the instrumental centerpiece Strobe, the album radiates with staggering musicianship. It stands as a high-caliber cult classic for guitar enthusiasts, highlighting Kotzen’s rare transition from a standard shredder into a fully-realized, genre-defying musical force.

Kontor - Top Of The Clubs Volume 3 is a high-energy compilation that captures the essence of late 90s club culture, featuring a powerful selection of progressive house, trance, and house tracks. Released in 1999, this two-disc set brings together some of the most influential producers and remixes of the era, showcasing the evolving sound of European dance music. The compilation delivers a continuous flow of uplifting melodies, driving beats, and iconic anthems that defined the club scene at the time. Artists like ATB, Paul van Dyk, and Push contribute standout tracks that highlight the melodic and emotional depth of trance music, while house tracks on the second disc provide groove-oriented rhythms and vocal-driven energy. The carefully curated tracklist ensures a dynamic listening experience, transitioning smoothly between euphoric highs and deeper, more rhythmic cuts. Overall, this release serves as both a snapshot of a pivotal moment in electronic music history and a timeless collection for fans of club and dance genres.

Tokyo Shadow is a dark and atmospheric solo work by Toshinori Kondo, released in 1995, blending elements of jazz, funk, and cinematic soundtrack composition into a moody and immersive listening experience. Built around Kondo’s electric trumpet, programming, and vocal textures, the album explores urban themes through layered electronic soundscapes and minimalist structures. Short, episodic tracks like “Shock,” “Omen,” and “Collapse” contribute to a fragmented, film-like narrative, while longer pieces such as “Tokyo Shadow,” “Hundred Ghost Night,” and “Long Time No See” develop deeper moods and evolving sonic textures. The music often shifts between ambient passages, rhythmic grooves, and experimental noise elements, reflecting a noir-like vision of a futuristic city. With its blend of improvisation and electronic production, Tokyo Shadow stands as a distinctive entry in Kondo’s discography, highlighting his ability to merge jazz expression with cinematic and electronic sensibilities.

Tokyo Shadow is a dark and atmospheric solo work by Toshinori Kondo, released in 1995, blending elements of jazz, funk, and cinematic soundtrack composition into a moody and immersive listening experience. Built around Kondo’s electric trumpet, programming, and vocal textures, the album explores urban themes through layered electronic soundscapes and minimalist structures. Short, episodic tracks like “Shock,” “Omen,” and “Collapse” contribute to a fragmented, film-like narrative, while longer pieces such as “Tokyo Shadow,” “Hundred Ghost Night,” and “Long Time No See” develop deeper moods and evolving sonic textures. The music often shifts between ambient passages, rhythmic grooves, and experimental noise elements, reflecting a noir-like vision of a futuristic city. With its blend of improvisation and electronic production, Tokyo Shadow stands as a distinctive entry in Kondo’s discography, highlighting his ability to merge jazz expression with cinematic and electronic sensibilities.