"Coming Up" is the third studio album by the English rock band Suede, released in September 1996. It was a commercial success, reaching number one on the UK Albums Chart and producing five top-ten singles, marking a shift to a more pop-oriented sound following the departure of guitarist Bernard Butler. Collected here are selected recordings from the reading gig, broadcast on BBC radio 1, plus some previously unreleased studio takes of the album’s tracks recorded for the station’s evening session and Mark Radcliffe shows. Cherrypicked by the band as the best possible ‘coming up’ BBC recordings, they’ve been sequenced for ‘coming up at The BBC’ in the same order as the original studio album.

Suede have announced details of their 10th studio album ‘Antidepressants’. Due for release on 5th September via BMG, the album is a milestone achievement that sees the band at the top of their game. It follows the success of their critically-acclaimed ninth top 10 album ‘Autofiction’ released in September 2022, which charted at No.2 on the UK Albums Chart and was their highest-charting release in over 20 years. Suede will celebrate the release of ‘Antidepressants’ with a takeover of London’s Southbank Centre, through a series of exciting live performances kicking off in September, Suede’s four-night residency will commence with two consecutive nights at the Royal Festival Hall on September 13th and 14th, followed on September 17th by an intimate stripped-back performance at the Purcell Room, culminating in a collaboration with the Paraorchestra on September 19th at the Queen Elizabeth Hall.

Suede have announced details of their 10th studio album ‘Antidepressants’. Due for release on 5th September via BMG, the album is a milestone achievement that sees the band at the top of their game. It follows the success of their critically-acclaimed ninth top 10 album ‘Autofiction’ released in September 2022, which charted at No.2 on the UK Albums Chart and was their highest-charting release in over 20 years. Suede will celebrate the release of ‘Antidepressants’ with a takeover of London’s Southbank Centre, through a series of exciting live performances kicking off in September, Suede’s four-night residency will commence with two consecutive nights at the Royal Festival Hall on September 13th and 14th, followed on September 17th by an intimate stripped-back performance at the Purcell Room, culminating in a collaboration with the Paraorchestra on September 19th at the Queen Elizabeth Hall.

Classic Britpop is strikingly relevant again in 2025, with Pulp touring off a revitalizing record, the echo of Blur's last one still ringing in the background, and Oasis-mania spreading like contagion. The fourth big tentpole group, Suede, may have never had the sweep of the others in America, but their fandom has a deep, deep devotion—and it's sure to be energized by the band's 10th album. Antidepressants arrives 32 years after their first and sounds brash and muscular.

#SUEDE are on the cover of the September issue of MOJO, available in stores from Monday. This brilliant photo was taken by Kevin Westenberg This issue includes an exclusive Outsiders CD featuring live, rare, and unreleased tracks, including ‘Criminal Ways’, a brand new song from Antidepressants.

Exclusively for Record Store Day 2025, Demon Records are thrilled to present ‘Sci-Fi Lullabies: Volume 2’, a sequel to the classic 1997 B-Sides compilation by Suede.

Suede’s era-defining second album from 1994 celebrates its 30th anniversary this year. It was the last album to feature the band’s guitarist and co-songwriter Bernard Butler. It includes the classic hit singles ‘We Are The Pigs’, ‘The Wild Ones’, and ‘New Generation’. Art and design for this new format has been undertaken for Suede by official designer and photographer Paul Khera. On the reissue, bassist and founding member Mat Osman said this in a press release: “Your first album is songs you’ve been playing live for a long time. Generally, it’s almost set. The songs evolved in a certain way and you’re just trying to get them down. Dog Man Star was the first time where we just said, ‘Right, what happens if you push everything further? The slow songs, we take all the drums out. If we have a big closing song, we’ll have a fucking orchestra. To start the record, let’s have something that’s on one chord, and it’s just like a mantra. The kind of band we are, how far can we take it before it breaks?’”

Few bands in the '90s Brit-pop scene carried as much melodramatic weight as Suede. Singles, despite its generic moniker, does an excellent job illuminating the fact that Bernard Butler and Brett Anderson were far more David Bowie and Mick Ronson than the oft-cited Morrissey/Johnny Marr press quips would have you believe. The group's penchant for neo-glam excess and apocalyptic grandstanding inundated their entire time line, from 1992's "Animal Nitrate" and "Metal Mickey" all the way through to 2002's New Morning, despite the switching out of Butler for the flashier Richard Oakes. While the group's 1993 debut and 1994 follow-up Dog Man Star remain required listening for anyone with even a passing interest in the scene, this collection, paired with 1997's Sci-Fi Lullabies, presents a near perfect picture of one of the late-'90s most underrated acts.

After reforming for a charity concert at the Royal Albert Hall for the Teenage Cancer Trust in 2010, Suede decided to stay together and record a new album. Re-united with Ed Buller, producer of the band’s first three albums, they recorded “Bloodsports”, the band’s sixth album, in 2012. Released in March 2013, it debuted at number 10 in the UK albums chart and features the singles “It Starts And Ends with You”, “Hit Me” and “For The Strangers”. In this special 10thanniversary 2CD set, CD1 features the original album, while additional CD2 contains the eight non-album B-sides, collected together on one disc for the first time. The two CDs are presented in brand new seven-inch deluxe gatefold packaging, with an 8-page booklet which includes all the lyrics (including the B-sides) and the credits.

Suede return with Autofiction: Expanded - a deluxe version of critically acclaimed album ‘Autofiction’, which debuted at #2 in the UK Albums Chart and marked Suede’s highest charting LP since 1999’s Head Music. Accompanying the original album on the special limited edition 3CD release are B-sides and additional album session material, as well as an ‘Autofiction’ live album recorded on their March 2023 UK tour.

Limited two CD set in 7" packaging. Includes bonus CD containing non-album tracks. American version released under the name The London Suede. Released in March 1993, The London Suede's self-titled debut was a critical and commercial triumph, winning the prestigious Mercury Music Prize for Album Of The Year and hitting the #1 spot on the UK Album Chart.

The London Suede return with their ninth studio album Autofiction, set for release on 16th September 2022 via BMG. As The London Suede began work on the songs that would become Autofiction, they decided to go back to basics. In a move that recalled their most formative days, Brett Anderson, Mat Osman, Simon Gilbert, Richard Oakes and Neil Codling schlepped to a rehearsal studio in deserted Kings Cross to collect a key, hump their own gear, set up and start playing.

Album from Suede for the first time in 11 years since the release of "New Morning.." Includes two Japanese-edition bonus tracks. Comes with lyrics and liner notes. This edition includes a bonus DVD with music video and making-of.

The London Suede return with their ninth studio album Autofiction, set for release on 16th September 2022 via BMG. As The London Suede began work on the songs that would become Autofiction, they decided to go back to basics. In a move that recalled their most formative days, Brett Anderson, Mat Osman, Simon Gilbert, Richard Oakes and Neil Codling schlepped to a rehearsal studio in deserted Kings Cross to collect a key, hump their own gear, set up and start playing.

Suede return with their ninth studio album Autofiction, set for release on 16th September 2022 via BMG.
As Suede began work on the songs that would become Autofiction, they decided to go back to basics. In a move that recalled their most formative days, Brett Anderson, Mat Osman, Simon Gilbert, Richard Oakes and Neil Codling schlepped to a rehearsal studio in deserted Kings Cross to collect a key, hump their own gear, set up and start playing.
Speaking about Autofiction, Brett Anderson said: "Autofiction is our punk record. No whistles and bells. Just the five of us in a room with all the glitches and fuck-ups revealed; the band themselves exposed in all their primal mess."
First single ‘She Still Leads Me On’ is the track that reconfigured what the album could be. A beautiful song written from Brett to his late mother. As its title suggests, Autofiction is one of Anderson’s most personal records yet. Reflecting on the process of writing acclaimed works of memoir Coal Black Mornings and Afternoons With The Blinds Drawn helped Brett get a newfound perspective on himself as a performer and singer in the public eye, much of which has bled into the lyricism of Autofiction.