WOW Hits 2019 Deluxe is the definitive, two-CD collection showcasing the absolute biggest anthems and radio blockbusters in modern faith-based music. Released by Capitol Christian Music Group in 2018, this expansive 39-track collection beautifully captures the diverse sonic landscape of contemporary Christian music. Disc One focuses heavily on massive, vertical corporate worship movements and adult contemporary staples from heavyweights like MercyMe, Hillsong Worship, Chris Tomlin, and Casting Crowns. Disc Two highlights the genre's vibrant genre crossovers, packing a punch with high-energy Christian pop, hip-hop, and rock radio hits from artists like TobyMac, for KING & COUNTRY, Tauren Wells, and Skillet. Uplifting, deeply melodic, and masterfully produced, this collection serves as a powerful, inspiring time capsule of faith-driven music's finest moment.

Bonnie Tyler, the first lady of Welsh rock, has worked with everyone from Jim Steinman to Meat Loaf via Todd Rundgren and Shakin’ Stevens. But this is all her own work—20 throaty tracks from the 1970s and 1980s that made her name and still sound magnificent today! The Very Best Of Bonnie Tyler is a 2003 UK compilation that brings together her classic early tracks including the massive hit singles "It's a Heartache", "Lost in France", and "More Than a Lover", alongside powerhouse covers of classic soul and rock standards that perfectly showcase her signature gravelly, emotive vocal style.

Originally captured live during their monumental 1976 European summer tour and brilliantly preserved in this compact disc reissue by Wounded Bird Records, Live On Tour In Europe documents the blazing, short-lived alliance between drum virtuoso Billy Cobham and keyboard wizard George Duke. Backed by a phenomenal rhythm and lead section featuring a young John Scofield on electric guitar and Alphonso Johnson on electric bass, the powerhouse collective delivers an exhilarating masterclass in high-energy jazz fusion, progressive funk, and urban soul. The performance seamlessly shifts from intricate, lightning-fast instrumental exchanges to playful, vocal-driven jams, showcasing the distinct musical personalities of its co-leaders. Cobham's thunderous, polyrhythmic drum foundations and experimental drum synthesizers anchor the set, while Duke's soaring synthesizer solos and charismatic vocal delivery inject an infectious sense of showmanship and groove. Balancing technical brilliance with pure, unadulterated fun, this legendary recording stands as a definitive artifact of the seventies jazz-rock explosion at its most creative and dynamic.

Montreux '77 is an extraordinarily powerful live document that captures the legendary Count Basie Big Band firing on all cylinders at the peak of their late-career prowess. Recorded live at the Montreux Jazz Festival in Switzerland on July 15, 1977, and subsequently reissued on compact disc by Pablo and Original Jazz Classics, this album stands as a definitive testament to the enduring energy of swing. Basie leads his powerhouse ensemble from the piano bench with his signature minimalist, impeccably timed chords, anchoring a rhythm section that features the legendary Freddie Green on acoustic rhythm guitar, John Duke on bass, and the explosive Butch Miles on drums. The horn sections deliver razor-sharp precision and thunderous dynamics on iconic arrangements like Splanky, Li'l Darlin', and a blistering rendition of Jumpin' at the Woodside. Brimming with exceptional solos from jazz stalwarts like saxophonist Jimmy Forrest and trombonist Al Grey, the entire performance radiates an infectious, hard-driving groove and absolute joyous showmanship that completely captivates the festival audience.

This phenomenal 2010 retrospective collection captures the absolute definitive finest moments of Incognito, the gold-standard collective of the global acid jazz and soul-funk movement. Masterminded by guitarist and visionary producer Jean-Paul "Bluey" Maunick, this compilation charts their glorious commercial and creative peak throughout the 1990s and beyond. The tracklist is an unstoppable parade of dancefloor anthems and smooth, late-night grooves, highlighted by their explosive, career-defining signature hits "Always There" (featuring Jocelyn Brown) and a joyous, percussion-heavy cover of Stevie Wonder's "Don't You Worry 'Bout A Thing." Driven by a massive, impeccably tight horn section, propulsive slap-bass lines, and the unmatched vocal brilliance of Maysa Leak, Tony Momrelle, and Imaani, the music radiates unmatched sunshine warmth and rhythmic sophistication. It stands as an essential high-fidelity celebration of a legendary ensemble that seamlessly synthesized classic 1970s jazz-funk with modern urban soul and house music.

On this spectacular, Grammy-winning masterwork, the legendary "Sun of Latin Music" Eddie Palmieri returns with an extraordinarily vibrant, high-energy session that stands as a definitive pinnacle of modern Afro-Cuban jazz. Leading an elite, star-studded collective of jazz and Latin giants, Palmieri bridges the gap between raw street percussion and sophisticated post-bop harmonic explorations. The album's stellar tracklist features brilliant, polyrhythmic reinventions of absolute jazz masterpieces by Thelonious Monk, Horace Silver, and Chano Pozo, alongside deeply infectious Palmieri originals. Propelled by a colossal, driving rhythm block and a razor-sharp, blistering horn section, Palmieri directs from the keyboard with his signature percussive montunos, fierce chord clusters, and unmatched dramatic pacing. It is a thrilling, masterfully engineered celebration of syncopation and cross-cultural dialogue that crackles with visceral warmth and unrelenting creative power.

On this monumental 1996 studio masterpiece, legendary pianist and Latin jazz pioneer Eddie Palmieri unleashes a breathtakingly intense and rhythmically complex storm of Afro-Cuban jazz fusion. True to its title, Vortex pulls the listener into a swirling, high-energy musical current where dense, aggressive modal post-bop effortlessly fuses with explosive, dancefloor-ready salsa grooves. Palmieri leads an absolute dream team of cross-genre giants, featuring a fierce, razor-sharp front line of saxophonist Donald Harrison, trumpeter Brian Lynch, and trombonist Conrad Herwig. The engine of this record is its massive, world-class percussion section, which creates a polyrhythmic wall of sound that lets Palmieri unleash his signature, fiercely percussive piano montunos and avant-garde solo blocks. From sweeping ten-minute epics and brilliant Afro-Caribbean deconstructions of classic Beethoven themes to blistering hard-bop workouts, this session stands as an essential, high-fidelity monument to Palmieri's genius as an elite modern innovator.

This explosive archival release captures two of the most dominant and iconic tenor saxophone "battlers" in jazz history sharing the stage for an absolute masterclass in high-octane swing. Illinois Jacquet and Flip Phillips, both legendary alumni of Jazz at the Philharmonic (JATP), square off in a high-energy, late-night concert atmosphere that radiates sheer musical adrenaline. Famous for their robust, muscular tones and thrilling altissimo flights, the co-leaders push each other to spectacular heights across four massive, extended tracks. Supported by a driving rhythm section that locks into a relentless, deep pocket, Jacquet and Phillips trade fierce, swinging choruses, deconstruct classic standards like "Perdido," and unleash blistering blues lines. It is a stunning historical document that perfectly preserves the raw, celebratory, and fiercely competitive spirit of the classic mid-century jazz jam session.

On this electrifying studio release, virtuoso bassist and Weather Report alumnus Victor Bailey delivers a stellar masterclass in high-energy jazz-rock and urban funk fusion. Leading a true powerhouse ensemble of elite fusion heavyweights, Bailey showcases his spectacular slapping technique, lightning-fast linear soloing, and profound melodic sensibilities as a composer. The rhythm section reaches an absolute peak of intensity with powerhouse drummers Omar Hakim and Lenny White alternating behind the kit, locking perfectly into Bailey's deep, propulsive electric bass grooves. The front line is equally formidable, featuring blistering horn work from saxophonists Bill Evans and Bennie Maupin alongside the sophisticated textures of keyboardist Jim Beard and guitarist Dean Brown. From incendiary funk-inspired medleys to dense acoustic-electric post-bop workouts and adventurous classical deconstructions, the entire session crackles with an infectious, hard-driving energy that firmly establishes Bailey's genius as an elite modern bandleader.

This phenomenal double-disc archival live release captures the legendary fusion pioneer and powerhouse drummer Billy Cobham leading a blistering, high-octane quartet through an expansive performance at the famous Compass Point studios. Backed by an extraordinary, versatile lineup featuring keyboard virtuoso Gary Husband, inventive guitarist Carl Orr, and rock-solid electric bassist Stefan Rademacher, Cobham delivers an absolute masterclass in polyrhythmic drive and dynamic control. The tracklist features sweeping, extended versions of both newer compositions and timeless fusion anthems, reaching an explosive pinnacle on the monumental medley of his classic signature tracks, Crosswinds and Stratus. Every band member operates at a peak level of technical facility, engaging in dense, rhythmically intricate dialogues and scorching individual solos over deep, funk-infused grooves. It stands as an incredible, beautifully preserved document of Cobham's enduring power, compositional genius, and unmatched influence on the entire jazz-rock landscape.

On this phenomenal 1988 session for Silkheart Records, visionary trumpeter and composer Dennis Gonzalez assembles a powerhouse regional avant-garde cooperative dubbed the New Dallasorleanssippi ensemble. Bringing together exceptional creative forces from Texas, New Orleans, and Chicago, the expanded lineup features a dense, rare instrumentation containing a two-trumpet, two-saxophone front line anchored by a phenomenal dual-bass and dual-drum engine. Gonzalez’s brilliant compositions utilize deeply expressive, folk-like themes as structural launching pads for sweeping, episodic group improvisations. Saxophone titans Charles Brackeen and Edward "Kidd" Jordan deliver stunningly raw, passionate solo flights, while legendary Art Ensemble of Chicago bassist Malachi Favors constructs a foundational harmonic bed alongside Henry Franklin. Ranging from expansive, avant-garde multi-movement suites to driving rhythm-and-blues structures laced with loose zydeco grooves, this masterpiece exudes a deeply spiritual, raw energy and singular historic warmth.

On Use What You Got, the powerhouse American blues vocalist Janiva Magness delivers a raw, deeply soulful, and masterfully commanding studio document. Released in 2003 by the specialized roots imprint Blues Leaf Records, this breakout record solidifies Magness as a premier voice of the modern electric blues scene, effortlessly combining grit, honey, and unmatched emotional vulnerability. Spanning over 51 minutes of immaculate high-fidelity spatial design, the 13-track landscape operates with an electric, deeply grooving, and brilliantly passionate kinetic energy. Backed by a razor-sharp West Coast ensemble, the album rolls fluidly through hard-hitting shuffles, blistering up-tempo R&B workouts, and smoky late-night torch songs—firing off magnificent highlights like the title track Use What You Got, a driving cover of Ike Turner's All Night Worker, and an emotionally devastating take on Charlie Rich's Who Will The Next Fool Be. Driven by her unmistakable, smoky vocal delivery, Zach Zunis's biting guitar licks, and a punchy, double-sax-fueled horn section, this pristine archive remains an indispensable treasure for serious blues purists and roots music collectors worldwide.

On It's Real, the legendary American soul titan and vocal powerhouse James Ingram delivers an explosive, multi-faceted, and masterfully polished studio document. Released in 1989 by Warner Bros. Records, this spectacular album finds Ingram fluidly pivoting into the contemporary urban landscape, effortlessly balancing his iconic romantic balladeering with the hard-hitting, danceable syncopations of the late-80s New Jack Swing movement. Spanning over 51 minutes of immaculate high-fidelity engineering, the 11-track landscape operates with an electric, richly layered, and beautifully expressive kinetic energy. Backed by top-tier hitmakers like Teddy Riley and Thom Bell, the album fires off stunning up-tempo classics like the Title Track and I Wanna Come Back, while remaining grounded in world-class adult contemporary soul—highlighted by his chart-topping, Grammy-nominated signature ballad I Don't Have The Heart and a soaring cover of Donny Hathaway's Someday We'll All Be Free. Driven by his unmistakable, velvety baritone-tenor range and crisp digital synth-bass loops, this pristine archive remains an indispensable treasure for serious R&B purists and quiet storm collectors worldwide.

On The Mosaic Project, the masterful American jazz drummer, composer, and producer Terri Lyne Carrington assembles an absolute league of extraordinary female musical visionaries to deliver a profound, multi-textured, and historically brilliant masterclass. Released in 2011 by Concord Jazz, this monumental Grammy-winning studio document stands as a towering celebration of female creative kinship, seamlessly stitching together intricate modern post-bop architectures, soulful crossover rhythms, and deep vocal jazz poetry. Spanning nearly 72 minutes of immaculate high-fidelity audio design, the 14-track landscape operates with an expansive, brilliantly interactive, and sharp kinetic energy. The tracklist maps a stunning sonic journey, firing off heavy-grooving transformations of Nona Hendryx's Transformation, an elegant trio update of Geri Allen's Unconditional Love, and a breathtaking fleet of vocal masterworks featuring jazz royalty like Cassandra Wilson, Dianne Reeves, and Dee Dee Bridgewater alongside the brilliant bass work of Esperanza Spalding. Driven by Carrington's crisp, commanding drum pockets, lush horn lines, and sophisticated piano arrangements, this pristine archive remains an indispensable, forward-thinking monument for contemporary jazz purists and serious collectors worldwide.

On Undone, the outstanding East Coast outfit Fools Faith bursts onto the independent music scene with a spectacular, raw, and deeply energetic debut statement. Released in 2007 by PeaceDogLLC, this initial studio document perfectly encapsulates the band's signature fusion of crunching, guitar-driven heavy metal power and soaring, melodic hard rock hooks. Built around the fierce, multi-octave vocal phrasing of frontman Joey Dia and backed by aggressive, razor-sharp rhythm textures, the album delivers an impressive amount of sonic diversity. The tracklist flows fluidly through heavy, chugging riffs and dynamic, late-night rock tapestries, featuring standalone power tracks like All Or Nothing, the intricate melodies of Somebody's Someone, and a remarkably heavy, deeply atmospheric reinvented interpretation of Pink Floyd's classic anthem Hey You. Driven by a crisp, punchy analog feel and shifting expertly from aggressive metal hooks to intense, emotionally vulnerable progressive breakdowns, this title track masterpiece remains an essential cornerstone for underground American melodic rock and metal purists alike.