A whole sociological study could probably be based around Saigon Rock & Soul, a double-album compilation of killer Vietnamese pop/rock tracks from the late ‘60s to mid-‘70s, but that will be left to more academically minded types in order to focus on the music at hand. The tunes included here were surely the product of Western music's influence, as American soldiers brought the sounds of U.S. rock, pop, and soul along with them over the course of the Vietnam War. By the late ‘60s, a whole subgenre of than nac ("modern music") had emerged, as hordes of young Vietnamese musicians absorbed and emulated the music that arrived from overseas. Besides local clubs, many of the artists featured here performed – and often recorded – at U.S. army bases, where the soldiers made up a major portion of their fan base.

Chad & Jeremy - The Ark (1968) {Columbia–Sony Music Japan, MHCP-979 rel 2006, Cardboard Sleeve}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 332 Mb | MP3 @320 -> 126 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1968, 2006 Columbia / Sony Music Japan | MHCP-979
Rock / Pop / Psychedelic / Baroque Pop / British Invasion

While The Ark contained nothing quite as elaborate as "The Progress Suite" that had taken up one whole side of Of Cabbages and Kings, it was another psychedelic mishmash of styles – Indian one minute, musichall the next – of a kind so many popular performers had been indulging in at the time in hopes of making the next Sgt. Pepper. The difference was that most of Chad & Jeremy's peers had gotten it out of their systems the year before. But C&J were upper-class types who took naturally to the pretensions of the form – they thought they were making Art. Their listeners thought differently: The Ark missed the charts, and Chad & Jeremy broke up.