Take these Icelandic works as representational, as suggested by the titles Oceans and Quake, and perhaps Metacosmos. Or take them as abstract, along the lines of the title Concurrence (and that of the successful predecessor to this album, Recurrence). It doesn't really matter: the perspectives converge in the music, which is virtuosic and dense, yet elemental and viscerally affecting. The four works might be grouped in several ways. Haukur Tómasson's Piano Concerto No. 2 and Páll Ragnar Pálsson's Quake each make use of a solo instrument (in Pálsson's case a cello), and listeners could easily become engrossed in the treatment of the soloist in these two works alone.

35 tracks and just one name: Johann Sebastian Bach. Icelandic pianist Víkingur Ólafsson continues his successful recording career with a collection of well and lesser known pieces by the famous baroque composer. The selection includes reworks by Bach himself of composers such as Vivaldi and Busoni and Transcriptions/Reworks of Chorals by Víkingur Ólafsson himself. Víkingur Ólafsson’s interpretation of the baroque repertoire are crystal clear, modern and hauntingly beautiful. In his very own style Víkingur perfectly captures Bach as a master of balance whose music is the ideal combination of emotion and intellect, singing melody and sculpted counterpoint.

With over one billion streams worldwide, Víkingur Ólafsson is one of the most listened-to classical artists of our time. Following the global success of his Grammy®-winning recording of the Goldberg Variations, the Icelandic pianist now presents his latest album: Opus 109. At its heart is Beethoven’s Piano Sonata No. 30 in E major, Op. 109, a masterpiece of the composer’s late period, which Víkingur places in an illuminating and musically thrilling temporal dialogue, tracing the lineages that converge on this beloved beacon of the piano literature.

Recent GRAMMY®-winner Víkingur Ólafsson announces his new upcoming album Opus 109. At the heart of the project is Beethoven’s Piano Sonata No. 30 in E major, Op. 109, a masterpiece of the composer’s late period, which Víkingur places in an illuminating and musically thrilling temporal dialogue, tracing the lineages that converge on this beloved beacon of the piano literature. While the pianist considers Bach as a vital precursor to Op. 109, represented on the album by three works including the monumental Partita No. 6, he also feels that Beethoven’s own Sonata No. 27 in E minor, Op. 90 acted not only as a precursor of Op. 109 but also as a direct influence on Schubert, in particular his early two-movement Sonata in E minor, D. 566. These two Beethoven and single Schubert sonatas form the conceptual spine of the programme. Yet Ólafsson notes that both composers confront Bach “as every great composer must.” The whole album is in the key realm of E, both major and minor modes, which for the pianist, who has synaesthesia, makes it full of lush and vibrant shades of green.

Víkingur Ólafsson goes back to Bach for his highly anticipated new album. Celebrated for his visionary interpretations of the composer’s music, the Icelandic pianist follows up the award-winning Johann Sebastian Bach of 2018 with this stunning recording of the Goldberg Variations, a work he’s dreamed of recording for 25 years. Check out Víkingur’s tour dates to experience his live performances of this monumental work, to which he is devoting the entire 2023–24 season and get a first taste by watching his video of the opening Aria.

This limited edition presents three outstanding albums by Víkingur Ólafsson in a box set including additional fan content and deluxe packaging. With three albums on Deutsche Grammophon so far Ólafsson is known as one of the most exciting pianists of today and widely acknowledged for his “individuality of spirit and intelligence of execution” (Limelight Magazine).

Celebrated for his innovative programming and award-winning recordings, Icelandic pianist Víkingur Ólafsson is offering a window into his musical life story with his new album, From Afar. The highly personal double album reflects Ólafsson’s musical DNA, from childhood memories growing up in Iceland to his international career and contemporary inspirations.

A truly beautiful and unique tracklist with rarities including Víkingur Ólafsson’s new arrangement for piano of a Bach Cantata, rare transcriptions for guitar, for mandolin and even String Quartet; alongside familiar Bach masterpieces, all played by the world’s greatest classical artists, curated and presented Deutsche Grammophon.

For his latest album, Ólafsson presents some of his favourite Mozart keyboard works in the company of pieces by a selection of the composer’s leading contemporaries. Juxtaposing works by Mozart, Haydn and C.P.E. Bach with rarely-recorded Galuppi and Cimarosa, Mozart & Contemporaries dispels the image of Mozart as the angelic and prodigious idiot savant, instead presenting a mature composer through music primarily dating from the 1780s: a resourceful, hard-working adult who had come to know adversity. All is artfully brought together by Ólafsson’s signature thought-provoking programming.

'Reflections' features 'reworkings' by Ólafsson and other contemporary artists - alongside several of the Icelandic pianist's unreleased Debussy recordings. Víkingur Ólafsson's remarkable originality and powerful musical conviction have seen him become one of the most sought-after artists of today. The global success of 'Debussy Rameau' follows that of his award-winning 'Johann Sebastian Bach' album and its sister release, 'Bach Reworks', featuring reimaginings by such diverse artists as Peter Gregson, Hildur Guðnadóttir, Ryuichi Sakamoto, and Skúli Sverrisson. The same thread of inspiration runs through this release, as Ólafsson and his fellow composers celebrate the work of two French masters and translate their musical languages into a contemporary idiom.

For his latest album, Ólafsson presents some of his favourite Mozart keyboard works in the company of pieces by a selection of the composer’s leading contemporaries. Juxtaposing works by Mozart, Haydn and C.P.E. Bach with rarely-recorded Galuppi and Cimarosa, Mozart & Contemporaries dispels the image of Mozart as the angelic and prodigious idiot savant, instead presenting a mature composer through music primarily dating from the 1780s: a resourceful, hard-working adult who had come to know adversity. All is artfully brought together by Ólafsson’s signature thought-provoking programming.

Fresh from his hugely acclaimed and multi -award-winning album Johann Sebastian Bach, Icelandic pianist Víkingur Ólafsson’s third Deutsche Grammophon recording pairs works by two revolutionary French composers separated by a century and a half: Jean-Philippe Rameau and Claude Debussy.

'Reflections' features 'reworkings' by Ólafsson and other contemporary artists - alongside several of the Icelandic pianist's unreleased Debussy recordings. Víkingur Ólafsson's remarkable originality and powerful musical conviction have seen him become one of the most sought-after artists of today. The global success of 'Debussy Rameau' follows that of his award-winning 'Johann Sebastian Bach' album and its sister release, 'Bach Reworks', featuring reimaginings by such diverse artists as Peter Gregson, Hildur Guðnadóttir, Ryuichi Sakamoto, and Skúli Sverrisson. The same thread of inspiration runs through this release, as Ólafsson and his fellow composers celebrate the work of two French masters and translate their musical languages into a contemporary idiom.

Pianist Víkingur Ólafsson releases the third volume in the Debussy • Rameau Reflections series, featuring reworks by Víkingur Ólafsson and other groundbreaking artists including Icelandic singer-songwriter Helgi Jónsson, genre-defying Icelandic duo Hugar, Texas-based post-rock minimalist ensemble Balmorhea and Christian Badzura, Vice President A&R New Repertoire at Deutsche Grammophon.