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WDR Sinfonieorchester, Tamara Stefanovich, Peter Rundel & Mariano Chiacchiarini - Hans Abrahamsen: Left, alone (2023)

Posted By: delpotro
WDR Sinfonieorchester, Tamara Stefanovich, Peter Rundel & Mariano Chiacchiarini - Hans Abrahamsen: Left, alone (2023)

WDR Sinfonieorchester, Tamara Stefanovich, Peter Rundel & Mariano Chiacchiarini - Hans Abrahamsen: Left, alone (2023)
WEB FLAC (tracks) - 206 Mb | MP3 CBR 320 kbps - 119 Mb | Digital booklet | 00:48:38
Classical | Label: Winter & Winter

Hans Abrahamsen is one of the most important contemporary composers. Numerous productions have already been published by Winter & Winter and have attracted great attention from the public and the press. "Let me tell you" is one of the greatest worldwide successes in contemporary music. With the WDR production "Left, alone" Winter & Winter continues its canon with Hans Abrahamsen. Ten Sinfonias, Left, alone and Two Pieces in Slow Time can be heard on this album. Ten Sinfonias, recorded under the direction of Peter Rundel, Left, alone under Mariano Chiacchiarini with Tamara Stefanovich on piano and Two Pieces in Slow Time with soloists from the WDR Symphony Orchestra, form an exciting and multi-layered album with important key works by Hans Abrahamsen. A production with the WDR Symphony Orchestra.

Tamara Stefanovich & Pierre-Laurent Aimard - Visions (2022)

Posted By: delpotro
Tamara Stefanovich & Pierre-Laurent Aimard - Visions (2022)

Tamara Stefanovich & Pierre-Laurent Aimard - Visions (2022)
WEB FLAC (tracks) - 224 Mb | MP3 CBR 320 kbps - 161 Mb | Digital booklet | 01:08:45
Classical | Label: Pentatone

Visions offers Tamara Stefanovich and Pierre-Laurent Aimard’s return to Pentatone, presenting a programme revolving around Messiaen’s intoxicating Visions de l‘amen for two pianos. This centrepiece is surrounded by Enescu’s Carillon nocturne, Knussen’s Prayer Bell Sketch and Clock IV from Birtwistle’s Harrison’s Clocks. The works performed all share a fascination for the sound of bells, and Stefanovich and Aimard invite the listener on a mesmerizing acoustic journey.

Tamara Stefanovich, Mark Padmore - Thomas Larcher: What Becomes (2014)

Posted By: Designol
Tamara Stefanovich, Mark Padmore - Thomas Larcher: What Becomes (2014)

Tamara Stefanovich, Mark Padmore - Thomas Larcher: What Becomes (2014)
EAC | FLAC | Image (Cue&Log) ~ 175 Mb | Mp3 (CBR320) ~ 170 Mb | Scans included
Label: Harmonia Mundi | # HMU 907604 | Time: 01:13:19
Classical, Contemporary, Modern Composition

Thomas Larcher s sound world is both original and captivating in its fusion of contemplative harmonies with innovative performance techniques. Written for and performed by tenor Mark Padmore, 'A Padmore Cycle' features the composer at the keyboard. Works for solo piano performed by Tamara Stefanovich round out this programme of first recordings. Born 1963 in Innsbruck, composer Thomas Larcher studied piano and composition in Vienna. He first gained renown primarily as a pianist, performing with major orchestras and prominent conductors such as Claudio Abbado, Pierre Boulez and Franz Welser Möst. In 1998, he began to define himself more clearly as a composer. Since then he has composed works for the San Francisco Orchestra, the BBC Symphony Orchestra, London Sinfonietta, the Belcea Quartet, and for Leif Ove Andsnes, Matthias Goerne, Mark Padmore and Viktoria Mullova and Matthew Barley. He has recorded five CDs with ECM, most recently 'Madhares' with Kim Kashkashian, Till Fellner and Dennis Russell Davies.

Tamara Stefanovich - Influences: Ives, Bartok, Messiaen, Bach (2019)

Posted By: ArlegZ
Tamara Stefanovich - Influences: Ives, Bartok, Messiaen, Bach (2019)

Tamara Stefanovich - Influences: Ives, Bartok, Messiaen, Bach (2019)
EAC | FLAC | Image (Cue & Log) ~ 264 Mb | Total time: 79:39 | Scans included
Classical | Label: Pentatone ‎| # PTC5186741 | Recorded: 2018

On her first Pentatone album, pianist Tamara Stefanovich presents a highly personal selection of solo works by Bach, Bartók, Ives and Messiaen. Influences shows how these extraordinarily original and idiosyncratic composers let themselves be inspired by the exterior world, thereby demonstrating how authenticity comes from looking outside as well as inside. The repertoire spans from Bach's embrace of Italian musical elements in his Aria variata alla maniera italiana, Bartók's incorporation of folk elements in his Improvisations on Hungarian Peasant Songs, and Messiaen's use of Hindu rhythms in Cantéyodjayâ to the collage of marching bands, sounds of trains and machinery, church hymns, ragtime and blues in Ives' first piano sonata.