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Susanne Heinrich - Tobias Hume: Passion & Division (2010)

Posted By: Designol
Susanne Heinrich - Tobias Hume: Passion & Division (2010)

Susanne Heinrich - Tobias Hume: Passion & Division (2010)
The First Part of Ayres - Captain Humes Musicall Humors, 1605

EAC | FLAC | Image (Cue&Log) ~ 267 Mb | Mp3 (CBR320) ~ 166 Mb | Artwork included
Classical, Renaissance | Label: Hyperion | # CDA67811 | Time: 01:10:43

The works for viola da gamba of Elizabethan soldier and composer Tobias Hume are wonderfully eccentric, highly entertaining, and often deeply moving, but not often recorded, so new recordings are always welcome. This 2009 Hyperion disc by German gambist Susanne Heinrich may not be the most poetic, soulful Hume recording ever made – that honor would go to the incomparable Jordi Savall – but it is nevertheless a fine addition to the composer's catalog. With her warm but penetrating tone, polished but passionate technique, and acute sensitivity, Heinrich is a first-class player and interpreter, and her performances are wholly sympathetic to the music. Her account of the bleak "I am Melancholy" is as effective as that of the droll "Tickell, tickell," and her reading of the cheerful "Life" is as moving as that of the grim "Deth." Recorded in transparent and present digital sound, this disc deserves to be heard by all admirers of music for viola da gamba.

Susanne Heinrich - Mr Abel’s Fine Airs - Carl Friedrich Abel: Music for solo viola da gamba (2007)

Posted By: Designol
Susanne Heinrich -  Mr Abel’s Fine Airs - Carl Friedrich Abel: Music for solo viola da gamba (2007)

Susanne Heinrich - Mr Abel’s Fine Airs - Carl Friedrich Abel: Music for solo viola da gamba (2007)
EAC | FLAC | Image (Cue&Log) ~ 341 Mb | Mp3 (CBR320) ~ 179 Mb | Artwork included
Genre: Classical | Label: Hyperion | # CDA67628 | Time: 01:17:46

Carl Friedrich Abel (1723–1787) was a contemporary of J C Bach, and a fashionable performer and promoter in London in the eighteenth century. By that time the viola da gamba was a rarity, but Abel’s performances sparked a revival of interest among performers and audiences. The works recorded on this disc (six of which have never been previously recorded) can be seen as musical expositions of sensibility, inhabiting the same tragic world as the gamba solos in J S Bach’s Passions. Abel’s contemporary Charles Burney commented on the musician’s ability to ‘breathe’ the notes as he played them, and this extraordinary sensitivity is present too in the beautiful playing of Susanne Heinrich.