For the first time together on one release the career spanning collection from the birth of Visage in 1978 to the final tracks from Steve Strange and Visage before his untimely death in 2015. Visage began in 1978 when Steve Strange and Blitz Club partner-in-crime, Rusty Egan, joined forces with Midge Ure to create a futuristic, synthesizer-led group where style and fashion were matched with experimental, yet accessible music. They recorded their first demos in EMIs Manchester Square studios and soon honed a futuristic, synthesizer-based sound. They recorded their first single "Tar" with Martin Rushent at his Genetic Studio in 1978 (shortly to become the birthplace of the Human League's "Dare" album).

Polydor/Universal’s The Face: The Very Best Of Visage collects 15 tracks from the early-'80s synth pop supergroup (featuring members of Magazine, Ultravox, and The Rich Kids), including four versions of their international smash, "Fade to Grey." Longtime listeners who picked up 1993’s Fade to Grey: The Singles Collection will find much of the same here (minus fan favorite “Beat Boy”), but the remixes – which range from excellent (“Fade to Grey" [Michael Gray Mix 2009]) to just passable (“Fade to Grey" [Lee Mortimer Remix 2009]) – and the ultra-hot, club-ready mastering job should entice those who have yet to add these over the top electro-pop legends to their MP3 collections.

This 2013 anthology of the British synth pop group Visage is essentially an expanded edition of 1983's Fade to Grey: The Singles Collection. In 1993, it was rebranded under its current title Fade to Grey: The Best of Visage with the addition of two more tracks ("Love Glove" and "Fade to Grey [Bassheads 7" edit]"), both of which have been jettisoned from the 2013 version, along with the fantastic new romantic album cover and a handful of other tracks. So what makes the updated set noteworthy? Well, there are a couple of BBC versions of "The Anvil" and "Can You Hear Me?" and dance mixes of the sleek "Mind of a Toy," the guitar-heavy "We Move," and their early post-disco single "Frequency 7."

Midge Ure's career, as fans well know, did not begin or end with Ultravox, and so If I Was: The Very Best of Midge Ure & Ultravox attempts to give an overview of one of '80s' Britain's most popular singers. As a career retrospective goes, however, it's pretty spotty. The Scottish vocalist first found fame with the pop band Slik, who scored a chart topper with "Forever and Ever" in 1976. Unfortunately, you won't find that here, nor its hit follow-up, scored just as a car accident took the band out of the charts. Once recovered, Ure moved on. His first port of call, in 1978, was ex-Pistol Glen Matlock's punk/post-punk supergroup the Rich Kids, who released a single and album, although this compilation draws nothing from this period, either. The following year, with the Kids in disarray, Ure helped form the even more illustrious Visage. Joining him there was Ultravox's Billy Currie and, before the year was out, Ure was fronting two hit-bound bands. Visage gets short shrift here, with Ultravox invariably, if unfairly, better represented. But even this wasn't enough to keep the singer busy. In 1981, as both bands' albums and singles swept up the charts, Ure linked up with Thin Lizzy's Phil Lynott for yet another hit, "Yellow Pearl".

The very beginnings of the short lived New Romantic movement of the early 80’s can be traced back to one band, Visage. With a style built around flamboyant fashions and make up, New Romantic was a highly visual expression perfect for the new music video generation. Visage was a sort of super group, fronted by vocalist Steve Strange, famous for his antics of enforcing a strict door policy at the Blitz club. The musicians came from various bands, including Ultravox, Rich Kids and Magazine, bringing a wealth of collective talent to the project. The resulting 1980 self-titled debut album was an immediate hit, supported by several successful singles, including ‘Mind of a Toy’, ‘Visage’ and their trademark ‘Fade to Grey’. Strong dance beats, moody synthesizers, as well as an occasional squealing sax, were the backdrop to Strange’s unique vocal style. This long overdue expanded edition is remastered from original master tapes and includes for the first time all Polydor-related period material on one CD for a total of 17 tracks.

After their initial success with the hit single Fade To Grey and the self-titled debut album, Visage returned in 1982 with another groundbreaking and innovative album, The Anvil. Including the UK top 20 singles The Damned Don't Cry and Night Train, The Anvil soared into the UK top 10 album chart, firmly establishing the New Romantic super group as bonafide hit makers. With sophisticated dance beats and haunting melodies, masterminded primarily by Ultravox front man Midge Ure and delivered by the inimitable Steve Strange, Visage had their legacy guaranteed. This brand new 2020 edition CD reissue of The Anvil has been newly remastered from original master tapes and boasts 7 bonus tracks including B sides, rare dance mixes, and a previously unreleased remix.

With two successful albums and seven well received singles over the previous several years, the time was ripe for a Visage album compiling highlights from that accomplishment. Originally released in late 1983, Fade To Grey - The Singles Collection was a milestone for a band who brought New Romantic to the singles chart and the dance floors. Those who bought the cassette edition were in for a surprise to find not only a number of dance mixes not on the LP, but the album segued from one track into the next for a non-stop Visage experience. The popularity of this 'Special Dance Mix Album' led to a very limited vinyl pressing, which has since become a sought after collector's item.