Tavener wrote the extraordinarily moving …Depart in Peace… following the death of his father. Written for soprano, violin, tampura and strings it features Eastern elements and a glittering setting of the Song of Simeon ; Patricia Rozario and Clio Gould are outstanding soloists in this beautiful piece. Clio Gould’s perfectly pitched and emotive violin playing takes centre stage in My Gaze is Ever upon You and Tears of the Angels . John Tavener, who passed away in 2013, was described as one of ‘ the very best creative talents of his generation ’ by The Times; these compositions are among his finest.

This is a perfectly reasonable recording of Bach's works for violin and orchestra and anyone who has not heard the works before will no doubt find them more than adequate. Violinist and leader Jonathan Rees is a fine player with a sweet tone and a warm style and he takes the strings of the Scottish Ensemble through thoroughly professional performances of the works. When joined by spry violinist Jane Murdoch in the Concerto for two violins and plangent oboist Nicholas Daniel in the Concerto for violin and oboe, Rees proves himself a graceful and considerate partner. Virgin's early-'90s sound is a bit thin on top but still clean and clear.

Composers Craig Armstrong and Calum Martin have embarked upon a new collaboration, which began as a meeting of ideas with a mutual, long-held belief that there was a special project to be written, looking at the unique spiritual tradition of Gaelic Psalm singing. This has been achieved in a most spectacular way on the brand new album, ‘The Edge of the Sea’, featuring two new works: ‘The Martyrdom Variations’, and ‘Ballantyne’; with the concept being realised by bringing together a curated congregation by Calum’s from the Isles of Lewis and Harris in the Outer Hebrides of Scotland, along with the outstanding talent and enthusiasm of the Scottish Ensemble. It was agreed at the outset by them both that any music based on the Gaelic Psalms would have to be respectful of the tradition and that the composition written to accompany the singing would allow complete freedom of expression for the singing style.