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Ian Bostridge, Jennifer France, James Atkinson, Wonsick Oh, Aron Goldin - Homelands (2023)

Posted By: ciklon5
Ian Bostridge, Jennifer France, James Atkinson, Wonsick Oh, Aron Goldin - Homelands (2023)

Ian Bostridge, Jennifer France, James Atkinson, Wonsick Oh, Aron Goldin - Homelands (2023)
FLAC (tracks), Lossless | 1:12:12 | 242 Mb
Genre: Classical / Label: RUBICON

‘Homelands’ is a powerful album of classical art song about exile, featuring Ian Bostridge, Jennifer France, James Atkinson, Wonsick Oh, and pianist Aron Goldin, who curated the project.

Sonya Bach - Mussorgsky (2023)

Posted By: ciklon5
Sonya Bach - Mussorgsky (2023)

Sonya Bach - Mussorgsky (2023)
FLAC (tracks), Lossless / MP3 320 kbps | 69:26 | 161 / 223 Mb
Genre: Classical / Label: RUBICON

Sonya Bach’s fourth album for Rubicon is an all Mussorgsky programme. The famous Pictures at an Exibition and Night on the Bald Mountain bookend rarer repertoire such as the two Pictures from Crimea, Duma, and Méditation. Sonya Bach studied with two of the twentieth century’s great pianists – Alicia de Larrocha and Lazar Berman.

Chorus of the BBC National Orchestra of Wales, BBC National Orchestra of Wales - Arwel Hughes: Oratorio Dewi Sant (2023)

Posted By: ciklon5
Chorus of the BBC National Orchestra of Wales, BBC National Orchestra of Wales - Arwel Hughes: Oratorio Dewi Sant (2023)

Chorus of the BBC National Orchestra of Wales, BBC National Orchestra of Wales - Arwel Hughes: Oratorio Dewi Sant (2023)
FLAC (tracks), Lossless / MP3 320 kbps | 1:13:43 | 290 / 168 Mb
Genre: Classical / Label: RUBICON

Arwel Hughes (1909-1988) was the tenth son of a Welsh coal miner, and his progress through life was a remarkable one.  Along the way, he studied composition at the Royal College of Music, where his tutors were Gordon Jacob, Gustav Holst and, importantly, Vaughan Williams.During WWII, he worked for the BBC, becoming Head of Music for BBC Wales. He actively encouraged and supported the music of his Welsh contemporaries who included Daniel Jones, Grace Williams, Alun Hoddinott and William Mathias.

Jocelyn Freeman, Gemma Summerfield, Abi Hyde-Smith, Gareth Brynmor John - The Poet's Echo (2023)

Posted By: ciklon5
Jocelyn Freeman, Gemma Summerfield, Abi Hyde-Smith, Gareth Brynmor John - The Poet's Echo (2023)

Jocelyn Freeman, Gemma Summerfield, Abi Hyde-Smith, Gareth Brynmor John - The Poet's Echo (2023)
FLAC (tracks), Lossless / MP3 320 kbps | 1:05:27 | 250 / 150 Mb
Genre: Classical / Label:RUBICON

This project was initially inspired by the prophetic nature of Shostakovich’s ‘Four Pushkin Romances Op 46’, which Gareth Brynmor John introduced me to in 2019. Not only was I struck by the profundity of how the poetry echoed messages of censorship and exile forward through time; but also by similarities to the cello sonata from two year prior, particularly the composer’s approach to rhythmic features, texture and tessitura. These two works are partnered on our disc by Prokofiev’s ‘Three Pushkin Romances’ which also lyrically reference Pushkin’s exile; and Britten’s ‘The Poet’s Echo’, premiered by soprano Galina Visnevskaya and cellist and pianist Mstislav Rostropovich, a dedicatee of a several cello works by the aforementioned composers.

Esther Birringer - Esther Birringer: Debussy (2022)

Posted By: ciklon5
Esther Birringer - Esther Birringer: Debussy (2022)

Esther Birringer - Esther Birringer: Debussy (2022)
FLAC (tracks), Lossless | 1:04:03 | 182 Mb
Genre: Classical / Label: Rubicon

For her second solo recital album for Rubicon, Esther Birringer turns to Debussy with a recital that includes both books of his Images.  Composed in 1901-5 (book 1) and 1907 (book 2), the composer was very pleased with Images, writing about the first set: “Without false pride, I feel that these three pieces hold together well, and that they will find their place in the literature of the piano… to the left of Schumann, or to the right of Chopin.”Esther Birringer began playing piano aged three and made her debut as soloist with an orchestra aged just six. A meteoric career has followed both in Europe and around the world, where Esther both performs and teaches, as well as promoting young talent.

Bjarte Eike, Barokksolistene - The Playhouse Sessions (2022)

Posted By: ciklon5
Bjarte Eike, Barokksolistene - The Playhouse Sessions (2022)

Bjarte Eike, Barokksolistene - The Playhouse Sessions (2022)
FLAC (tracks), Lossless | 66:50 | 313 Mb
Genre: Classical / Label: RUBICON

"There are some things you just can’t fake. The chemistry of a group is one of those – the sparks of musical energy that fly when certain artists collide. Bjarte Eike’s Barokksolistene is an alchemical miracle of an ensemble… pure musical gold", wrote Gramophone for the album entitled "The Alehouse Sessions".

Dudok Quartet Amsterdam & Lilli Maijala - Brahms: The String Quartets & String Quintet No. 2 (2021)

Posted By: ciklon5
Dudok Quartet Amsterdam & Lilli Maijala - Brahms: The String Quartets & String Quintet No. 2 (2021)

Dudok Quartet Amsterdam & Lilli Maijala - Brahms: The String Quartets & String Quintet No. 2 (2021)
FLAC tracks | 02:09:02 | 550 Mb
Genre: Classical / Label: RUBICON

The Dudok Quartet Amsterdam is forging a reputation as one of the most creative and versatile quartets of its generation. The Guardian commented on their "lithe, lively sound and alert sense of structure and detail". This recording, their first for Rubicon, of the Brahms Quartets and the second of the String Quintets for which they are joined by Finnish violist Lilli Maijala, will be eagerly awaited by their growing band of followers and chamber music fans generally. The quartet play with unwound gut strings and a set of bespoke classical bows.

Sonya Bach - Rachmaninov (2021)

Posted By: ciklon5
Sonya Bach - Rachmaninov (2021)

Sonya Bach - Rachmaninov (2021)
FLAC tracks | 68:09 | 200 Mb
Genre: Classical / Label: RUBICON

Rachmaninov’s Second Piano Sonata was extensively revised by the composer in 1931, and the revised version is tighter and thinner in texture (the Fourth Piano Concerto is a fine example the more restrained and less opulent textures the composer developed in his later years) than the original version of 1913. It represents a supreme challenge to the pianist in either version, and has all the hallmarks of the composer at the height of his powers – he had just finished his huge choral symphony The Bells at the same time. The 6 Moments Musicaux, Op. 16 are early works which exhibit the flamboyance of the youthful virtuoso. Sonya Bach includes three of the Preludes from the Op. 23 set.

Ensemble Emigré - Robert Kahn: Leaves from the tree of life (2021)

Posted By: ciklon5
Ensemble Emigré - Robert Kahn: Leaves from the tree of life (2021)

Ensemble Emigré - Robert Kahn: Leaves from the tree of life (2021)
FLAC tracks +booklet | 01:01:43 | 215 Mb
Genre: Classical / Label: Rubicon

Robert Kahn was born in Mannheim in 1865 and died in Biddenden, Kent in 1951. How did a composer who impressed Brahms, and who the older composer offered to give lessons to end up in the UK in a small village? Kahn became an influential professor of music at the Berlin Hochschule, and before that had his works performed by the Joachim Quartet, and the Berlin Philharmonic under Hans von Bülow. Kahn was a friend of Joachim, von Bülow, Adolf Busch and Richard Mühlfeld. His compositional style was along the lines of Mendelssohn, Schuman and Brahms, he was an admirer of Reger, whose contrapuntalism no doubt had an influence upon Kahn. He avoided large scale romantic forms, and became famed for his songs, choral works, chamber music and the huge Tagebuch in Tönen, (Music from the Tree of Life) a collection of solo piano works, suites for piano and lieder that run to over 1100 pieces.

Rufus Müller & Hammer Clavier Trio - Oh sweet were the hours (2021)

Posted By: ciklon5
Rufus Müller & Hammer Clavier Trio - Oh sweet were the hours (2021)

Rufus Müller & Hammer Clavier Trio - Oh sweet were the hours (2021)
FLAC tracks | 00:48:22 | 190 Mb
Genre: Classical / Label: Rubicon

However, as Beethoven biographer Barry Cooper suggests, the composer also sensed beyond monetary compensation the perennial power of the folk-melody and the potential ensuing benefit of his own musical association with the project, so as to create with Thomson a folksong movement for future generations.Beethoven delivered the challenging arrangements and Thomson struggled to sell them, asking Beethoven if he could simplify his arrangements. Beethoven’s wonderfully dusty response was “I am not accustomed to retouching my compositions: I have never done so, certain of the truth that any partial change alters the character of the composition. I am sorry that you are the loser, but you cannot blame me, since it was up to you to make me better acquainted with the taste of your country and the little facility of your performers.”